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Title: Patchwork
       A Story of 'The Plain People'

Author: Anna Balmer Myers

Illustrator: Helen Mason Groce

Release Date: October 2, 2007 [EBook #22827]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK PATCHWORK ***




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[Illustration: "OH, LOOK AT THIS--AND THIS!"]




PATCHWORK

A STORY OF

"THE PLAIN PEOPLE"

By ANNA BALMER MYERS

[Illustration]

        WITH FRONTISPIECE IN COLOR BY
        HELEN MASON GROSE

        A. L. BURT COMPANY
        Publishers         New York

        Published by arrangement with George W. Jacobs & Company

        Copyright, 1920, by
        GEORGE W. JACOBS & COMPANY




        All rights reserved
        _Printed in U.S.A._

        _To my Mother and Father
        this book is lovingly inscribed_




Contents


  CHAPTER                                                    PAGE

       I. CALICO PATCHWORK                                     13

      II. OLD AARON'S FLAG                                     29

     III. LITTLE DUTCHIE                                       40

      IV. THE NEW TEACHER                                      52

       V. THE HEART OF A CHILD                                 70

      VI. THE PRIMA DONNA OF THE ATTIC                         92

     VII. "WHERE THE BROOK AND RIVER MEET"                    110

    VIII. BEYOND THE ALPS LIES ITALY                          119

      IX. A VISIT TO MOTHER BAB                               129

       X. AN OLD-FASHIONED COUNTRY SALE                       146

      XI. "THE BRIGHT LEXICON OF YOUTH"                       166

     XII. THE PREACHER'S WOOING                               176

    XIII. THE SCARLET TANAGER                                 189

     XIV. ALADDIN'S LAMP                                      203

      XV. THE FLEDGLING'S FLIGHT                              207

     XVI. PHOEBE'S DIARY                                       212

    XVII. DIARY--THE NEW HOME                                 221

   XVIII. DIARY--THE MUSIC MASTER                             226

     XIX. DIARY--THE FIRST LESSON                             229

      XX. DIARY--SEEING THE CITY                              235

     XXI. DIARY--CHRYSALIS                                    240

    XXII. DIARY--TRANSFORMATION                               245

   XXIII. DIARY--PLAIN FOR A NIGHT                            251

    XXIV. DIARY--DECLARATIONS                                 256

     XXV. DIARY--"THE LINK MUST BREAK AND THE LAMP MUST DIE"  261

    XXVI. "HAME'S BEST"                                       268

   XXVII. TRAILING ARBUTUS                                    271

  XXVIII. MOTHER BAB AND HER SON                              284

    XXIX. PREPARATIONS                                        291

     XXX. THE FEAST OF ROSES                                  295

    XXXI. BLINDNESS                                           303

   XXXII. OFF TO THE NAVY                                     310

  XXXIII. THE ONE CHANCE                                      315

   XXXIV. BUSY DAYS                                           319

    XXXV. DAVID'S SHARE                                       327

   XXXVI. DAVID'S RETURN                                      331

  XXXVII. "A LOVE THAT LIFE COULD NEVER TIRE"                 335




Patchwork




CHAPTER I

CALICO PATCHWORK


THE gorgeous sunshine of a perfect June morning invited to the great
outdoors. Exquisite perfume from myriad blossoms tempted lovers of
nature to get away from cramped, man-made buildings, out under the blue
roof of heaven, and revel in the lavish splendor of the day.

This call of the Junetide came loudly and insistently to a little girl
as she sat in the sitting-room of a prosperous farmhouse in Lancaster
County, Pennsylvania, and sewed gaily-colored pieces of red and green
calico into patchwork.

"Ach, my!" she sighed, with all the dreariness which a ten-year-old is
capable of feeling, "why must I patch when it's so nice out? I just
ain't goin' to sew no more to-day!"

She rose, folded her work and laid it in her plaited rush sewing-basket.
Then she stood for a moment, irresolute, and listened to the sounds
issuing from the next room. She could hear her Aunt Maria bustle about
the big kitchen.

"Ach, I ain't afraid!"

The child opened the door and entered the kitchen, where the odor of
boiling strawberry preserves proclaimed the cause of the aunt's
activity.

Maria Metz was, at fifty, robust and comely, with black hair very
slightly streaked with gray, cheeks that retained traces of the rosy
coloring of her girlhood, and flashing black eyes meeting squarely the
looks of all with whom she came in contact. She was a member of the
Church of the Brethren and wore the quaint garb adopted by the women of
that sect. Her dress of black calico was perfectly plain. The tight
waist was half concealed by a long, pointed cape which fell over her
shoulders and touched the waistline back and front, where a full apron
of blue and white checked gingham was tied securely. Her dark hair was
parted and smoothly drawn under a cap of white lawn. She was a
picturesque figure but totally unconscious of it, for the section of
Pennsylvania in which she lived has been for generations the home of a
multitude of women similarly garbed--members of the plain sects, as the
Mennonites, Amish, Brethren in Christ, and Church of the Brethren, are
commonly called in the communities in which they flourish.

As the child appeared in the doorway her aunt turned.

"So," the woman said pleasantly, "you worked vonderful quick to-day
once, Phoebe. Why, you got your patches done soon--did you make little
stitches like I told you?"

"I ain't got 'em done!" The child stood erect, a defiant little figure,
her blue eyes grown dark with the moment's tenseness. "I ain't goin' to
sew no more when it's so nice out! I want to be out in the yard, that's
what I want. I just hate this here patchin' to-day, that's what I do!"

Maria Metz carefully wiped the strawberry juice from her fingers, then
she stood before the little girl like a veritable tower of amazement and
strength.

"Phoebe," she said after a moment's struggle to control her wrath, "you
ain't big enough nor old enough yet to tell me what you ain't goin' to
do! How many patches did you make?"

"Three."

"And you know I said you shall make four every day still so you get the
quilt done this summer yet and ready to quilt. You go and finish them."

"I don't want to." Phoebe shook her head stubbornly. "I want to play out
in the yard."

"When you're done with the patches, not before! You know you must learn
to sew. Why, Phoebe," the woman changed her tactics, "you used to like
to sew still. When you was just five years old you cried for goods and
needle and I pinned the patches on the little sewing-bird that belonged
to Granny Metz still and screwed the bird on the table and you sewed
that nice! And now you don't want to do no more patches--how will you
ever get your big chest full of nice quilts if you don't patch?"

But the child was too thoroughly possessed with the desire to be
outdoors to be won by any pleading or praise. She pulled savagely at
the two long braids which hung over her shoulders and cried, "I don't
want no quilts! I don't want no chests! I don't like red and green
quilts, anyhow--never, never! I wish my pop would come in; he wouldn't
make me sew patches, he"--she began to sob--"I wish, I just wish I had a
mom! She wouldn't make me sew calico when--when I want to play."

Something in the utter unhappiness of the little girl, together with the
words of yearning for the dead mother, filled the woman with a strange
tenderness. Though she never allowed sentiment to sway her from doing
what she considered her duty she did yield to its influence and spoke
gently to the agitated child.

"I wish, too, your mom was here yet, Phoebe. But I guess if she was
she'd want you to learn to sew. Ach, it's just that you like to be out,
out all the time that makes you so contrary, I guess. You're like your
pop, if you can just be out! Mebbe when you're old as I once and had
your back near broke often as I had with hoein' and weedin' and plantin'
in the garden you'll be glad when you can set in the house and sew. Ach,
now, stop your cryin' and go finish your patchin' and when you're done
I'll leave you go in to Greenwald for me to the store and to Granny
Hogendobler."

"Oh"--the child lifted her tear-stained face--"and dare I really go to
Greenwald when I'm done?"

"Yes. I need some sugar yet and you dare order it. And you can get me
some thread and then stop at Granny Hogendobler's and ask her to come
out to-morrow and help with the strawberry jelly. I got so much to make
and it comes good to Granny if she gets away for a little change."

"Then I'll patch quick!" Phoebe said. The world was a good place again
for the child as she went back to the sitting-room and resumed her
sewing.

She was so eager to finish the unpleasant task that she forgot one of
Aunt Maria's rules, as inexorable as the law of the Medes and
Persians--the door between the kitchen and the sitting-room _must_ be
closed.

"Here, Phoebe," the woman called sharply, "make that door shut! Abody'd
think you was born in a sawmill! The strawberry smell gets all over the
house."

Phoebe turned alertly and closed the door. Then she soliloquized, "I
don't see why there has to be doors on the inside of houses. I like to
smell the good things all over the house, but then it's Aunt Maria's
boss, not me."

Maria Metz shook her head as she returned to her berries. "If it don't
beat all and if I won't have my hands full yet with that girl 'fore
she's growed up! That stubborn she is, like her pop--ach, like all of us
Metz's, I guess. Anyhow, it ain't easy raising somebody else's child. If
only her mom would have lived, and so young she was to die, too."

Her thoughts went back to the time when her brother Jacob brought to the
old Metz farmhouse his gentle, sweet-faced bride. Then the joint
persuasions of Jacob and his wife induced Maria Metz to continue her
residence in the old homestead. She relieved the bride of all the brunt
of manual labor of the farm and in her capable way proved a worthy
sister to the new mistress of the old Metz place. When, several years
later, the gentle wife died and left Jacob the legacy of a helpless
babe, it was Maria Metz who took up the task of mothering the motherless
child. If she bungled at times in the performance of the mother's
unfinished task it was not from lack of love, for she loved the fair
little Phoebe with a passion that was almost abnormal, a passion which
burned the more fiercely because there was seldom any outlet in
demonstrative affection.

As soon as the child was old enough Aunt Maria began to teach her the
doctrines of the plain church and to warn her against the evils of
vanity, frivolity and all forms of worldliness.

Maria Metz was richly endowed with that admirable love of industry which
is characteristic of the Pennsylvania Dutch. In accordance with her
acceptance of the command, "Six days shalt thou labor," she swept,
scrubbed, and toiled from early morning to evening with Herculean
persistence. The farmhouse was spotless from cellar to attic, the wooden
walks and porches scrubbed clean and smooth. Flower beds, vegetable
gardens and lawns were kept neat and without weeds. Aunt Maria was, as
she expressed it, "not afraid of work." Naturally she considered it her
duty to teach little Phoebe to be industrious, to sew neatly, to help
with light tasks about the house and gardens.

Like many other good foster-mothers Maria Metz tried conscientiously to
care for the child's spiritual and physical well-being, but in spite of
her best endeavors there were times when she despaired of the
tremendous task she had undertaken. Phoebe's spirit tingled with the
divine, poetic appreciation of all things beautiful. A vivid imagination
carried the child into realms where the stolid aunt could not follow,
realms of whose existence the older woman never dreamed.

But what troubled Maria Metz most was the child's frank avowal of
vanity. Every new dress was a source of intense joy to Phoebe. Every new
ribbon for her hair, no matter how narrow and dull of color, sent her
face smiling. The golden hair, which sprang into long curls as Aunt
Maria combed it, was invariably braided into two thick, tight braids,
but there were always little wisps that curled about the ears and
forehead. These wisps were at once the woman's despair and the child's
freely expressed delight. However, through all the rigid discipline the
little girl retained her natural buoyancy of childhood, the spontaneous
interestedness, the cheerfulness and animation, which were a part of her
goodly heritage.

That June morning the world was changed suddenly from a dismal vale of
patchwork to a glorious garden of delight. She was still a child and the
promised walk to Greenwald changed the entire world for her.

She paused once in her sewing to look about the sitting-room. "Ach, I
vonder now why this room is so ugly to me to-day. I guess it's because
it's so pretty out. Why, mostly always I think this is a vonderful nice
room."

The sitting-room of the Metz farm was attractive in its old-fashioned
furnishing. It was large and well lighted. The gray rag carpet--woven
from rags sewed by Aunt Maria and Phoebe--was decorated with wide
stripes of green. Upon the carpet were spread numerous rugs, some made
of braided rags coiled into large circles, others were hooked rugs gaily
ornamented with birds and flowers and graceful scroll designs. The
low-backed chairs were painted dull green and each bore upon the four
inch panel of its back a hand-painted floral design. On the haircloth
sofa were several crazy-work cushions. Two deep rocking-chairs matched
the antique low-backed chairs. A spindle-legged cherry table bore an old
vase filled with pink and red straw flowers. The large square table,
covered with a red and green cloth, held a glass lamp, the old Metz
Bible, several hymn-books and the papers read in that home,--a weekly
religious paper, the weekly town paper, and a well-known farm journal. A
low walnut organ which Phoebe's mother brought to the farm and a tall
walnut grandfather clock, the most cherished heirloom of the Metz
family, occupied places of honor in the room. Not a single article of
modern design could be found in the entire room, yet it was an
interesting and habitable place. Most of the Metz furniture had stood in
the old homestead for several generations and so long as any piece
served its purpose and continued to look respectable Aunt Maria would
have considered it gross extravagance, even a sacrilege, to discard it
for one of newer design. She was satisfied with her house, her brother
Jacob was well pleased with the way she kept it--it never occurred to
her that Phoebe might ever desire new things, and least of all did she
dream that the girl sometimes spent an interesting hour refurnishing, in
imagination, the same old sitting-room.

"Yes," Phoebe was saying to herself, "sometimes this room is vonderful
to me. Only I wished the organ was a piano, like the one Mary Warner got
to play on. But, ach, I must hurry once and make this patch done. Funny
thing patchin' is, cuttin' up big pieces of good calico in little ones
and then sewin' them up in big ones again! I don't like it"--she spoke
very softly for she knew her aunt disapproved of the habit of talking to
one's self--"I don't like patchin' and I for certain don't like red and
green quilts! I got one on my bed now and it hurts my eyes still in the
morning when I get awake. I'd like a pretty blue and white one for my
bed. Mebbe Aunt Maria will leave me make one when I get this one sewed.
But now my patch is done and I dare to go to Greenwald. That's a
vonderful nice walk."

A moment later she stood again in the big kitchen.

"See," she said, "now I got them all done. And little stitches, too, so
nobody won't catch their toes in 'em when they sleep, like you used to
tell me still when I first begun to sew."

The woman smiled. "Now you're a good girl, Phoebe. Put your patches away
nice and you dare go to Greenwald."

"Where all shall I go?"

"Go first to Granny Hogendobler; that's right on the way to the store.
You ask her to come out to-morrow morning early if she wants to help
with the berries."

"Dare I stay a little?"

"If you want. But don't you go bringin' any more slips of flowers to
plant or any seeds. The flower beds are that full now abody can hardly
get in to weed 'em still."

"All right, I won't. But I think it's nice to have lots and lots of
flowers. When I have a garden once I'll have it full----"

"Talk of that some other day," said her aunt. "Get ready now for town
once. You go to the store and ask 'em to send out twenty pounds of
granulated sugar. Jonas, one of the clerks, comes out this way still
when he goes home and he can just as good fetch it along on his home
road. Your pop is too busy to hitch up and go in for it and I have no
time neither to-day and I want it early in the morning, and what I have
is almost all. And then you can buy three spools of white thread number
fifty. And when you're done you dare look around a little in the store
if you don't touch nothing. On the home road you better stop in the
post-office and ask if there's anything. Nobody was in yesterday."

"All right--and--Aunt Maria, dare I wear my hat?"

"Ach, no. Abody don't wear Sunday clothes on a Wednesday just to go to
Greenwald to the store. Only when you go to Lancaster and on a Sunday
you wear your hat. You're dressed good enough; just get your sunbonnet,
for it's sunny on the road."

Phoebe took a small ruffled sunbonnet of blue checked gingham from a
hook behind the kitchen door and pressed it lightly on her head.

"Ach, bonnets are vonderful hot things!" she exclaimed. "A nice parasol
like Mary Warner's got would be lots nicer. Where's the money?" she
asked as she saw a shadow of displeasure on her aunt's face.

"Here it is, enough for the sugar and the thread. Don't lose the
pocketbook, and be sure to count the change so they don't make no
mistake."

"Yes."

"And don't touch things in the store."

"No." The child walked to the door, impatient to be off.

"And be careful crossin' over the streets. If a horse comes, or a
bicycle, wait till it's past, or an automobile----"

"Ach, yes, I'll be careful," Phoebe answered.

A moment later she went down the boardwalk that led through the yard to
the little green gate at the country road. There she paused and looked
back at the farm with its old-fashioned house, her birthplace and home.

The Metz homestead, erected in the days of home-grown flax and
spinning-wheels, was plain and unpretentious. Built of gray, rough-hewn
quarry stone it hid like a demure Quakeress behind tall evergreen trees
whose branches touched and interlaced in so many places that the
traveler on the country road caught but mere glimpses of the big gray
house.

The old home stood facing the road that led northward to the little town
of Greenwald. Southward the road curved and wound itself about a steep
hill, sent its branches right and left to numerous farms while it, still
twisting and turning, went on to the nearest city, Lancaster, ten miles
distant.

The Metz farm was just outside the southern limits of the town of
Greenwald. The spacious red barn stood on the very bank of Chicques
Creek, the boundary line.

"It's awful pretty here to-day," Phoebe said aloud as she looked from
the house with its sheltering trees to the flower garden with its roses,
larkspur and other old-fashioned flowers, then to the background of
undulating fields and hills. "It's just vonderful pretty here to-day.
But, ach, I guess it's pretty most anywheres on a day like this--but not
in the house. Ugh, that patchin'! I want to forget it."

As she closed the gate and entered the country road she caught sight of
a familiar figure just ahead.

"Hello," she called. "Wait once, David! Is that you?"

"No, it ain't me, it's my shadow!" came the answer as a boy, several
years older than Phoebe, turned and waited for her.

"Ach, David Eby," she giggled, "you're just like Aunt Maria says still
you are--always cuttin' up and talkin' so abody don't know if you mean
it or what. Goin' in to town, too, once?"

"Um-uh. Say, Phoebe, you want a rose to pin on?" he asked, turning to
her with a pink damask rose.

"Why, be sure I do! I just like them roses vonderful much. We got 'em
too, big bushes of 'em, but Aunt Maria won't let me pull none off.
Where'd you get yourn?"

"We got lots. Mom lets me pull off all I want. You pin it on and be
decorated for Greenwald. Where all you going, Phoebe?"

"And I say thanks, too, David, for the rose," she said as she pinned the
rose to her dress. "Um, it smells good! Where am I goin'?" she
remembered his question. "Why, to the store and to Granny Hogendobler
and the post-office----"

"Jimminy Crickets!" The boy stood still. "That's where I'm to go! Me and
mom both forgot about it. Mom wants a money order and said I'm to get it
the first time I go to town and here I am without the money. It's home
up the hill again for me."

"Ach, David, don't you know that it's vonderful bad luck to go back for
something when you got started once?"

The boy laughed. "It _is_ bad luck to have to climb that hill again. But
mom'll say what I ain't got in my head I got to have in my feet. They're
big enough to hold a lot, too, Phoebe, ain't they?"

She giggled, then laughed merrily. "Ach," she said, "you say funny
things. You just make me laugh all the time. But it's mean, now, that
you are so dumb to forget and have to go back. I thought I'd have nice
company all the ways in, but mebbe I'll see you in Greenwald."

"Mebbe. Goo'bye," said the boy and turned to the hill again.

Phoebe stood a moment and looked after him. "My," she said to herself,
"but David Eby is a vonderful nice boy!" Then she started down the road,
a quaint, interesting little figure in her brown chambray dress with its
full, gathered skirt and its short, plain waist. But the face that
looked out from the blue sunbonnet was even more interesting. The blue
eyes, golden hair and fair coloring of the cheeks held promise of an
abiding beauty, but more than mere beauty was bounded by the ruffled
sunbonnet. There was an eagerness of expression, an alert understanding
in the deep eyes, a tender fluttering of the long lashes, an ever
varying animation in the child face, as though she were standing on
tiptoe to catch all the sunshine and glory of the great, beautiful world
about her.

Phoebe went decorously down the road, across the wooden bridge over the
Chicques, then she began to skip. Her full skirt fluttered in the light
wind, her sunbonnet slipped back from her head and flapped as she hopped
along the half mile stretch of country road bordered by green fields and
meadows.

"There's no houses here so I dare skip," she panted gleefully. "Aunt
Maria don't think it looks nice for girls to skip, but I like to do it.
I could just skip and skip and skip----"

She stopped suddenly. In a meadow to her right a tangle of bulrushes
edged a small pond and, perched on a swaying reed, a red-winged
blackbird was calling his clear, "Conqueree, conqueree."

"Oh, you pretty thing!" Phoebe cried as she leaned on the fence and
watched the bird. "You're just the prettiest thing with them red and
yellow spots on your wings. And you ain't afraid of me, not a bit. I
guess mebbe you know you got wings and I ain't. Such pretty wings you
got, too, and the rest of you is all black as coal. Mebbe God made you
black all over like a crow and then got sorry for you and put some
pretty spots on your wings. I wonder now"--her face sobered--"I just
wonder now why Aunt Maria says still that it's bad to fix up pretty with
curls and things like that and to wear fancy dresses. Why, many of the
birds are vonderful fine in gay feathers and the flowers are fancy and
the butterflies--ach, mebbe when I'm big I'll understand it better, or
mebbe I'll dress up pretty then too."

With that cheering thought she turned again to the road and resumed her
walk, but the skipping mood had fled. She pulled her sunbonnet to its
proper place and walked briskly along, still enjoying thoroughly, though
less exuberantly, the beauty of the June morning.

The scent of pink clover mingled with the odor of grasses and the
delicate perfume of sweetbrier. Wood sorrel nestled in the grassy
corners near the crude rail fences, daisies and spiked toad-flax grew
lavishly among the weeds of the roadside. In the meadows tall milkweed
swayed its clusters of pink and lavender, marsh-marigolds dotted the
grass with discs of pure gold, and Queen Anne's lace lifted its
parasols of exquisite loveliness. Phoebe reveled in it all; her cheeks
were glowing as she left the beauty of the country behind her and came
at last to the little town of Greenwald.




CHAPTER II

OLD AARON'S FLAG


GREENWALD is an old town but it is a delightfully interesting one. It
does not wear its antiquity as an excuse for sinking into mouldering
uselessness. It presents, rather, a strange mingling of the quaint,
romantic and historic with the beautiful, progressive and modern. Though
it clings reverently to honored traditions it is ever mindful of the
fact that the welfare of its inhabitants is dependent upon reasonable
progress in its religious, educational and industrial life.

The charming stamp of its antiquity is revealed in its great old trees;
its wide Market Square from which narrower streets branch to the east,
west, north and south; its numerous houses of the plain, substantial
type of several generations ago; its occasional little, low houses which
have withstood the march of modern building and stand squarely beside
houses of more elaborate and later design; but chiefly in its
old-fashioned gardens. All the old-time flowers are favorites there and
refuse to be displaced by any newcomer. Sweet alyssum and candytuft
spread carpets of bloom along the neat garden walks, hollyhocks and
dahlias look boldly out to the streets, while the old-fashioned
sweet-scented roses grow on great bushes which have been undisturbed for
three or more generations.

To Phoebe Metz, Greenwald, with its two thousand inhabitants, its
several churches, post-office and numerous stores, seemed a veritable
city. She delighted in walking on its brick sidewalks, looking at its
different houses and entering its stores. How many attractions these
stores held for the little country girl! There was the big one on the
Square which had in one of its windows a great lemon tree on which grew
real lemons. Another store had a large Santa Claus in its window every
Christmas--not that Phoebe Metz had ever been taught to believe in that
patron saint of the children--oh, no! Maria Metz would have considered
it foolish, even sinful, to lie to a child about any mythical Santa
Claus coming down the chimney Christmas Eve! Nevertheless, the smiling,
rotund face of the red-habited Santa in the store window seemed so real
and so emanative of cheer that Phoebe delighted in him each year and
felt sure there must be a Santa Claus somewhere in the world, even
though Aunt Maria knew nothing about him.

Most little towns can boast of one or more persons like Granny
Hogendobler, well-nigh community owned, certainly community
appropriated. Did any one need a helper in garden or kitchen or sewing
room, Granny Hogendobler was glad to serve. Did a housewife remember
that a rose geranium leaf imparts to apple jelly a delicious flavor,
Granny Hogendobler was able and willing to furnish the leaf. Did a lover
of flowers covet a new phlox or dahlia or other old-fashioned flower,
Granny Hogendobler was ready to give of her stock. Should a young wife
desire a recipe for crullers, shoo-fly pie, or other delectable dish,
Granny had a wealth of reliable recipes at her tongue's end. This
admirable desire to serve found ample opportunities for exercise in the
constant demands from her friends and neighbors. But Granny's greatest
joy lay in the fond ministrations for her husband, Old Aaron, as the
town people called him, half pityingly, half accusingly. For some said
Old Aaron was plain shiftless, had always been so, would remain so
forever, so long as he had Granny to do for him. Others averred that the
Confederate bullets that had shattered his leg into splinters and
necessitated its amputation must have gone astray and struck his
liver--leastways, that was the kindest explanation they could give for
his laziness.

Granny stoutly refuted all these charges--gossip travels in circles in
small towns and sooner or later reaches those most concerned--"Aaron
lazy! I-to-goodness no! Why, he's old and what for should he go out and
work every day, I wonder. He helps me with the garden and so, and when I
go out to help somebody for a day or two he gets his own meals and tends
the chickens still. Some people thought a few years ago that he might
get work in the foundry, but I said I want him at home with me. He gets
a pension and we can live good on what we have without him slaving his
last years away, and him with one leg lost at Gettysburg!" she ended
proudly.

So Old Aaron continued to live his life as pleased his mate and himself.
He pottered about the house and garden and spent long hours musing under
the grape arbor. But there was one day in every year when Old Aaron
came into his own. Every Memorial Day he dressed in his venerated blue
uniform and carried the flag down the dusty streets of Greenwald, out to
the dustier road to a spot a mile from the heart of the town, where, on
a sunny hilltop, some of his comrades rested in the Silent City.

Only the infirm and the ill of the town failed to run to look as the
little procession passed down the street. There were boys in khaki, the
town band playing its best, volunteer firemen clad in vivid red shirts,
a low, hand-drawn wagon filled with flowers, an old cannon, also
hand-drawn, whose shots over the graves of the dead veterans would
thrill as they thrilled every May thirtieth--all received attention and
admiration from the watchers of the procession. But the real honors of
the day were accorded the "thin blue line of heroes," and Old Aaron was
one of these. To Granny Hogendobler, who walked with the crowd of
cheering children and adults and kept step on the sidewalk with the step
of the marchers on the street, it was evident that the standard bearer
was growing old. The steep climb near the cemetery entrance left him
breathless and flushed and each year Granny thought, "It's getting too
much for him to carry that flag." But each returning year she would have
spurned as earnestly as he any suggestion that another one be chosen to
carry that flag. And so every three hundred and sixty-fifth day the lean
straight figure of Old Aaron marched directly under the fluttering folds
of Old Glory and the soldier became a subject worthy of veneration,
then with customary nonchalance the little town forgot him again or
spoke of him as Old Aaron, a little lazy, a little shiftless, a little
childish, and Granny Hogendobler became the more important figure of
that household.

Granny was fifteen years younger than her husband and was undeniably
rotund of hips and face, the former rotundity increased by her full
skirts, the latter accentuated by her style of wearing her hair combed
back into a tight knot near the top of her head and held in place by a
huge black back-comb.

From this style of hair dressing it is evident that Granny was not a
member of any plain sect. She was, as she said, "An Evangelical, one of
the old kind yet. I can say Amen to the preacher's sermon and stand up
in prayer-meeting and tell how the Lord has blessed me."

There were some who doubted the rich blessing of which Granny spoke. "I
wouldn't think the Lord blessed me so much," whispered one, "if I had a
man like Old Aaron, though I guess he's good enough to her. And that boy
of theirs never comes home; he must have a funny streak in him too."
"But think of this," one would answer, "how the Lord keeps her cheerful,
kind and faithful through all her troubles."

Granny's was a wonderful garden. She and Old Aaron lived in a little
gray cube of a house that had its front face set straight to the edge of
Charlotte Street. However, the north side of the cube looked into a
great green yard where tall spruce trees, overrun with trumpet vines and
woodbine, shaded long beds of flowers that love semi-shady places. The
rear of the house overlooked an old-fashioned garden enclosed with a
white-washed picket fence. Always were there flowers at Granny's house.
In the cold days of winter blooming masses of geraniums, primroses and
gloxinias crowded against the little square panes of the windows and
looked defiantly out at the snow; while all the old favorites grew in
the garden, from the first March snowdrop to the late November
chrysanthemum. In June, therefore, the garden was a "Lovesome spot"
indeed.

"It vonders me now if Granny's home," thought Phoebe as she opened the
wooden gate and entered the yard.

"Here I am," called Granny. "Back in the garden. I-to-goodness, Phoebe,
did you come once! I just said yesterday to Aaron that I didn't see none
of you folks for long, and here you come! You haven't seen the flowers
for a while."

"Oh!" Phoebe breathed an ecstatic little word of delight. "Oh, your
garden is just vonderful pretty!"

"Ain't," agreed Granny. "Aaron and me's been working pretty hard in it
these weeks. There he is, out in the potato patch; see him?"

Phoebe stood on tiptoe and looked where Granny's finger pointed to the
extreme end of the long vegetable garden, where the white head of Old
Aaron was bending over his hoeing.

"He's hoeing the potatoes," Granny explained. "He don't see you. But
he'll soon be done and come in."

"What were you doin'?" asked the child.

"Weeding the flag."

"Weedin' the flag--what do you mean?" Phoebe's eyes lighted with
eagerness. "I guess you mean mendin' the flag, Granny." She looked
toward the porch as if in search of Old Glory.

"I said weeding the flag," the woman insisted. "It's an idea of Aaron's
and I guess I'll tell you about it, seeing your eyes are open so wide.
See the poppies, that long stretch of them in the middle of the garden?"

"Um-uh," nodded Phoebe.

"Well, that patch at the back is all red poppies, the buds just coming
on them nice and big. Then right in front of them is another patch of
white poppies; the buds are thick on them, too. And right in front of
them--you see what's there!"

"Larkspur, blue larkspur!" cried Phoebe. "Oh, I see--it's red, white and
blue! You'll have it all summer in your garden!"

"Yes. When it blooms it'll be a grand sight. I said to Aaron that we'll
have all the children of Greenwald in looking at his flag and he said he
hopes so, for they couldn't look at anything better than the colors of
Old Glory. Aaron's crazy about the flag."

"'Cause he fought for it, mebbe."

"Yes, I guess. His father died for it at Gettysburg, the same place
where Aaron lost his leg. . . . The only thing is, the larkspur's
getting ahead of the poppies--seems like the larkspur couldn't
wait"--her voice continued low--"I always love to see the larkspur
come."

"I too," said the child. "I like to pull out the little slippers from
the middle of the flowers and fit 'em into each other and make circles
with 'em. I made a lot last summer and pressed 'em in a book, but Aunt
Maria made me stop."

"That's just what Nason used to do. I have some pressed in the big Bible
yet that he made when he was a little boy." She spoke half-absently, as
though momentarily forgetful of the child's presence.

"Who's Nason?" asked Phoebe.

Granny started. "I-to-goodness, Phoebe, I forgot! You don't know him,
never heard of him, I guess. He's our boy. We had a little girl, too,
but she died."

"Did the boy die too, Granny?"

"No, ach no! You wouldn't understand. He's living in the city. He writes
to me often but he don't come home. He and his pop fell out about the
flag once when Nason was young and foolish and they're both too stubborn
to forget it."

"But he'll come back some day and live with you, of course, won't he?"
Phoebe comforted her.

"Yes--some day they'll see things different. But now don't you bother
that head of yourn with such things. You forget all about Nason. Come
now, sit on the bench a little under the arbor."

"Just a little. I must go to the store yet."

"You have lots to do."

"Yes. And I almost forgot what I come for. Aunt Maria wants you should
come out to our place to-morrow early and help with the strawberries if
you can."

"I'll come. I like to come to your place. Your Aunt Maria is so straight
out, nothing false about her. I like her. But now I bet you're thinking
of how many berries you can eat," she added as she noted the child's
abstracted look.

"No--I was thinkin'--I was just thinkin' what a funny name Nason is,
like you tried to say Nathan and got your tongue twisted."

"It's a real name, but you must forget all about it."

"If I can. Sometimes Aunt Maria tells me to forget things, like wantin'
curls and fancy things and pretty dresses but I don't see how I can
forget when I remember, do you?"

"It's hard," Granny said, a deeper meaning in her words than the child
could comprehend. "It's the hardest thing in the world to forget what
you want to forget. But here comes Aaron----"

"Well, well, if here ain't Phoebe Metz with her eyes shining and a pink
rose pinned to her waist and matching the roses in her cheeks!" the old
soldier said as he joined the two under the arbor. "Whew! Mebbe it ain't
hot hoeing potatoes!"

"You're all heated up, Aaron," said Granny. His fifteen years seniority
warranted a solicitous watchfulness over him, she thought. "Now you get
cooled off a little and I'll make some lemonade. It'll taste good to me
and Phoebe, too."

"All right, Ma," Aaron sighed in relaxation. "You know how to touch the
spot. Did you tell Phoebe about the flag?"

"Yes."

"Oh, I think it's fine!" cried the child. "I can't wait till all the
flowers bloom. I want to see it."

"You'll see it," promised the man. "And you bring all the boys and girls
in too."

"And then will you tell us about the war and the Battle of Gettysburg?
David Eby says he heard you once tell about it. I think it was at some
school celebration. And he says it was grand, just like being there
yourself."

"A little safer," laughed the old soldier. "But, yes, when the poppies
bloom you bring the children in and I'll tell you about the war and the
flag."

"I'll remember. I love to hear about the war. Old Johnny Schlegelmilch
from way up the country comes to our place still to sell brooms, and
once last summer he came and it began to thunder and storm and pop said
he shall stay till it's over and then he told me all about the war. He
said our flag's the prettiest in the whole world."

"So it is," solemnly affirmed Old Aaron.

"I wonder if anybody it belongs to could help liking it," said the
child, remembering Granny's words.

"Well," the veteran answered slowly, "I knew a young fellow once, a nice
fellow he seemed, too, and his father a soldier who fought for the flag.
Well, the father was always talking about the flag and what it means and
how every man should be ready to fight for it. And one day the boy said
that he would never fight for it and be shot to pieces, that the old
flag made him sick, and one soldier in the family was enough."

"Oh!" Phoebe opened her eyes wide in surprise and horror.

"And the father told the boy," the old man went on in a fixed voice as
though the veriest details of the story were vividly before him, "that
if he would not take back those words he never wanted to see him again.
It was better to have no son, than such a son, a coward who hated the
flag."

Here Granny appeared with the lemonade and the story was abruptly ended.
Phoebe refrained from questioning the man about the story but as she sat
under the arbor and afterwards, as she started up the street of the
little town, she wondered over and over how a boy could be the son of a
soldier and hate the flag, and whether the story Old Aaron told her was
the story of himself and Nason.




CHAPTER III

LITTLE DUTCHIE


"AUNT MARIA said I dare look around a little," thought Phoebe as she
neared the big store on the Square. Her heart beat more quickly as she
turned the knob of the heavy door--little things still thrilled her,
going to the store in Greenwald was an event!

The clerk's courteous, "What can I do for you?" bewildered her for an
instant but she swallowed hard and said, "Why, we want twenty pounds of
granulated sugar; ourn is almost all and Aunt Maria wants to make some
strawberry jelly to-morrow. She said for Jonas to fetch it along on his
home road."

"All right. Out to Jacob Metz?"

"Yes, he's my pop."

"I see. Anything else?"

"Three spools white thread, number fifty."

"Anything else?"

She shook her head as she handed him the money. "No, that's all for
to-day. But Aunt Maria said I dare look around a little if I don't touch
things."

"Look all you want," said the clerk and turned away, smiling.

Phoebe began a slow tramp about the big store. There was the same glass
case filled with jewelry. The rings and pins rested on satin that had
faded long since, the jewelry itself was tarnished but it held Phoebe's
interest with its meagre glistening. One little ring with a tiny
turquoise aroused her desire but she realized that she was longing for
the impossible, so she moved away from the coveted treasures and paused
before the ribbons. Some of those same ribbons had been in the tall
revolving case ever since she could remember going to that store. The
pale sea-green and the crushed-strawberry were faded horribly, yet she
looked at them with longing. "Suppose," she thought, "I dared pick out
any ribbon I want for a sash--guess I'd take that funny pink one, or
mebbe that nice blue one. But I kinda think I'd rather have a set of
dishes or a doll. But then I got that rag doll at home and that pretty
one that pop got for me in Lancaster and that Aunt Maria won't leave me
play with. That's funny now, that she says still I daren't play with it
for I might break it, that I shall keep it till I'm big. But when I'm
big I won't want a doll, and then I vonder what! What will I do with it
then?"

She stood a long time before a table crowded with a motley gathering of
toys, dolls and books. With so much coveted treasure before her it was
hard to remember Aunt Maria's injunction to refrain from touching.

"Well, anyhow," she decided finally, "I won't need any of these things
to play with now, for I'm going to be out in the garden and the yard
with the flowers and birds. So I guess my old rag doll will be plenty
for playin' with. But I mustn't look too long else Aunt Maria won't
leave me come in soon again. I'll walk down the other side of the store
now yet and then I must go."

She passed slowly along, her keen eyes noticing the varied assortment of
articles displayed for sale. A long line of red handkerchiefs was
fastened to a cord high above one counter. Long shelves were stacked
high with ginghams, calicoes and finer dress materials. There were gaudy
rugs and blankets tacked to the walls near the ceiling. Counters were
filled with glassware, china and crockery; other counters were laden
with umbrellas, hats, shoes----

"Ach," she sighed as she went out to the street, "I think this goin' to
Greenwald to the store is vonderful nice! It's most as much fun as goin'
in to Lancaster, only there I go in a trolley and I see black
niggers"--she spoke the word with a little shiver, for Greenwald had no
negro residents--"and once in there me and Aunt Maria saw a Chinaman
with a long plait like a girl's hangin' down his back!"

After asking for the mail at the post-office she turned homeward,
feeling like singing from sheer happiness. Then she looked down at her
pink damask rose--it was withered.

"I'm goin' home now so I guess I won't be decorated no more." She
unpinned the flower, clasped its short stem in her hand and raised the
blossom to her face.

"Um-m-m!" She drew deep breaths of the rose's perfume. "Um-m!"

"Does it smell good?"

Phoebe turned her head at the voice and looked into the face of a young
woman who sat on the porch of a near-by house.

"Does it smell good?" The question came again, accompanied by a broad
smile.

Quickly the hand holding the flower dropped to the child's side, her
eyes were cast down to the brick pavement and she went hurriedly down
the street. But not so hurriedly that she failed to hear the words,
"LITTLE DUTCHIE" and a merry laugh from the young woman.

"She--she laughed at me!" Phoebe murmured to herself under the blue
sunbonnet. "I don't know who she is, but that was at Mollie Stern's
house that she sat--that lady that laughed at me. She called me a
Dutchie!"

The child stabbed a fist into one eye and then into the other to fight
back the tears. She felt sure that the appellation of Dutchie was not
complimentary. Hadn't she heard the boys at school tease each other by
calling, "Dutchie, Dutchie, sauer kraut!" But no one had ever called her
that before! Her heart ached as she went down the street of the little
town. She had planned to look at all the gardens of the main street as
she walked home but the glory of the June day was spoiled for her. She
did not care to look at any gardens. The laughing words, "Does it smell
good?" rang in her ears. The name, "Little Dutchie," sent her heart
throbbing.

After the first hurt a feeling of wrath rose in her. "Anyhow," she
thought, "it's no disgrace to be a Dutchie! Nobody needn't laugh at me
for that. But I just hate that lady that laughed at me! I hate everybody
that pokes fun at me. And I ain't goin' to always be a Dutchie. You see
once if I don't be something else when I grow up!"

"Hello, Phoebe," a cheery voice rang out, followed by a deeper
exclamation, "Phoebe!" as she came to the last intersection of streets
in the town and turned to enter the country road.

She turned a sober little face to the speakers, David Eby and his
cousin, Phares Eby.

"Hello," she answered listlessly.

"What's wrong?" asked the older boy as they joined her.

Both were plainly country boys accustomed to hard farm work, but their
tanned faces were frank and honest under broad straw hats. Each bore
marked family resemblances in their big frames, dark eyes and
well-shaped heads, but there was a distinct line drawn between their
personalities. Phares Eby at sixteen was grave, studious and dignified;
his cousin, David, two years younger, was a cheery, laughing, sociable
boy, fond of boyish sports, delighting in teasing his schoolmates and
enjoying their retaliation, preferring a tramp through the woods to the
best book ever written.

The boys lived on adjacent farms and had long been the nearest neighbors
of the Metz family; thus they had become Phoebe's playmates. Then, too,
the Eby families were members of the Church of the Brethren, the mothers
of the boys were old friends of Maria Metz, and a deep friendship
existed among them all. Phoebe and the two boys attended the same
little country school and had become frankly fond of each other.

"What's wrong?" asked Phares again as Phoebe hung her head and remained
silent.

"Ach," laughed David, "somebody's broke her dolly."

"Nobody ain't not broke my dolly, David Eby!" she said crossly. "I
wouldn't cry for _that_!"

"What's wrong then?--come on, Phoebe." He pushed the sunbonnet back and
patted her roguishly on the head. But she drew away from him.

"Don't you touch me," she cried. "I'm a Dutchie!"

"What?"

She tossed her head and became silent again.

"Come on, tell me," coaxed David. "I want to know what's wrong. Why, if
you don't tell me I'll be so worried I won't be able to eat any dinner,
and I'm so hungry now I could eat nails."

The girl laughed suddenly in spite of herself--"Ach, David, you're awful
simple! Abody has to laugh at you. I was mad, for when I was in
Greenwald I was smellin' a rose, that pink rose you gave me, and some
lady on Mollie Stern's porch laughed at me and called me a LITTLE
DUTCHIE! Now wouldn't you got mad for that?"

But David threw back his head and laughed. "And you were ready to cry at
that?" he said. "Why, I'm a Dutchie, so is Phares, so's most of the
people round here. Ain't so, Phares?"

"Yes, guess so," the older boy assented, his eyes still upon Phoebe.
"D'ye know," he said, addressing her, "when you were cross a few minutes
ago your eyes were almost black. You shouldn't get so angry still,
Phoebe."

"I don't care," she retorted quickly, "I don't care if my eyes was
purple!"

"But you should care," persisted the boy gravely. "I don't like you so
angry."

"Ach," she flashed an indignant look at him--"Phares Eby, you're by far
too bossy! I like David best; he don't boss me all the time like you
do!"

David laughed but Phares appeared hurt.

Phoebe was quick to note it. "Now I hurt you like that lady hurt me,
ain't, Phares?" she said contritely. "But I didn't mean to hurt you,
Phares, honest."

"But you like me best," said David gaily. "You can't take that back,
remember."

She gave him a scornful look. Then she remembered the flag in the
Hogendobler garden and became happy and eager again as she said, "Oh,
Phares, David, I know the best secret!"

"Can't keep it, I bet!" challenged David.

"Can't I?" she retorted saucily. "Now for that I won't tell you till you
get good and anxious. But then it's not really a secret." The flag of
growing flowers was too glorious a thing to keep; she compromised--"I'll
tell you, because it's not a real secret." And she proceeded to unfold
with earnest gesticulations the story about the flowers of red and white
and blue and the invitation for all who cared to come and see the
colors of Old Glory growing in the garden of Old Aaron and Granny, and
of the added pleasure of hearing Old Aaron tell his thrilling story of
the battle of Gettysburg.

"I won't want to hear about any battle," said Phares. "I think war is
horrible, awful, wicked."

"Mebbe so," said the girl, "but the poor men who fight in wars ain't
always awful, horrible, wicked. You needn't turn your nose up at the old
soldiers. Folks call Old Aaron lazy, I heard 'em a'ready, lots of times,
but I bet some of them wouldn't have fought like he did and left a leg
at Gettysburg and--ach, I think Old Aaron is just vonderful grand!" she
ended in an impulsive burst of eloquence.

"Hooray!" shouted David. "So do I! When he carries the flag out the pike
every Decoration Day he's somebody, all right."

"Ain't now!" agreed Phoebe.

"Been in the stores?" David asked her, feeling that a change of subject
might be wise.

"Yes."

"See anything pretty?"

"Ach, yes. A lots of things. I saw the prettiest finger ring with a blue
stone in. I wish I had it."

"What would Aunt Maria say to that?" wondered David.

"Ach, she'd say that so long as my finger ain't broke I don't need a
band on it. But I looked at the ring at any rate and wished I had it."

"You dare never wear gold rings," Phares told her.

"Not now," she returned, "but some day when I'm older mebbe I'll wear a
lot of 'em if I want."

The words set the boys thinking. Each wondered what manner of woman
their little playmate would become.

"I bet she'll be a good-looking one," thought David. "She'd look swell
dressed up fine like some of the people I see in town."

"Of course she'll turn plain some day like her aunt," thought the other
boy. "She'll look nice in the plain dress and the white cap."

Phoebe, ignorant of the visions her innocent words had called to the
hearts of her comrades, chattered on until they reached the little green
gate of the Metz farm.

"Now you two must climb the hill yet. I'm glad I'm home. I'm hungry."

"And me," the boys answered, and with good-byes were off on the winding
road up the hill.

As Phoebe turned the corner of the big gray house she came face to face
with her father.

"So here you are, Phoebe," he said, smiling at sight of her. "Your Aunt
Maria sent me out to look if you were coming. It's time to eat. Been to
the store, ain't?"

"Yes, pop. I went alone."

"So? Why, you're getting a big girl, now you can go to Greenwald alone."

"Ach," she laughed. "Why, it's just straight road."

They crossed the porch and entered the kitchen hand-in-hand, the
sunbonneted little girl and the big farmer. Jacob Metz was also a member
of the Church of the Brethren and bore the distinctive mark: hair parted
in the middle and combed straight back over his ears and cut so that the
edge of it almost touched his collar. A heavy black beard concealed his
chin, mild brown eyes gleamed beneath a pair of heavy black brows. Only
in the wide, high forehead and the resolute mouth could be seen any
resemblance between him and the fair child by his side.

When they entered the kitchen Maria Metz turned from the stove, where
she had been stirring the contents of a big iron pan.

"So you got back safe, after all, Phoebe," she said with a sigh of
relief. "I was afraid mebbe something happened to you, with so many
streets to go across and so many teams all the time and the
automobiles."

"Ach, I look both ways still before I start over. Granny Hogendobler
said she'll get out early."

"So. What did she have to say?"

"Ach, lots. She showed me her flowers. Ain't it too bad, now, that her
little girl died and her boy went away?"

"Well, she spoiled that boy. He grew up to be not much account if he
stays away just because he and his pop had words once."

"But he'll come back some day. Granny knows he will." The child echoed
the old mother's confidence.

"Not much chance of that," said Aunt Maria with her usual decisiveness.
"When a man goes off like that he mostly always stays off. He writes to
her she says and I guess she's just as good off with that as if he come
home to live. She's lived this long without him."

"But," argued Phoebe, the maternal in her over-sweeping all else, "he's
her boy and she wants him back!"

"Ach," the aunt said impatiently, "you talk too much. Were you at the
store?"

"Yes. I got the thread and ordered the sugar and counted the change and
there was nothing in the post-office for us."

"Did you enjoy your trip to town?" asked the father.

"Yes--but----"

"But what?" demanded Aunt Maria. "Did you break anything in the store
now?"

"No. I just got mad. It was this way"--and she told the story of her
pink rose.

Maria Metz frowned. "David Eby should leave his mom's roses on the
stalks where they belong. Anyhow, I guess you did look funny if you
poked your nose in it like you do still here."

"But she had no business to laugh at me, had she, pop?"

"You're too touchy," he said kindly. "But did you say the lady was on
Mollie Stern's porch?"

"Yes."

"Then I guess it was her cousin from Philadelphia, the one that was
elected to teach the school on the hill for next winter."

"Oh, pop, not our school?"

"Yes. Anyhow, her cousin was elected yesterday to teach your school. It
seems she wanted to teach in the country and Mollie's pop is friends
with a lot of our directors and they voted her in."

"I ain't goin' to school then!" Phoebe almost sobbed. "I don't like her,
I don't want to go to her school; she laughed at me."

"Come, come," the father laid his hands on her head and spoke gently yet
in a tone that she respected. "You mustn't get worked up over it. She's
a nice young lady, and it will be something new to have a teacher from
Philadelphia. Anyhow, it's a long ways yet till school begins."

"I'm glad it is."

"Come," interrupted the aunt, "help now to dish up. It's time to eat
once. We're Pennsylvania Dutch, so what's the use gettin' cross when
we're called that?"

"Yes," Phoebe's father said, smiling, "I'm a Dutchie too, but I'm a big
Dutchie."

Phoebe smiled, but all through the meal and during the days that
followed she thought often of the rose. Her heart was bitter toward the
new teacher and she resolved never, never to like her!




CHAPTER IV

THE NEW TEACHER


THE first Monday in September was the opening day of the rural school on
the hill. Phoebe woke that morning before daylight. At four she heard
her Aunt Maria tramp about in heavy shoes. It was Monday and wash-day
and to Maria Metz the two words were so closely linked that nothing less
than serious illness or death could part them.

"Ach, my," Phoebe sighed as she turned again under her red and green
quilt, "this is the first day of school! Wish Aunt Maria'd forget to
call me till it's too late to go."

At five-thirty she heard her father go down-stairs and soon after that
came her aunt's loud call, "Phoebe, it's time to get up. Get up now and
get down for I have breakfast made."

"Yes," came the dreary answer.

"Now don't you go asleep again."

"No, I'm awake. Shall I dress right aways for school?"

"No. Put on your old brown gingham once."

Phoebe made a wry face. "Ugh, that ugly brown gingham! What for did
anybody ever buy brown when there are such pretty colors in the stores?"

A moment later she pushed back the gay quilt and sat on the edge of the
bed. The first gleams of day-break sent bright streaks of light into her
room as she sat on the high walnut bed and swung her bare feet back and
forth.

"It's the first time I wasn't glad for school," she soliloquized softly.
"I used to could hardly wait still, and I'd be glad this time if we
didn't have that teacher from Phildelphy. Miss Virginia Lee her name is,
and she's pretty like the name, but I don't like her! Guess she's that
stuck up, comin' from the city, that she'll laugh all the time at us
country people. I don't like people that poke fun at me, you bet I
don't! I vonder now, mebbe I am funny to look at, that she laughed at
me. But if I was I think somebody would 'a' told me long ago. I don't
see what for she laughed so at me."

She sprang from the bed and ran to the window, pulled the cord of the
green shade and sent it rattling to the top. Then she stood on tiptoe
before the mirror in the walnut bureau, but the glass was hung too high
for a satisfactory scrutiny of her features. She pushed a cane-seated
chair before the bureau, knelt upon it and brought her face close to the
glass.

"Um," she surveyed herself soberly. "Well, now, mebbe if my hair was
combed I'd look better."

She pulled the tousled braids, opened them and shook her head until the
golden hair hung about her face in all its glory.

"Why"--she gasped at the sudden change she had wrought, then laughed
aloud from sheer childish happiness in her own miracle--"Why," she said
gladly, "I ain't near so funny lookin' with my hair opened and down
instead of pulled back in two tight plaits! But I wish Aunt Maria'd
leave me have curls. I'd have a lot, and long ones, longer'n Mary
Warner's."

"Phoebe!" Aunt Maria's voice startled the little girl. "What in the
world are you doing lookin' in that glass so? And your knees on a
cane-bottom chair! You know better than that. What for are you lookin'
at yourself like that? You ought to be ashamed to be so vain."

Phoebe left the chair and looked at her aunt.

"Why," she said in an amazed voice, "I wasn't being vain! I was just
lookin' to see if I am funny lookin' that it made Miss Lee laugh at me.
And I found out that I'm much nicer to look at with my hair open than in
plaits. You say still I mustn't have curls, but can't you see how much
nicer I look this way----"

"Ach," interrupted her aunt, "don't talk so dumb! I guess you ain't any
funnier lookin' than other people, and if you was it wouldn't matter
long as you're a good girl."

"But I wouldn't be a good girl if I looked like some people I saw
a'ready. If I had such big ears and crooked nose and big mouth----"

"Phoebe, you talk vonderful! Where do you get such nonsense put in your
head?"

"I just think it and then I say it. But was that bad? I didn't mean it
for bad."

She looked so like a cherub of absolute innocency with her deep blue
eyes opened wide in wonder, her golden hair tumbled about her face and
streaming over the shoulders of her white muslin nightgown, that Aunt
Maria, though she had never heard of Reynolds' cherubs, was moved by the
adorable picture.

"I know, Phoebe," she said kindly, "that you want to be a good girl. But
you say such funny things still that I vonder sometimes if I'm raisin'
you the right way. Come, hurry, now get dressed. Your pop's goin' way
over to the field near Snavely's and you want to give him good-bye
before he goes to work."

"I'll hurry, Aunt Maria, honest I will," the child promised and began to
dress.

A little while later when she appeared in the big kitchen her father and
Aunt Maria were already eating breakfast. With her hair drawn back into
one uneven braid and a rusty brown dress upon her she seemed little like
the adorable figure of the looking-glass, but her father's face lighted
as he looked at her.

"So, Phoebe," he said, a teasing twinkle in his eyes, "I see you get up
early to go to school."

"But I ain't glad to go." She refused to smile at his words.

"Ach, yes," he coaxed, "you be a good girl and like your new teacher.
She's nice. I guess you'll like her when you know her once."

"Mebbe so," was the unpromising answer as she slipped the straps of a
blue checked apron over her shoulders, buttoned it in the back and took
her place at the table.

Breakfast at the Metz farm was no light meal. Between the early morning
meal and the twelve o'clock dinner much hard work was generally
accomplished and Maria Metz felt that a substantial foundation was
necessary. Accordingly, she carried to the big, square cherry table in
the kitchen an array of well-filled dishes. There was always a glass
dish of stewed prunes or seasonable fresh fruit; a plate piled high with
thick slices of home-made bread; several dishes of spreadings, as the
jellies, preserves or apple-butter of that community are called. There
was a generous square of home-made butter, a platter of home-cured ham
or sausage, a dish of fried or creamed potatoes, a smaller dish of
pickles or beets, and occasionally a dome of glistening cup cheese. The
meal would have been considered incomplete without a liberal supply of
cake or cookies, coffee in huge cups and yellow cream in an
old-fashioned blue pitcher.

That morning Aunt Maria had prepared an extra treat, a platter of golden
slices of fried mush.

The two older people partook heartily of the food before them but the
child ate listlessly. Her aunt soon exclaimed, "Now, Phoebe, you must
eat or you'll get hungry till recess. You know this is the first day of
school and you can't run for a cookie if you get hungry. You ain't
eatin'; you feel bad?"

"No, but I ain't hungry."

"Come now," urged her father, as he poured a liberal helping of molasses
on his sixth piece of mush, "you must eat. You surely don't feel that
bad about going to school!"

"Ach, pop," she burst out, "I don't hate the school part, the learnin'
in books; that part is easy. But I don't like the teacher, and I guess
she laughed at my tight braids. Mebbe if I dared wear curls---- Oh,
pop, daren't I have curls? I'd like to show her that I look nice that
way. Say I dare, then I won't be so funny lookin' no more!"

Jacob Metz looked at his offspring--what did the child mean? Why, he
thought she was right sweet and surely her aunt kept her clean and tidy.
But before he could answer his sister spoke authoritatively.

"Jacob, I wish you'd tell her once that she daren't have curls! She just
plagues me all the time for 'em. Her hair was made to be kept back and
not hangin' all over."

"Why then," Phoebe asked soberly, "did God make my hair curly if I
daren't have curls?" She spoke with a sense of knowing that she had
propounded an unanswerable question.

"That part don't matter," evaded Aunt Maria. "You ask your pop once how
he wants you to have your hair fixed."

The child looked up expectantly but she read the answer in her father's
face.

"I like your hair back in plaits, Phoebe. You look nice that way."

"Ach," her nose wrinkled in disgust, "not so very, I guess. Mary Warner
has curls, always she has curls!"

"Come," said the father as he rose from his chair, "you be a good girl
now to-day. I'm going now."

"All right, pop. I'll tell you to-night how I like the teacher."

After the breakfast dishes were washed and the other morning tasks
accomplished Phoebe brought her comb and ribbons to her aunt and sat
patiently on a spindle-legged kitchen chair while the woman carefully
parted the long light hair and formed it into two braids, each tied at
the end with a narrow brown ribbon.

"Now," Aunt Maria said as she unbuttoned the despised brown dress, "you
dare put on your blue chambray dress if you take care and not get it
dirty right aways."

"Oh, I'm glad for that. I like that dress best of all I have. It's not
so long in the body or tight or long in the skirt like my other dresses.
And blue is a prettier color than brown. I'll hurry now and get
dressed."

She ran up the wide stairs, her hands skimming lightly the white
hand-rail, and entered the little room known as the clothes-room, where
the best clothes of the family were hung on heavy hooks fastened along
the entire length of the four walls. She soon found the blue chambray
dress. It was extremely simple. The plain gathered skirt was fastened to
the full waist by a wide belt of the chambray. But the dress bore one
distinctive feature. Instead of the usual narrow band around the neck it
was adorned with a wide round collar which lay over the shoulders.
Phoebe knew that the collar was vastly becoming and the knowledge always
had a soothing effect upon her.

When the call of the school bell floated down the hill to the gray
farmhouse Phoebe picked up her school bag and her tin lunch kettle and
started off, outwardly in happier mood yet loath to go to the old
schoolhouse for the first session of school.

From the Metz farm the road to the school began to ascend. Gradually it
curved up-hill, then suddenly stretched out in a long, steep climb
until, upon the summit of the hill, it curved sharply to the west to a
wide clearing. It was to this clearing the little country schoolhouse
with its wide porch and snug bell-tower called the children back to
their studies.

Goldenrod and asters grew along the road, dogwood branches hung their
scarlet berries over the edge of the woods, but Phoebe would have
scorned to gather any of the flowers she loved and carry them to the new
teacher. "I ain't bringing _her_ any flowers," she soliloquized.

She trudged soberly ahead. As she reached the summit of the hill several
children called to her. From three roads came other children, most of
them carrying baskets or kettles filled with the noon lunch. All were
eager for the opening of school, anxious to "see the new teacher once."

From the farm nearest the schoolhouse Phares Eby had come for his last
year in the rural school. From the little cottage on the adjoining farm
David Eby came whistling down the road.

"Hello, Phoebe," he called as he drew near to her. "Glad for school?"

"I ain't!" She flung the words at him. "You know good enough I ain't."

"Ha, ha," he laughed, "don't be cranky, Phoebe. Here comes Phares and
he'll tell you that your eyes are black when you're cross. Won't you,
Phares?"

"I----" began the sober youth, but Phoebe rudely interrupted.

"I don't care. I don't like the new teacher."

"You must like everybody," said Phares.

"Well, I just guess I won't! There's Mary Warner with her white dress
and her black curls with a pink bow on them--you don't think I'm likin'
her when she's got what I want and daren't have? Come on, it's time to
go in," she added as Phares would have remonstrated with her for her
frank avowal of jealousy. "Let's go in and see what the teacher's got
on."

"Gee," whistled David, "girls are always thinking of clothes."

Phoebe gave him a disdainful look, but he laughed and walked by her
side, up the three steps, across the porch and into the schoolhouse.

The red brick schoolhouse on the hill was a typical country school of
Lancaster County. It had one large room with four rows of double desks
and seats facing the teacher's desk and a long blackboard with its
border of A B C. A stove stood in one of the corners in the front of the
room. In the rear numerous hooks in the wall waited for the children's
wraps and a low bench stood ready to receive their lunch baskets and
kettles. Each detail of the little schoolhouse was reproduced in scores
of other rural schools of that community. And yet, somehow, many of the
older children felt on that first Monday a hope that their school would
be different that year, that the teacher from Philadelphia would change
many of the old ways and teach them, what Youth most desires, new ways,
new manners, new things. It is only as the years bring wisdom that men
and women appreciate the old things of life, as well as the new.

The new teacher became at once the predominating spirit of that little
group. The interest of all the children, from the shy little beginners
in the Primer class to the tall ones in the A class, was centered about
her.

Miss Lee stood by her desk as Phoebe and the two boys entered. It was
still that delightful period, before-school, when laughter could be
released and voices raised without a fear of "keep quiet." The children
moved to the teacher's desk as though drawn by magnetic force. Mary
Warner, her dark curls hanging over her shoulders, appeared already
acquainted with her. Several tiny beginners stood near the desk, a few
older scholars were bravely offering their services to fetch water from
Eby's "whenever it's all or you want some fresh," or else stay and clap
the erasers clean.

When the second tug at the bell-rope gave the final call for the opening
of school there was an air of gladness in the room. The new teacher
possessed enough of the elusive "something" the country children felt
belonged to a teacher from a big city like Philadelphia. The way she
conducted the opening exercises, led the singing, and then proceeded
with the business of arranging classes and assigning lessons served to
intensify the first feelings of satisfaction. When recess came the
children ran outdoors, ostensibly to play, but rather to gather into
little groups and discuss the merits of the new teacher. The general
verdict was, "She's all right."

"Ain't she all right?" David Eby asked Phoebe as they stood in the brown
grasses near the school porch.

"Ach, don't ask me that so often!"

"But honest now, Phoebe, don't you like her?"

"I don't know."

"When will you know?"

"I don't know," came the tantalizing answer.

"Ach, sometimes, Phoebe, you make me mad! You act dumb just like the
other girls sometimes."

"Then keep away from me if you don't like me," she retorted.

"Sassbox!" said the boy and walked away from her.

The little tilt with David did not improve the girl's humor. She entered
the schoolroom with a sulky look on her face, her blue eyes dark and
stormy. Accordingly, when Mary Warner shook her enviable curls and
leaned forward to whisper ecstatically, "Phoebe, don't you just love the
new teacher?" Phoebe replied very decidedly, "I do not! I don't like her
at all!"

For a moment Mary held her breath, then a surprised "Oh!" came from her
lips and she raised her hand and waved it frantically to attract the
teacher's attention.

"What is it, Mary?"

"Why, Miss Lee, Phoebe Metz says she don't like you at all!"

"Did she ask you to tell me?" A faint flush crept into the face of the
teacher.

"No--but----"

"Then that will do, Mary."

But Phoebe Metz did not dismiss the matter so easily. She turned in her
seat and gave one of Mary's obnoxious curls a vigorous yank.

"Tattle-tale!" she hurled out madly. "Big tattle-tale!"

"Yank 'em again," whispered David, seated a few seats behind the girls,
but Phares called out a soft, "Phoebe, stop that."

It all occurred in a moment--the yank, the outcry of Mary, the whispers
of the two boys and the subsequent pause in the matter of teaching and
the centering of every child's attention upon the exciting incident and
wondering what Miss Lee would do with the disturbers of the peace.

"Phoebe," the teacher's voice was controlled and forceful, "you may fold
your hands. You do not seem to know what to do with them."

Phoebe folded her hands and bowed her head in shame. She hadn't meant to
create a disturbance. What would her father say when he knew she was
scolded the first day of school!

The teacher's voice went on, "Mary Warner, you may come to me at noon. I
want to tell you a few things about tale-bearing. Phoebe may remain
after the others leave this afternoon."

"Kept in!" thought Phoebe disconsolately. She was going to be kept in
the first day! Never before had such punishment been meted out to her!
The disgrace almost overwhelmed her.

"Now I won't ever, ever, ever like her!" she thought as she bent her
head to hide the tears.

The remainder of the day was like a blurred page to her. She was glad
when the other children picked up their books and empty baskets and
kettles and started homeward.

"Cheer up," whispered David as he passed out, but she was too miserable
to smile or answer.

"Come on, David," urged Phares when the two cousins reached outdoors and
the younger one seemed reluctant to go home. "Don't stay here to pet
Phoebe when she comes out."

"Ach, the poor kid"--David was all sympathy and tenderness.

"Let her get punished. Pulling Mary's hair like that!"

"Well, Mary tattled. I was wishing Phoebe'd yank that darned kid's hair
half off."

"Mary just told the truth. You think everything Phoebe does is right and
you help her along in her temper. She needs to be punished sometimes."

"Ach, you make me tired, standing up for a tattle-tale! Anyhow, you go
on home. I'm goin' to hang round a while and see if Miss Lee does
anything mean."

Phares went on alone and the other boy stole to a window and crouched to
the ground.

Inside the room Phoebe waited tremblingly for the teacher to speak. It
seemed ages before Miss Lee walked down the aisle and stood by the low
desk.

Phoebe raised her head--the look in the dark eyes of the teacher filled
her with a sudden reversion of feeling. How could she go on hating any
one so beautiful!

"Phoebe, I'm sorry--I'm so sorry there has been any trouble the first
day and that you have been the cause of it."

"I--ach, Miss Lee," the child blurted out half-sobbingly, "Mary, she
tattled on me."

"That was wrong, of course. I made her understand that at noon. But
don't you think that pulling her hair and creating a disturbance was
equally wrong?"

"I guess so, mebbe. But I didn't mean to make no fuss. I--I--why, I just
get so mad still! I hadn't ought to pull her hair, for that hurts
vonderful much."

"Then you might tell her to-morrow how sorry you are about it."

"Yes." Phoebe looked up at the lovely face of the teacher. She felt that
some explanation of Mary's tale was necessary. "Why, now," she
stammered, "you know--you know that Mary said I said I don't like you?"

"Yes."

"Why, this summer once, early in June it was"--the child hung her head
and spoke almost inaudibly--"you laughed at me and called me a LITTLE
DUTCHIE!" She looked up bravely then and spoke faster, "And for that,
it's just for that I don't like you like all the others do a'ready."

"Laughed at you!" Miss Lee was perplexed. "You must be mistaken."

But Phoebe shook her head resolutely and told the story of the pink
rose. Miss Lee listened at first with an incredulous smile upon her
face, then with dawning remembrance.

"You dear child!" she cried as Phoebe ended her quaint recital. "So you
are the little girl of the sunbonnet and the rose! I thought this
morning I had seen you before. But you don't understand! I didn't laugh
at you in the way you think. Why, I laughed at you just as we laugh at a
dear little baby, because we love it and because it is so dear and
sweet. And DUTCHIE was just a pet name. Can't you understand? You were
so quaint and interesting in your sunbonnet and with the pink rose
pressed to your face. Can't you understand?"

Phoebe smiled radiantly, her face beaming with happiness.

"Ach, ain't that simple now of me, Miss Lee?" she said in her
old-fashioned manner. "I was so dumb and thought you was makin' fun of
me, and just for that all summer I was wishin' school would not start
ever. And I was sayin' all the time I ain't goin' to like you. But now I
do like you," she added softly.

"I am glad we understand each other, Phoebe."

Miss Lee was genuinely interested in the child, attracted by the
charming personality of the country girl. Of the thirty children of that
school she felt that Phoebe Metz, in spite of her old-fashioned dress
and older-fashioned ways, was the preeminent figure. It would be a
delight to teach a child whose face could light with so much animation.

"Now, Phoebe," she said, "since we understand each other and have become
friends, gather your books and hurry home. Your mother may be anxious
about you."

"Not my mother," Phoebe replied soberly. "I ain't got no mom. It's my
Aunt Maria and my pop takes care of me. My mom's dead long a'ready. But
I'm goin' now," she ended brightly before Miss Lee could answer. "And
the road's all down-hill so it won't take me long."

So she gathered her books and kettle, said good-bye to Miss Lee and
hurried from the schoolhouse. When she was fairly on the road she broke
into her habit of soliloquy: "Ach, if she ain't the nicest lady! So
pretty she is and so kind! She was vonderful kind after what I done. The
teacher we had last year, now, he would 'a' slapped my hands with a
ruler, he was awful for rulers! But she just looked at me and I was so
sorry for bein' bad that I could 'a' cried. And when she touched my
hands--her hands is soft like the milkweed silk we find still in the
fall--I just had to like her. I like her now and I'm goin' to be a good
girl for her and when I grow up I wish I'd be just like her, just
esactly like her."

David Eby waited until he was certain no harm was coming to Phoebe. He
heard her say, "Now I do like you" and knew that the matter was being
settled satisfactorily. Relieved, yet ashamed of his eavesdropping, he
ran down the road toward his home.

"That teacher's all right," he thought. "But Jimminy, girls is funny
things!"

He went on, whistling, but stopped suddenly as he turned a curve in the
road and saw Phares sitting on the grass in the shelter of a clump of
bushes.

The older boy rose. "David," he said sternly, "you're spoiling Phoebe
Metz with your petting and fooling around her. What for need you pity
her when she gets kept in for being bad? She was bad!"

"She was not bad!" David defended staunchly. "That Mary Warner makes me
sick. Phoebe's got some sense, anyhow, and she's not bad. There's
nothing bad in her."

"Um," said Phares tauntingly, "mebbe you like her already and next
you'll want her for your girl. You give her pink roses and you stay to
lick the teacher for her if----"

But the sentence was never finished. At the first words David's eyes
flashed, his hands doubled into hard fists and, as his cousin paid no
heed to the warning, he struck out suddenly, then partially restraining
his rage, he unclenched his right hand and gave Phares a smarting slap
upon the mouth.

"I'll learn you," he growled, "to meddle in my business! You mind your
own, d'ye hear?"

"Why"--Phares knew no words to answer the insult--"why, David," he
stammered, wiping his smarting lips.

But his silence added fuel to the other's wrath.

"You butt in too much, that's what!" said David. "It's just like Phoebe
says, you boss too much. I ain't going to take it no more from you."

"I--now--mebbe I do," admitted Phares.

At the words David's anger cooled. He laid a hand on the older boy's
arm, as older men might have gripped hands in reconciliation. "Come on,
Phares," he said in natural, friendly tones. "I hadn't ought to hit you.
Let's forget all about it. You and me mustn't fight over Phoebe."

"That's so," agreed Phares, but both were thoughtful and silent as they
went down the lane.




CHAPTER V

THE HEART OF A CHILD


PHOEBE'S aspiration to become like her teacher did not lessen as the days
went on. Her profound admiration for Miss Lee developed into intense
devotion, a devotion whose depth she carefully guarded from discovery.

To her father's interested questioning she answered a mere, "Why, I like
her, for all, pop. She didn't laugh to make fun at me. I think she's
nice." But secretly the little girl thought of her new teacher in the
most extravagant superlatives. Her heart was experiencing its first
"hero" worship; the poetic, imaginative soul of the child was attracted
by the magnetic personality of Miss Lee. The teacher's smiles,
mannerisms, dress, and above all, her English, were objects worthy of
emulation, thought the child. At times Phoebe despaired of ever becoming
like Miss Lee, then again she felt certain she had within her
possibilities to become like the enviable, wonderful Virginia Lee. But
she breathed to none her ambitions and hopes except at night as she
knelt by her high old-fashioned bed and bent her head to say the prayer
Aunt Maria had taught her in babyhood. Then to the prayer, "Now I lay me
down to sleep," she added an original petition, "And please let me get
like my teacher, Miss Lee. Amen."

"Aunt Maria, church is on the hill Sunday, ain't it?" she asked one day
after several weeks of school.

"Yes. And I hope it's nice, for we make ready for a lot of company
always when we have church here."

"Why," the child asked eagerly, "dare I ask Miss Lee to come here for
dinner too that Sunday? Mary Warner's mom had her for dinner last
Sunday."

"Ach, yes, I don't care. You ask her. Mebbe she ain't been in a plain
church yet and would like to go with us and then come home for dinner
here. You ask her once."

Phoebe trembled a bit as she invited the teacher to the gray farmhouse.
"Miss Lee--why--we have church here on the hill this Sunday and Aunt
Maria thought perhaps you'd like to come out and go with us and then
come to our house for dinner. We always have a lot of people for
dinner."

"I'd love to, Phoebe, thank you," answered Miss Lee.

The plain sects of that community were all novel to her. She was eager
to attend a service in the meeting-house on the hill and especially
eager to meet Phoebe's people and study the unusual child in the
intimate circle of home.

"Tell your aunt I shall be very glad to go to the service with you," she
said as Phoebe stood speechless with joy. "Will you go?"

"Ach, yes, I go always," with a surprised widening of the blue eyes.

"And your aunt, too?"

"Why be sure, yes! Abody don't stay home from church when it's so near.
That would look like we don't want company. There's church on the hill
only every six weeks and the other Sundays it's at other churches. Then
we drive to those other churches and people what live near ask us to
come to their house for dinner, and we go. Then when it's here on the
hill we must ask people that live far off to come to us for dinner. That
way everybody has a place to go. It makes it nice to go away and to have
company still. We always have a lot when church is here. Aunt Maria
cooks so good."

She spoke the last words innocently and looked up with an expression of
wonder as she heard Miss Lee laugh gaily--now what was funny? Surely
Miss Lee laughed when there was nothing at all to laugh about!

"What time does your service begin?" asked the teacher. "What time do
you leave the house?"

"It takes in at nine o'clock----"

Miss Lee smothered an ejaculation of surprise.

"But we leave the house a little after half-past eight. Then we can go
easy up the hill and have time to walk around on the graveyard a little
and get in church early and watch the people come in."

"I'll stop for you and go with you, Phoebe."

Sunday morning at the Metz farm was no time for prolonged slumber. With
the first crowing of roosters Aunt Maria rose. After the early breakfast
there were numerous tasks to be performed before the departure for the
meeting-house. There was the milking to be done and the cans of milk
placed in the cool spring-house; the chickens and cattle to be fed; each
room of the big house to be dusted; vegetables to be prepared for a
hasty boiling after the return from the service; preserves and canned
fruits to be brought from the cellar, placed into glass dishes and set
in readiness.

At eight-fifteen Phoebe was ready. She wore her favorite blue chambray
dress and delighted in the fact that Sunday always brought her the
privilege of wearing her hat. The little sailor hat with its narrow
ribbon and little bow was certainly not the hat she would have chosen if
she might have had that pleasure, but it was the only hat she owned, so
was not to be despised. She felt grateful that Aunt Maria allowed her to
wear a hat. Many little girls, some smaller than she, came to church
every Sunday wearing silk bonnets like their elders!--she felt grateful
for her hat--any hat!

Tugging at the elastic under her chin, then smoothing her handkerchief
and placing it in her sleeve--she had seen Miss Lee dispose of a
handkerchief in that way--she walked to the little green gate and
watched the road leading from Greenwald.

Her heart leaped when she saw the teacher come down the long road. She
opened the gate to go to meet her, then suddenly stood still. Miss Lee
as she appeared in the schoolroom, in white linen dress or trim serge
skirt and tailored waist, was attractive enough to cause Phoebe's heart
to flutter with admiration a dozen times a day; but Miss Lee in Sunday
morning church attire was so irresistibly sweet that the vision sent the
little girl's heart pounding and caused a strange shyness to possess
her. The semi-tailored dress of dark blue taffeta, the sheer white
collar, the small black hat with its white wings, the silver coin purse
in the gloved hand--no detail escaped the keen eyes of the child. She
looked down at her cotton dress--it had seemed so pretty just a moment
ago. But, of course, such dresses and gloves and hats were for
grown-ups! "But just you wait," she thought, "when I grow up I'll look
like that, too, see if I don't!"

Miss Lee, smiling, never knew the depths she stirred in the heart of the
little girl.

"Am I late, Phoebe?"

"Ach, no. Just on time. Pop, he went a'ready, though. He goes early
still to open the meeting-house. We'll go right away, as soon as Aunt
Maria locks up. But what for did you bring a pocketbook?"

"For the offering."

"Offering?"

"The church offering, Phoebe. Surely you know what that is if you go to
church every Sunday. Don't you have collection plates or baskets passed
about in your church for everybody to put their offerings on them?"

"Why, no, we don't have that in our church! What for do they do that in
any church?"

"To pay the preachers' salaries and----"

"Goodness," Phoebe laughed, "it would take a vonderful lot to pay all
the preachers that preach at our church. Sometimes three or four preach
at one meeting. They have to work week-days and get their money just
like other men do. Men come around to the house sometimes for money for
the poor, and when the meeting-house needs a new roof or something like
that, everybody helps to pay for it, but we don't take no collections in
church, like you say. That's a funny way----"

The appearance of Maria Metz prevented further discussion of church
collections. With a large, fringed shawl pinned over her plain gray
dress and a stiff black silk bonnet tied under her chin, she was ready
for church. She was putting the big iron key of the kitchen door into a
deep pocket of her full skirt as she came down the walk.

"That way, now we're ready," she said affably. "I guess you're Phoebe's
teacher, ain't? I see you go past still."

"Yes. I am very glad to meet you, Miss Metz. It is very kind of you to
invite me to go with you."

"Ach, that's nothing. You're welcome enough. We always have much company
when church is on the hill. This is a nice day, so I guess church will
be full. I hope so, anyway, for I got ready for company for dinner. But
how do you like Greenwald?"

"Very well, indeed. It is beautiful here."

"Ain't! But I guess it's different from Phildelphy. I was there once, in
the Centennial, and it was so full everywheres. I like the country best.
Can't anything beat this now, can it?"

They reached the summit of the hill and paused.

"No," said Miss Lee, "this is hard to beat. I love the view from this
hill."

"Ain't now"--Aunt Maria smiled in approval--"this here is about the
nicest spot around Greenwald. There's the town so plain you could almost
count the houses, only the trees get in the road. And there's the
reservoir with the white fence around, and the farms and the pretty
country around them--it's a pretty place."

"I like this hill," said Phoebe. "When I grow up I'm goin' to have a
farm on this hill, when I'm married, I mean."

"That's too far off yet, Phoebe," said her aunt. "You must eat bread and
butter yet a while before you think of such things."

"Anyhow, I changed my mind. I'm not goin' to live in the country when I
grow up; I'm going to be a fine lady and live in the city."

"Phoebe, stop that dumb talk, now!" reproved her aunt sternly. "You turn
round and walk up the hill. We'll go on now, Miss Lee. Mebbe you'd like
to go on the graveyard a little?"

"I don't mind."

"Then come." Aunt Maria led the way, past the low brick meeting-house,
through the gateway into the old burial ground. They wandered among the
marble slabs and read the inscriptions, some half obliterated by years
of mountain storms, others freshly carved.

"The epitaphs are interesting," said Miss Lee.

"What's them?" asked Phoebe.

"The verses on the tombstones. Here is one"--she read the inscription
on the base of a narrow gray stone--"'After life's fitful fever she
sleeps well.'"

"Ach," Aunt Maria said tartly, "I guess her man knowed why he put that
on. That poor woman had three husbands and eleven children, so I guess
she had fitful fever enough."

Phoebe laughed loud as she saw the smile on the face of her teacher, but
next moment she sobered under the chiding of Aunt Maria. "Phoebe, now
you keep quiet! Abody don't laugh and act so on a graveyard!"

"Ugh," the child said a moment later, "Miss Lee, just read this one. It
always gives me shivers when I read it still.

        "'Remember, man, as you pass by,
          What you are now that once was I.
          What I am now that you will be;
          Prepare for death and follow me.'"

"That is rather startling," said Miss Lee.

Phoebe smiled and asked, "Don't you think this is a pretty graveyard?"

"Yes. How well cared for the graves are. Not a weed on most of them."

"Well," Aunt Maria explained, "the people who have dead here mostly take
care of the graves. We come up every two weeks or so and sometimes we
bring a hoe and fix our graves up nice and even. But some people are too
lazy to keep the graves clean. I hoed some pig-ears out a few graves
last week; I was ashamed of 'em, even if the graves didn't belong to
us."

In the corner near the road the aunt stopped before a plain gray
boulder.

"Phoebe's mom," she said, pointing to the inscription.

             "_PHOEBE
          beloved wife of
             Jacob Metz
        aged twenty-two years
           and one month.
        Souls of the righteous
        are in the hand of God._"

"I'm glad," said the child as they stood by her mother's grave, "that
they put that last on, for when I come here still I like to know that my
mom ain't under all this dirt but that she's up in the Good Place like
it says there."

Miss Lee clasped the little hand in hers--what words were adequate to
express her feeling for the motherless child!

"Come on," Maria Metz said crisply, "or we'll be late." But Miss Lee
read in the brusqueness a strong feeling of sorrow for the child.

Silently the three walked through the green aisles of the old graveyard,
Aunt Maria leading the way, alone; Phoebe's hand still in the hand of
her teacher.

To Miss Lee, whose hours of public worship had hitherto been spent in an
Episcopal church in Philadelphia, the extreme plainness of the
meeting-house on the hill brought a sense of acute wonderment. The
contrast was so marked. There, in the city, was the large, high-vaulted
church whose in-streaming light was softened by exquisite stained
windows and revealed each detail of construction and color harmoniously
consistent. Here, in the country, was the square, low-ceilinged
meeting-house through whose open windows the glaring light relentlessly
intensified the whiteness of the walls and revealed more plainly each
flaw and knot in the unpainted pine benches. Yet the meeting-house on
the hill was strangely, strongly representative of the frank, honest,
unpretentious people who worshipped there, and after the first wave of
surprise a feeling of interest and reverence held her.

It was a unique sight for the city girl. The rows of white-capped women
were separated from the rows of bearded men by a low partition built
midway down the body of the church. Each sex entered the meeting-house
through a different door and sat in its apportioned half of the
building. On each side of the room rows of black hooks were set into the
walls. On these hooks the sisters hung their bonnets and the shawls and
the brethren placed their hats and overcoats during the service.

The preachers, varying in number from two to six, sat before a long
table in the front part of the meeting-house. When the duty of preaching
devolved upon one of them he simply rose from his seat and delivered his
message.

As Aunt Maria and her two followers took their seats on a bench near the
front of the church a preacher rose.

"Let us join in singing--has any one a choice?"

Miss Lee started as a woman's voice answered, "Number one hundred
forty-seven." However, her surprise merged into other emotions as the
old hymn rose in the low-ceilinged room. There was no accompaniment of
any musical instrument, just a harmonious blending of the deep-toned
voices of the brethren with the sweet voices of the sisters. The music
swelled in full, deliberate rhythm, its calm earnestness bearing witness
to the fact that every word of the hymn was uttered in a spirit of
worship.

Maria Metz sang very softly, but Phoebe's young voice rose clearly in
the familiar words, "Jesus, Lover of my soul."

Miss Lee listened a moment to the sweet voice of the child by her side,
then she, too, joined in the singing--feeling the words, as she had
never before felt them, to be the true expression of millions of mortals
who have sung, are singing, and shall continue to sing them.

When the hymn was ended another preacher arose and opened the service
with a few remarks, then asked all to kneel in prayer.

Every one--men, women, children--turned and knelt upon the bare floor
while the preacher's voice rose in a simple prayer. As the Amen fell
from his lips Miss Lee started to rise, but Phoebe laid a restraining
hand upon her and whispered, "There's yet one."

For a moment there was silence in the meeting-house. Then the voice of
another preacher rose in the universal prayer, "Our Father, which art in
heaven." Every extemporaneous prayer in the Church of the Brethren is
complemented by the model prayer the Master taught His disciples.

There was another hymn, reading of the Scriptures, and then the sermon
proper was preached.

Aunt Maria nodded approvingly as the preacher read, "Whose adorning let
it not be that outward adorning of plaiting the hair, and of wearing of
gold, or of putting on of apparel; but let it be the hidden man of the
heart, in that which is not corruptible, even the ornament of a meek and
quiet spirit, which is in the sight of God of great price."

"You listen good now to what the preacher says," the woman whispered to
Phoebe.

The child looked Up solemnly at her aunt, about her at the many
white-capped women, then up at Miss Lee's pretty hat with its white
Mercury wings--she was endeavoring to justify the pleasure and beauty
her aunt pronounced vanity. Was Miss Lee really wicked when she wore
clothes like that? Surely, no! After a few moments the child sighed,
folded her hands and looked steadfastly at the tall bearded man who was
preaching.

The clergy among these plain sects receive no remuneration for their
preaching. With them the mercenary and the pecuniary are ever distinct
from the religious. Six days in the week the preacher follows the plow
or works at some other worthy occupation; upon the seventh day he
preaches the Gospel. There is, therefore, no elaborate preparation for
the sermon; the preacher has abundant faith in the old admonition, "Take
no thought how or what ye shall speak, for it shall be given you in that
same hour what ye shall speak, for it is not ye that speak but the
spirit of the Father that speaketh in you." Thus it is that, while the
sermons usually lack the blandishments of fine rhetoric and the rhythmic
ease arising from oratorical ability, they seldom fail in deep sincerity
and directness of appeal.

The one who delivered the message that September morning told of the joy
of those who have overcome the desire for the vanities of the world,
extolled the virtue of a simple life, till Miss Lee felt convinced that
there must be something real in a religion that could hold its followers
to so simple, wholesome a life.

She looked about, at the serried rows of white-capped women--how gentle
and calm they appeared in their white caps and plain dresses; she looked
across the partition at the lines of men--how strong and honest their
faces were; and the children--she had never before seen so many children
at a church service--would they all, in time, wear the garb of their
people and enter the church of their parents? The child at her
side--vivacious, untiring, responsive Phoebe--would she, too, wear the
plain dress some day and live the quiet life of her people?

The eagerness of the child's face as Miss Lee looked at her denoted
intense interest in the sermon, but none could know the real cause of
that eagerness.

"I won't, I just won't dress plain!" she was thinking. "Anyway, not till
I'm old like Aunt Maria. I want to look like Miss Lee when I grow up.
And that preacher just said that it ain't good to plait the hair, I mean
he read it out the Bible. Mebbe now Aunt Maria will leave me have
curls. I hope she heard him say that."

She sighed in relief as the sermon was concluded and the next preacher
rose and added a few remarks. When the third man rose to add his few
remarks Phoebe looked up at Miss Lee and whispered, "Guess he's the last
one once!"

Miss Lee smiled. The service was rather long, but it was drawing to a
close. There was another prayer, another hymn and the service ended.

Immediately the white-capped women rose and began to bestow upon each
other the holy kiss; upon the opposite side of the church the brethren
greeted each other in like fashion. Everywhere there were greetings and
profferings of dinner invitations.

Maria Metz and her brother did not fail in their duty. In a few minutes
they had invited a goodly number to make the gray farmhouse their
stopping-place. Then Aunt Maria hurried home, eager to prepare for her
guests. Soon the Metz barnyard was filled with carriages and automobiles
and the gray house resounded with happy voices. Some of the women helped
Maria in the kitchen, others wandered about in the old-fashioned garden,
where dahlias, sweet alyssum, marigolds, ladies' breastpin and
snapdragons still bloomed in the bright September sunshine.

Miss Lee, guided by Phoebe, examined every nook of the big garden,
peered into the deserted wren-house and listened to the child's story of
the six baby wrens reared in the box that summer. Finally Phoebe
suggested sitting on a bench half screened by rose-bushes and
honeysuckle. There, in that green spot, Miss Lee tactfully coaxed the
child to unfold her charming personality, all serenely unconscious of
the fact that inside the gray house the white-capped women were
discussing the new teacher as they prepared the dinner.

"She seems vonderful nice and common," volunteered Aunt Maria. "Not
stuck up, for a Phildelphy lady."

"Well, why should she be stuck up?" argued one. "Ain't she just Mollie
Stern's cousin? Course, Mollie's nice, but nothing tony."

"Anyhow, the children all like her," spoke up another woman. "My Enos
learns good this year."

"I guess she's all right," said another, "but Amande, my sister, says
that she's after her Lizzie all the time for the way she talks. The
teacher tells her all the time not to talk so funny, not to get her t's
and d's and her v's and w's mixed. Goodness knows, them letters is near
enough alike to get them mixed sometimes. I mix them myself. Manda don't
want her Lizzie made high-toned, for then nothing will be good enough
for her any more."

"Ach, I guess Miss Lee won't do that," said Aunt Maria. "I know I'm glad
the teacher ain't the kind to put on airs. When I heard they put in a
teacher from Phildelphy I was afraid she'd be the kind to teach the
children a lot of dumb notions and that Phoebe would be spoiled----
Here, Sister Minnich, is the holder for that pan. I guess the ham is
fried enough. Yes, ain't the chicken smells good! I roasted it
yesterday, so it needs just a good heating to-day."

"Shall I take the sweet potatoes off, Maria?"

"Yes, they're brown enough, and the coffee's about done, and plenty of
it, too."

"And it smells good, too," chorused several women.

"It's just twenty-eight cent coffee; I get it in Greenwald. I guess the
things can be put out now. Call the men, Susan."

In quick order the long table in the dining-room--used only upon
occasions like this--was filled with smoking, savory dishes, the men
called from the porches and yard and everybody, except the two women who
helped Aunt Maria to serve, seated about the board. All heads were bowed
while one of the brethren said a long grace and then the feast began.

True to the standards set by the majority of the Pennsylvania Dutch, the
meal was fit for the finest. There was no attempt to serve it according
to the rules of the latest book of etiquette. All the food was placed
upon the table and each one helped herself and himself and passed the
dish to the nearest neighbor. Occasionally the services of the three
women were required to bring in water, bread or coffee, or to replenish
the dishes and platters. Everybody was in good humor, especially when
one of the brethren suddenly found himself with a platter of chicken in
one hand and a pitcher of gravy in the other.

"Hold on, here!" he said laughingly, "it's coming both ways. I can't
manage it."

"Now, Isaac," chided one of the women, "you went and started the gravy
the wrong way around. And here, Elam, start that apple-butter round
once. Maria always has such good apple-butter."

Miss Lee's ready adaptability proved a valuable asset that day.
Everybody was so cordial and friendly that, although she was the only
woman without the white cap, there was no shadow of any holier-than-thou
spirit. She was accepted as a friend; as a lady from Philadelphia she
became invested with a charm and interest which the frank country people
did not try to conceal. They spoke freely to her of her work in the
school, inquired about the children and listened with interest as she
answered their questions about her home city.

When the dinner was ended heads were bowed again and thanks rendered to
God for the blessings received. Then the men went outdoors, where the
beehives, poultry houses, barns and orchards of the farm afforded
several hours of inspection and discussion.

Indoors some of the women began to wash dishes while Aunt Maria and her
helpers ate their belated dinner; others went to the sitting-room and
entertained themselves by rocking and talking or looking at the pictures
in the big red plush album which lay upon a small table.

Later, when everything was once more in order in the big kitchen, Maria
stood in the doorway of the sitting-room.

"Now," she said, "I guess we better go up-stairs and see the rugs before
the men come in. Susan said she wants to see my new rugs once when she
comes. So come on, everybody that wants to."

"You come," Phoebe invited Miss Lee. "I'll show you some of the things
in my chest."

Maria led the way to the spare-room on the second floor, a large square
room furnished in old-fashioned country style: a rag carpet, rag rugs,
heavy black walnut bureau and wash-stand, the latter with an antique
bowl and pitcher of pink and white, and a splasher of white linen
outlined in turkey red cotton. A framed cross-stitch sampler hung on the
wall; four cane-seated chairs and a great wooden chest completed the
furnishing of the room.

The chest became the centre of attraction as Aunt Maria opened it and
began to show the hooked rugs she had made.

Phoebe waited until her teacher had seen and admired several, then she
tugged at the silk sleeve ever so gently and whispered, "D'ye want to
see some of the things I made?"

Miss Lee smiled and nodded and the two stole away to the child's room.

Phoebe closed the door.

"This is my room and this is my Hope Chest," she said proudly.

Among many of the Pennsylvania Dutch the Hope Chest has long been
considered an important part of a girl's belongings. During her early
childhood a large chest is secured and the stocking of it becomes a
pleasant duty. Into it are laid the girl's discarded infant clothes;
patchwork quilts and comfortables pieced by herself or by some fond
grandmother or mother or aunt; homespun sheets and towels that have been
handed down from other generations; ginghams, linens and minor household
articles that might be useful in her own home. When the girl leaves the
old nest for one of her own building the Hope Chest goes with her as a
valuable portion of her dowry.

"Hope Chest," echoed Miss Lee. "Do you have a Hope Chest?"

"Ach, yes, long already! Aunt Maria says it's for when I grow up and get
married and live in my own home, but I--why, I don't know at all yet if
I want to get married. When I say that to her she says still that I can
be glad I have the chest anyhow, for old maids need covers and aprons
and things too."

"You dear child," Miss Lee said, laughing, "you do say the funniest
things!"

"But"--Phoebe raised her flushed face--"you ain't laughing at me to make
fun?"

"Oh, Phoebe, I love you too much for that. It's just that you are
different."

"Ach, but I'm glad! And that's why I want to show you my things."

She opened the lid of her chest and brought out a quilt, then another,
and another.

"This is all mine. And I finished another one this summer that Aunt
Maria is going to quilt this fall yet. Then I'll have nine already.
Ain't--isn't that a lot?"

"Yes, indeed," laughed the teacher. "Just nine more than I have."

"Why"--Phoebe stared in surprise--"don't you have quilts in your Hope
Chest?"

"I haven't even the Hope Chest."

"No Hope Chest! Now, that's funny! I thought every girl that could have
a chest for the money had a Hope Chest!"

"I never heard of a Hope Chest before I came to Greenwald."

"Now don't it beat all!" The child was very serious. "We ain't at all
like other people, I believe. I wonder why we are so different from you
people. Oh, I know we talk different from you, and mostly look different
from you and I guess we do things a lot different from you--do you
think, Miss Lee, oh, do you think that I could _ever_ get like you?"

"Yes----" Miss Lee showed hesitancy.

"For sure?" Phoebe asked, quick to note the slight delay in the answer.

"Yes, I am sure you could, dear. You can learn to dress, speak and act
as people do in the great cities--but are you sure that you want to do
so?"

"Want to! Why, I want to so bad that it hurts! I don't want to just go
to country school and Greenwald High School and then live on a farm all
the rest of my life and never get anywhere but to the store in
Greenwald, to Lancaster several times a year, and to church every
Sunday. I want to do some things other people in the other parts of the
country do, that's what I want. I'd like best of all to be a great
singer and to look and dress and talk like you. I can sing good, pop
says I can."

"I have noticed you have a sweet voice."

"Ain't!" The child's voice rang with gladness. "I'm so glad I have. And
David, he's glad too, for he says that he thinks it's a gift from God to
have a voice that can sing as nice as the birds. David and Phares are
just like my brothers. David's mom is awful nice. I like her"--she
whispered--"I like her almost better than my Aunt Maria because she's
so--ach, you know what I mean! She's so much like my own mom would be. I
like David better than Phares, too, because Phares bosses me too much
and he is wonderful strict and thinks everything is bad or foolish. He
preaches a lot. He says it's bad to be a big singer and sing for the
people and get money for it, in oprays, he means--is it?"

Miss Lee was startled by the ambition of the child before her and amazed
at the determination revealed in her young pupil. Before she could
answer wisely Phoebe went on:

"Now David says still I could be a big opray singer some day mebbe, and
_he_ don't think it's bad. I think still that singin' is about like
havin' curls--if God don't want you to use your singin' and your curls
what did He give 'em to you for?"

Much to the teacher's relief she was spared the difficulty of answering
the child. The aunt was bringing the visitors to Phoebe's room.

"Come in and see my things," Phoebe invited cordially, as though curls
and operatic careers had never troubled her. In the excitement of
displaying her quilts she apparently forgot the vital problems she had
so lately discussed. But Miss Lee made a mental comment as she stood
apart and watched the child among the white-capped women, "That little
girl will do things before she settles into the simple, monotonous life
these women lead."




CHAPTER VI

THE PRIMA DONNA OF THE ATTIC


"AUNT MARIA, dare I go without sewing just this one Saturday?"

It was Saturday afternoon in early October. All the week-end work of the
farmhouse was done: the walks and porches scrubbed, the entire house
cleaned, the shelves in the cellar filled with pies and cakes. Maria
Metz stood by the wooden frame in which she had sewed Phoebe's latest
quilt and chalked lines and half-moons upon the calico, preliminary to
the actual work of quilting.

Phoebe's face was eloquent as her aunt turned and looked down.

"Why?" asked the woman calmly.

"Ach, because it's my birthday, eleven I am to-day. And pop's going to
bring me new hair-ribbons from Greenwald, pretty blue ones, I asked him
to bring, and nice and wide"--she opened her hands in imaginary
picturing of the width of the new ribbons--"but most of all," she
hastened to add as she saw an expression of displeasure on her aunt's
face, "I'd like to have a party all to myself. I thought that so long as
you're going to have women in to help you quilt, and that is like a
party, only you don't call it so, why I could have a party for me alone.
I'd like to play all afternoon instead of sewing first like I do still.
Dare I, I mean may I?"--in conscientious endeavor to speak as Miss Lee
was trying to teach her.

Maria Metz smiled at the little girl's idea of a party, and after a
moment's hesitation replied, "Ach, yes well, Phoebe, I don't care."

"In the garret, oh, dare I go in the garret and play?" she asked
excitedly.

"Yes, I guess. If you put everything away nice when you are done
playin'."

"I will."

She started off gleefully.

"And be careful of the steps. I'm always afraid you'll fall down when
you go up there, the steps are so narrow."

"Ach, I won't fall. I'll be careful. I'll play a while and then shall I
help to quilt?" she offered magnanimously in return for the privilege of
playing in the garret.

"No, I don't need you. But you can quilt nice, too. The last time you
took littler stitches than Lizzie from the Home, but she don't see so
good. But you needn't help to-day, for so many can't get round the frame
good. Phares's mom and David's mom and Lyddy and Granny Hogendobler and
Susan are comin', and that's enough for one quilt. You go play."

In a moment Phoebe was off, up the broad stairs to the second floor.
There she paused for breath--"Oh, it's like going to a castle somewhere
in a strange country, goin' to the garret! I'm always a little scared at
first, goin' to the garret."

With a laugh she turned into a small room, opened a latched door, closed
it securely behind her, and stood upon the lower step of the attic
stairs. She looked about a moment. Above her were the stained rafters of
the attic, where a dim light invested it with a strange, half fearful
interest.

"Ach, now, don't be a baby," she admonished herself. "Go right up the
stairs. You're a queen--no, I know!--You're a primer donner going up the
platform steps to sing!"

With that helpful delusion she started bravely up the stairs and never
paused until she reached the top step. She ran to a small window and
threw it wide open so that the October sunshine could stream in and make
the place less ghostly.

"Now it's fine up here," she cried. "And I dare--I may--talk to myself
all I want. Aunt Maria says it's simple to talk to yourself, but
goodness, when abody has no other boys or girls to talk to half the time
like I don't, what else can abody do but talk to your own self? Anyhow,
I'm up here now and dare talk out loud all I want. I'll hunt first for
robbers."

She ran about the big attic, peered behind every old trunk and box, even
inside an old yellow cupboard, though she knew it was filled with old
school-books and older hymn-books.

"Not a robber here, less he's back under the eaves."

She crept into the low nook under the slanting roof but found nothing
more exciting than a spider. "Huh, it's no fun hunting for robbers.
Guess I'll spin a while."

With quick variability she drew a low stool near an old spinning-wheel,
placed her foot on the slender treadle and twisted the golden flax in
imitation of the way Aunt Maria had once taught her.

"I'll weave a new dress for myself--oh, goody!" she cried, springing
from the stool. "Now I know what I'll do! I'll dress up in the old
clothes in that old trunk! That'll be the very best party I can have."

She skipped to a far corner of the attic, where a long, leather-covered
trunk stood among some boxes. In a moment the clasps were unfastened,
the lid raised, a protecting cloth lifted from the top and the contents
of the trunk exposed.

The child, kneeling before the trunk, clasped her hands and uttered an
ecstatic, "Oh, I'll be a primer donner now! I remember there used to be
a wonderful fine dress in here somewhere."

With childish feverishness, yet with tenderness and reverence for the
relics of a long dead past, she lifted the old garments from the trunk.

"The baby clothes my mom wore--my mother, Miss Lee always says, and I
like that name better, too. My, but they're little! Such tweeny, weeny
sleeves! I wonder how a baby ever got into anything so tiny. I bet she
was cunning--Miss Lee says babies are cunning. And here's the dress and
cap and a pair of white woolen stockings I wore. Aunt Maria told me so
the last time we cleaned house and I helped to carry all these things
down-stairs and hang them out in the air so they don't spoil here in the
trunk all locked up tight. I wish I could see how I looked when I wore
these things. I wonder if I was a nice baby--but, ach, all babies are
nice. I could squeeze every one I see, only when they're not clean I'd
want to wash 'em first. And here's my mom--mother's wedding dress, a
gray silk one. Ain't it too bad, now, it's going in holes! And this
satin jacket Aunt Maria said my grandpap wore at his wedding; it has a
silver buckle at the neck in front. And next comes the dress I like. It
was my mother's mother's, and it's awful old. But I think it's fine,
with the little pink rosebuds and the lace shawl round the neck and the
long skirt. That's the dress I must wear now to play I'm a primer
donner."

She held out the old-fashioned pink-sprigged muslin, yellowed with age,
yet possessing the charm of old, well-preserved garments. The short,
puffed sleeves, lace fichu and full, puffed skirt proclaimed it of a
bygone generation.

"It's pretty," the child exulted as she shook out the soft folds. "Guess
I can slip it on over my other dress, it's plenty big. It must button in
the front, for that's the way the lace shawl goes. Um--it's long"--she
looked down as she fastened the last little button. "Oh, I know! I'll
tuck it up in the front and leave the long back for a trail! How's that,
I wonder."

She unearthed an old mirror, hung it on a nail in the wall and surveyed
herself in the glass.

"Um, I don't look so bad--but my hair ain't right. I don't know how
primer donners wear their hair, but I know they don't wear it in two
plaits like mine."

She pulled the narrow brown ribbons from her braids, opened the braids
and shook her head vigorously until her curls tumbled about her head and
over her shoulders. Then she knotted the two ribbons together and bound
them across her hair in a fillet, tying them in a bow under her flowing
curls.

"Now, I guess it's as good as I can fix it. I wish Miss Lee could see me
now. I wish most of all my mom--mother could see me. Mebbe she'd say,
'Precious child,' like they say in stories, and then I'd say back,
'Mother dear, mother dear'"--she lingered over the words--"'Mother
dear.' But mebbe she is saying that to me right now, seeing it's my
birthday. I'll make believe so, anyhow."

She was silent for a moment, a puzzled expression on her face.

"I just don't see," she spoke aloud suddenly, "I don't see why I
shouldn't make believe I have a mother, just adopt one like people do
children sometimes. Aunt Maria says it's a risk to adopt some one's
child, but I don't see that it would be a risk to adopt a mother. Let me
see now--of all the women I know, who do I want to adopt? Not Mary
Warner's mom--she's stylish and wears nice dresses, but I don't think
I'd like her to keep. Not Granny Hogendobler, though she's nice and I
like her a lot, a whole lot, and I wish her Nason would come back, but I
don't see how I could take her for my mother; she's too old and she
don't wear a white cap and my mother did, so I must take one that does.
I don't want Phares's mom, either. Now, David's mom I like--yes, I like
her. Most everybody calls her Aunty Bab and I'm just goin' to ask her
if I dare call her Mother Bab! Mother Bab--I like that vonderful much!
And I like her. When we go over to her house she's so nice and talks to
me kind and the last time I was there she kissed me and said what pretty
hair I got. Yes, I want David's mom for mine. I guess he won't care. He
always gives me apples and chestnuts and things and he shows me birds'
nests and I think he'll leave me have his mom, so long as he can have
her too. I'll ask him once when I see him. I wonder who's goin' on the
road to Greenwald."

She gathered up her long skirt and stepped grandly across the bare floor
of the attic. As she stood by the window a boyish whistle floated up to
her. She leaned over the narrow sill and peered through the evergreen
trees at the road.

"That's David now, I bet! Sounds like his whistle. Oo-oo, David," she
called as the boy came swinging down the road.

"Hello, Phoebe. Where you at?"

He turned in at the gate and looked around.

"Whew," he whistled as he glanced up and saw her at the little window of
the attic. "What you doing up there?"

"Playin' primer donner. I just look something grand. Wait, I'll come
down."

"Sure, come on down and let me see you. I'm going to hang around a
while. Mom's here quilting, ain't she?"

"Sh!" Phoebe raised a warning finger, then placed her hands to her mouth
to shut the sound of her voice from the people in the gray house. "You
sneak round to the kitchen door, to the back one, so they can't hear
you, and I'll come down. Aunt Maria mightn't like my hair and dress, and
I don't want to make her cross on my birthday. Be careful, don't make no
noise."

"Ha," laughed the boy. "Bet you're sneaking things, you little rascal."

Phoebe lifted her finger, shook her head, then smiled and turned from
the window. She tiptoed down the dark attic stairs, then down the narrow
back stairs to the kitchen and slipped quietly to the little porch at
the very rear of the house.

"Gee whiz!" exclaimed David. "You're a swell in that dress!"

"Ain't I--I mean am I--ach, David, it's hard sometimes to talk like Miss
Lee says we should."

"Where'd you get the dress, Phoebe?"

"Up in the garret. Aunt Maria said I dare go up and play 'cause it's my
birthday."

"Hold on, that's just what I came for, to pull your ears."

"No you don't," she said crossly. "No you don't, David Eby, pull my
ears." She clapped a hand upon each ear.

"Then I'll pull a curl," he said and suited the action to the word. He
took one of the long light curls and pulled it gently, yet with a
brusque show of savagery and strength--"One, two, three, four, five,
six, seven, eight, nine, ten, eleven, and one to make you grow. Now who
says I can't celebrate your birthday!"

"You're mean, awful mean, David Eby!" She tossed her head in anger. But
a moment later she relented as she saw him smile. "Ach," she said in
friendly tone, "I don't care if you pull my curls. It didn't hurt
anyhow. You can't do it again for a whole year. But don't you think I
look like a primer donner, David?"

"Oh, say it right! How can you expect to ever be what you can't
pronounce? It's pri-ma-don-na."

"Pri-ma-don-na," she repeated, shaking her curls at every syllable. "Do
I look like a prima donna?"

"Yes, all but your face."

"My face--why"--she faltered--"what's wrong with my face? Ain't it
pretty enough to be a prima donna?"

"Funny kid," he laughed. "Your face is good enough for a prima donna,
but to be a real prima donna you must fix it up with cold cream, paint
and powder."

"Powder!" she echoed in amazement. "Not the kind you put in guns?"

"Gee, no! It's white stuff--looks like flour; mebbe it is flour fixed up
with perfume. Mary Warner had some at school last week and showed some
of the girls at recess how to put it on. I was behind a tree and saw
them but they didn't see me."

"I thought some of the girls looked pale--so that was what made them
look so white! But how do you know all about fixing up to be a prima
donna? Where did you learn?" She looked at him admiringly, justly
appreciating his superior knowledge.

"Oh, when I had the mumps last winter I used to read the papers every
day, clean through. There was a column called the 'Hints to Beauty'
column, and sometimes I read it just for fun, it was so funny. It told
about fixing up the face and mentioned a famous singer and some other
people who always looked beautiful because they knew how to fix their
faces to keep looking young. But I wouldn't like to see any one I like
fix their faces like it said, for all that stuff----"

"But do you think all prima donnas put such things on their faces?" she
interrupted him.

"Guess so."

"What was it, Davie?"

"Cold cream, paint, powder--here, where are you going?" he asked as she
started for the door.

"I'll be out in a minute; you wait here for me."

"Cold cream, paint, powder," she repeated as she closed the door and
left David outside. "Cream's all in the cellar." She took a pewter
tablespoon from a drawer, opened a latched door in the kitchen and went
noiselessly down the steps to the cellar. There she lifted the lid from
a large earthen jar, dipped a spoonful of thick cream from the jar, and
began to rub it on her cheeks.

"That's _cold_ cream, anyhow," she said to herself. "It certainly is
cold. Ach, I don't like the feel of it on my face; it's too sticky and
wet." But she rubbed valiantly until the spoonful was used and her face
glowed.

"Now paint, red paint--I don't dare use the kind you put on houses, for
that's too hard to get off; let's see--I guess red-beet juice will do."

She stooped to the cool, earthen floor, lifted the cover from a crock of
pickled beets, dipped the spoon into the juice and began to rub the
colored liquid upon her glowing cheeks.

"If I only had a looking-glass, then I could see just where to put it
on. But I don't dare to carry the juice up the steps, for if I spilled
some just after Aunt Maria has them scrubbed for Sunday she'd be cross."

She applied the red juice by guesswork, with the inevitable result that
her ears, chin, and nose were stained as deeply as her cheeks.

"Now the powder, then I'm through."

She tiptoed up to the kitchen again, took a handful of flour from the
bin and rubbed it upon her face.

"Ugh, um," she sputtered, as some of the flour flew into her eyes and
nostrils. "I guess that was too thick!" Then she knelt on a chair and
looked into the small mirror that hung in the kitchen. She exclaimed in
horror and disappointment at the vision that met her gaze.

"Why, I don't like that! I look awful! I'll rub off some of the flour. I
have blotches all over my face. Do all prima donnas look this way, I
wonder. But David knows, I guess. I'll ask him if I did it right."

She grabbed one end of the kitchen towel and disposed of some of the
superfluous flour, then, still doubtful of her appearance, opened the
door to the porch where the boy waited for her.

"Do I look----" she began, but David burst into hilarious laughter.

"Oh, oh," he held his sides and laughed. "Oh, your face----"

"Don't you laugh at me, David Eby! Don't you dare laugh!"

She was deeply hurt at his unseemly behavior, but the deluge was only
beginning! The sound of David's laughter and Phoebe's raised voice
reached the front room where the quilting party was in progress.

"Sounds like somebody on the back porch," said Aunt Maria. "Guess I
better go and see. With so many tramps around always abody can't be too
careful."

The sight that met Maria Metz's eyes as she opened the back door left
her speechless. Phoebe turned and the two looked at each other in
silence for a few long moments.

"Don't scold her," David said, sobered by the sudden appearance of the
woman and frightened for Phoebe--Aunt Maria could be stern, he knew.
"Don't scold her. I told her to do it."

"You did not, David; don't you tell lies for me! You just told me how to
do it and I went and done it myself. I'm playing prima donna, Aunt
Maria," she explained, though she knew it was a futile attempt at
justification. "I'm playing I'm a big singer, so I had to fix up in this
dress and put my hair down this way and fix my face."

"Great singer--march in here!" The woman had fully regained her voice.
"It's a bad girl you are! To think of your making such a monkey of
yourself when I leave you go up in the garret to play! This ends playing
in the garret. Next Saturday you sew! Ach, yes, you just come in," she
commanded, for Phoebe hung back as they entered the house. "You come
right in here and let all the women see how nice you play when I leave
you go up in the garret instead of make you sew. This here's the tramp I
found," she announced as she led her into the room where the women sat
around the quilting frame and quilted.

"What!" several of them exclaimed as they turned from their sewing and
looked at the child. Granny Hogendobler and David Eby's mother, however,
smiled.

"What's on your face?" asked one woman sternly.

Phoebe hung her head, abashed.

"That's how nice she plays when I leave her go up on the garret and have
a nice time instead of making her sew like she always has to Saturdays,"
Aunt Maria said in sharp tones which told the child all too plainly of
the displeasure she had caused.

"I didn't mean," Phoebe looked up contritely, "I didn't mean to be bad
and make you cross. I was just playing I was a big singer and I put cold
cream and paint and powder on my face----"

"Cream!"

"Paint!"

"Powder!"

The shrill staccato words of the women set the child trembling.

"But--but," she faltered, "it'll all wash off." She gave a convincing
nod of her head and rubbed a hand ruefully across the grotesquely
decorated cheek. "It's just cream and red-beet juice and flour."

"Did I ever!" exclaimed the mother of Phares Eby.

"I-to-goodness!" laughed Granny Hogendobler.

"Vanity, vanity, all is vanity," quoted one of the other women.

"Come here, Phoebe," said the mother of David Eby, and that woman, a
thin, alert little person with tender, kindly eyes, drew the unhappy
little girl to her. "You poor, precious child," she said, "it's a shame
for us all to sit here and look at you as if we wanted to eat you.
You've just been playing, haven't you?" She turned to the other women.
"Why, Maria, Susan, I remember just as well as if it were only yesterday
how we used to rub our cheeks with rough mullein leaves to make them red
for Love Feast, don't you remember?"

Aunt Maria's cheeks grew pink. "Ach, Barbara, mebbe we did that when we
were young and foolish, but we didn't act like this."

"Not much different, I guess," said Phoebe's champion with a smile.
"Only we forget it now. Phoebe is just like we were once and she'll get
over it like we did. Let her play; she'll soon be too old to want to
play or to know how. She ain't a bad child, just full of life and likes
to do things other people don't think of doing."

"She, surely does," said Aunt Maria curtly, ill pleased by the woman's
words. "Where that child gets all her notions from I'd like to know.
It's something new every day."

"She'll be all right when she gets older," said David's mother.

"Be sure, yes," agreed Granny Hogendobler; "it don't do to be too
strict."

"Mebbe so," said the other women, with various shades of understanding
in their words.

Phoebe looked gratefully into the face of Granny Hogendobler, then she
turned to David's mother and spoke to her as though there were no others
present in the room.

"You know, don't you, how little girls like to play? You called me
precious child just like she would----"

"She would," repeated Aunt Maria. "What do you mean?"

"I mean my mother," she explained and turned again to her champion. "I
was just thinking this after on the garret that I'd like you for my
mother, to adopt you for it like people do with children when they have
none and want some. I hear lots of people call you Aunty Bab--dare I
call you Mother Bab?"

The woman laid a hand on the child's tumbled hair. Her voice trembled as
she answered, "Yes, Phoebe, you can call me Mother Bab. I have no little
girl so you may fill that place. Now ask Aunt Maria if you should wash
your face and get fixed right again."

"Shall I, Aunt Maria?"

"Yes. Go get cleaned up. Fold all them clothes right and put 'em in the
trunk and put your hair in two plaits again. If you're big enough to do
such dumb things you're big enough to comb your hair." And Aunt Maria,
peeved and hurt at the child's behavior, went back to her quilting while
Phoebe hurried from the room alone.

The child scrubbed the three layers of decoration from her face, trudged
up the stairs to the attic, took off the rose-sprigged gown and folded
it away--a disconsolate, disillusioned prima donna.

When the attic was once more restored to its orderliness she closed the
window and went down-stairs to wrestle with her curls. They were
tangled, but ordinarily she would have been able to braid them into some
semblance of neatness, but the trying experience of the past moments,
the joy of gaining an adopted mother, set her fingers bungling.

"Ach, I can't, I just can't make two braids!" she said at length, ready
to burst into tears.

Then she remembered David. "Mebbe he's on the porch yet. I'll go see
once."

With the narrow brown ribbons streaming from her hand and a hair-brush
tucked under one arm she ran down the stairs. She found David, for once
a gloomy figure, on the back porch, just where she had left him.

"David," she said softly, "will you help me?"

"Why"--his face brightened as he looked at her--"you ain't"--he started
to say "crying"--"you ain't mad at me for getting you into trouble with
Aunt Maria?"

"Ach, no. And I ain't never going to be mad at you now for I just
adopted your mom for my mom--mother. She's going to be my Mother Bab;
she said so."

"What?"

He knitted his forehead in a puzzled frown. Phoebe explained how kind
his mother had been, how she understood what little girls like to do,
how she had promised to be Mother Bab.

"You don't care, Davie, you ain't jealous?" she ended anxiously.

"Sure not," he assured her; "I think it's kinda nice, for she thinks
you're a dandy. But did they haul you over the coals in there?"

"Yes, a little, all but Granny Hogendobler and your mom--Mother Bab, I
mean. Isn't it funny to get a mother when you didn't have one for so
long?"

"Guess so."

"But, David, will you help me? I can't fix my hair and Aunt Maria is so
mad at me she said I can just fix it myself. The plaits won't come right
at all. Will you help me, please?" She asserted her femininity by adding
new sweetness to her voice as she asked the uncommon favor.

"Why"--he hesitated, then looked about to see if any one were near to
witness what he was about to do--"I don't know if I can. I never braided
hair, but I guess I can."

"Be sure you can, David. You braid it just like we braid the daisy stems
and the dandelion stems in the fields. You're so handy with them, you
can do most anything, I guess."

Spurred by her appreciation of his ability he took the brush and began
to brush the tangled hair as she sat on the porch at his feet.

"Gee," he exclaimed as the hair sprang into curls when the brush left
it, "your hair's just like gold!"

"And it's curly," she added proudly.

"Sure is. Wouldn't Phares look if he saw it! I told him your hair is
prettier than Mary Warner's and he said I was silly to talk about girls'
hair."

"I don't want him to see it this way," she said, "for he'd say it's a
sin to have curly, pretty hair, even if God made it grow that way! He's
awful queer! I wouldn't want him for my adopted brother."

"Guess he'd keep you hopping," laughed David.

"Guess I'd keep him hopping, too," retorted Phoebe, at which the boy
laughed.

"Now what do I do?" he asked when all the hair was untangled.

"Part it in the middle and make two plaits."

"Um-uh."

The boy's clumsy fingers fumbled long with the parting; several times
the braids twisted and had to be undone, but after a struggle he was
able to announce, "There now, you're fixed! Now you're Phoebe Metz, no
more prima donna!"

"Thanks, David, for helping me. I feel much better around the
head--guess curls would be a nuisance after all."




CHAPTER VII

"WHERE THE BROOK AND RIVER MEET"


WHEN Phoebe adopted Mother Bab she did so with the whole-heartedness and
finality characteristic of her blood.

Mother Bab--the name never ceased to thrill the erstwhile motherless
girl whose yearning for affection and understanding had been unsatisfied
by the matter-of-fact Aunt Maria.

At first Maria Metz did not seem too well pleased with the child's
persistent naming of Barbara Eby as Mother Bab; but gradually, as she
saw Phoebe's joy in the adoption, the woman acknowledged to herself that
another woman was capable of mothering where she had failed.

Phoebe spent many hours in the little house on the hill, learning from
Mother Bab many things that made indelible impressions upon her
sensitive child-heart, unraveling some of the tangled knots of her soul,
stirring anew hopes and aspirations of her being. But there remained one
knot to be untangled--she could not understand why the plain dress and
white cap existed, she could not reconcile the utter simplicity of dress
with the lavish beauty of the birds, flowers--all nature.

"It will come," Mother Bab assured her one day. "You are a little girl
now and cannot see into everything. But when you are older you will see
how beautiful it is to live simply and plainly."

"But is it necessary, Mother Bab?" the child cried out. "Must I dress
like you and Aunt Maria if I want to be good?"

"No, you don't _have_ to. Many people are good without wearing the plain
garb. A great many people in the world never heard of the plain sects we
have in this section of the country, and there are good people
everywhere, I'm sure of that. But it is just as true that each person
must find the best way to lead a good life. If you can wear fine clothes
and still be good and lead a Christian life, then there is no harm in
the pretty clothes. But for me the easiest way to be living right is to
live as simply as I can. This is the way for me."

"I'm afraid it's the way for me, too," confessed Phoebe. "I'm vain,
awfully vain! I love pretty clothes and I'll never be satisfied till I
get 'em--silk dresses, soft, shiny satin ones--ach, I guess I'm vain but
I'll have to wait to satisfy my vanity till I'm older, for Aunt Maria is
so set against fancy clothes."

It was true, Maria Metz compromised on some matters as Phoebe grew
older, but on the question of clothes the older woman was adamant. The
child should have comfortable dresses but there would positively be no
useless ornaments or adornments, such as wide sashes, abundance of
laces, elaborately trimmed ruffles. Fancy hats, jewelry and unconfined
curls were also strictly forbidden.

Though Phoebe, even as she grew older, had much time to spend outdoors,
there were many tasks about the house and farm she had to perform. The
chest was soon filled with quilts and that bugbear was gone from her
life. But there was continual scrubbing, baking, mending, and other
household tasks to be done, so that much practice caused the girl to
develop into a capable little housekeeper. Aunt Maria frankly admitted
that Phoebe worked cheerfully and well, a matter she found consoling in
the trying hours when Phoebe "wasted time" by playing the low walnut
organ in the sitting-room.

During Miss Lee's first term of teaching on the hill she taught her how
to play simple exercises and songs and the child, musically inclined,
made the most of the meagre knowledge and adeptly improved until she was
able to play the hymns in the Gospel Hymn Book and the songs and carols
in the old Music Book that had belonged to her mother and always rested
on the top of the old low organ.

So the organ became a great solace and joy, an outlet for the intense
feelings of desire and hope in her heart. When her voice joined with the
sweet tones of the old instrument it seemed to Phoebe as if she were
echoing the harmony of the eternal music of all creation. Child though
she was, she sang with the joy and sincerity of the true musician. She
merely smiled when Aunt Maria characterized her best efforts as
"doodling" and rejoiced when her father, Mother Bab or David praised her
singing.

In school she progressed rapidly but her interest lagged when, after
two years of teaching, Miss Lee resigned her position as teacher of the
school on the hill and a new teacher took command. The entire school
missed the teacher from Philadelphia, but Phoebe was almost
inconsolable. She, especially, appreciated the gain of contact with the
teacher she loved and she continued to profit by the remembrance of many
things Miss Lee had taught her. The Memory Gems, alone, bore evidence of
the change the teacher from the city had wrought in the rural school.
Phoebe smiled as she thought how the poems had been sing-songed until
Miss Lee taught the children to bring out the meaning of the words.

"Oh, my," she laughed one day as she and David were speaking of school
happenings, "do you remember how John Schneider used to say Memory Gems?
The day he got up and said, 'Have-you-heard-the-waters-singing-little-May
--where-the-willows-green-are-bending-over-the-way--do-you-know-how-low-
and-sweet-are-the-words-the-waves-repeat--to-the-pebbles-at-their-feet--
night-and-day?'"

David laughed at the girl's droll imitation, the way she sing-songed the
verse in the exact manner prevalent in many rural schools.

"And do you remember," he asked, "the day Isaac Hunchberger defined
bipeds?"

"Oh, yes! I'll never forget that! It was the day the County
Superintendent of Schools came to visit our school and Miss Lee was
anxious to have us show off. Isaac showed off, all right, with his
'Bipets are sings vis two lex!' I guess Miss Lee decided that day that
the Pennsylvania Dutch is ingrained in our English and hard to get out."

To Phoebe each Memory Gem of her school days became, in truth, a gem
stored away for future years. Long after she had outgrown the little
rural school scraps of poetry returned to her to rewaken the enthusiasm
of childhood and to teach her again to "hear the lark within the
songless egg and find the fountain where they wailed, 'Mirage!'"

Phoebe wanted so many things in those school-day years but she wanted
most of all to become like Miss Lee. So earnestly did she try to speak
as her teacher taught her that after a time the peculiar idioms and
expressions became more infrequent and there was only a delightfully
quaint inflection, an occasional phrase, to betray her Pennsylvania
Dutch parentage. But in times of stress or excitement she invariably
slipped back into the old way and prefaced her exclamations with an
expressive "Ach!"

Life on the Metz farm went on in even tenor year in and year out. Maria
Metz never changed to any appreciable extent her mode of living or her
methods of working, and she tried to teach Phoebe to conform to the same
monotonous existence and live as several generations of Metzes had done.
But Phoebe was a veritable Evelyn Hope, made of "spirit, fire and dew."
The distinctiveness of her personality grew more pronounced as she
slipped from childhood into girlhood and Maria Metz needed often to
encourage her own heart for the task of rearing into ideal womanhood the
daughter of her brother Jacob.

Phoebe had a deep love for nature and this love was fostered by her
sturdy farmer-father. As she followed him about the fields he taught her
the names of wild flowers, told her the nesting haunts of birds,
initiated her into the circle of tree-lore, taught her to keep ears,
eyes and heart open for the treasures of the great outdoors.

Phoebe required no urging in that direction. Her heart was filled with
an insatiable desire to know more and more of the beautiful world about
her. She gathered knowledge from every country walk; she showed so much
"uncommon sense," David Eby said, that it was a keen pleasure to show
her the nests of the thrush or the rare nests of the humming-bird. David
and his mother, enthusiastic seekers after nature knowledge, augmented
the father's nature education of Phoebe by frequent walks to field and
woods. And so, when Phoebe was twelve years old she knew the haunts of
all the wild flowers within walking distance of her home. With her
father or with David and Mother Bab she found the first marsh-marigolds
in the meadows, the first violets of the wooded slope of the hill, the
earliest hepatica with its woolly buds, the first windflowers and spring
beauties. She knew when the time was come for the bloodroot to lift its
pure white petals about the golden hearts in the spot where the rich
mould at the base of some giant tree nurtured the blooded plants. She
could find the canopied Jack-in-the-pulpit and the pink azalea on the
hill near her home. She knew the exact spot, a mile from the gray
farmhouse, where, in a lovely little wood by a quiet road, a profusion
of bird-foot violets and bluets made a carpet of blue loveliness each
spring--so on, through the fleet days of summer, till the last asters
and goldenrod faded, the child reveled in the beauties and wonders of
the world at her feet and loved every part of it, from the tiny blue
speedwell in the grass to the gorgeous orioles in the trees. What if
Aunt Maria sometimes scolded her for bringing so many "weeds" into the
house! With apparent unconcern she placed her flowers in a glass or
earthen jar and secretly thought, "Well, I'm glad I like these pretty
things; they are not weeds to me."

The buoyancy of childhood tarried with her into girlhood. Like the old
inscription of the sun-dial, she seemed to "count none but sunny hours."
But those who knew her best saw that the shadows of life also left their
marks upon her. At times the gaiety was displaced by seriousness. Mother
Bab knew of the struggles in the girl's heart. Granny Hogendobler could
have told of the hours Phoebe spent with her consoling her for the
absence of Nason, mitigating the cruel stabs of the thoughtless people
who condemned him, comforting with the assurance that he would return to
his home some day. Old Aaron loved the girl and found her always ready
to listen to his hackneyed story of the battle of Gettysburg.

Phoebe was a student in the Greenwald High School when the war clouds
broke over Europe and the world seemed to go mad in a whirl. She hurried
to Old Aaron for his opinion on the terrible war.

"Isn't it awful," she said to him, "that so many nations are flying at
each other's throats? And in these days of our boasted civilization!"

"Awful," he agreed. "But, mark my words, this is just the beginning.
Before the thing's settled we'll be in it too."

She shrank from the words. "Oh, no, not America! That would be too
terrible. David might go then, and a lot of Greenwald boys--oh, that
would be awful!"

"Yes! But it would be far more dreadful to have them sit back safe while
others died for the freedom of the world. I'd rather have my boy a
soldier at a time like this than have him be ruler of a country."

The old man's words ended quaveringly. The pent-up agony of his
disappointment in his son surged over him, and he bowed his head in his
hands and wept.

Phoebe sent Granny to comfort him, and then stole away. The veteran's
grief left an impression upon her. Were his words prophetic? Would
America be drawn into the struggle? It was preposterous to dream of
that. She would forget the words of Old Aaron, for she had important
matters of her own to think about. In a few years she would be graduated
from High School and then she would have her own life-work to decide
upon. Her desire for larger experience, her determination to do
something of importance after graduation was her chief interest. The war
across the sea was too remote to bring constant fear to her. Dutifully
she went about her work on the farm and pursued her studies. She was not
without pity for the brave people of Servia and Belgium, not without
praise for the heroic French and English. She added her vehement words
of horror as she read of the atrocities visited upon the helpless
peoples. She shared in the dread of many Americans that the octopus-arm
of war might reach this country, and yet she was more concerned about
her own future than about the future of battle-racked France or
devastated Belgium.




CHAPTER VIII

BEYOND THE ALPS LIES ITALY


PHOEBE'S graduation from the Greenwald High School was her red-letter
day. Several times during the morning she stole to the spare-room where
her graduation dress lay spread upon the high bed. Accompanied by Aunt
Maria she had made a special trip to Lancaster for the frock, though
Aunt Maria had conscientiously bought a few yards of muslin and apron
gingham.

The material was soft silky batiste of the quality Phoebe liked. The
style, also, was of her choosing. She felt a glow of satisfaction as she
looked at the dress so simply, yet fashionably, made.

"For once in my life I have a dress I like," she thought.

After supper, just as she was ready to dress for the great event, Phares
Eby came to the gray farmhouse.

The years had changed the solemn, serious boy into a more solemn,
serious man. Tall and broad-shouldered, he was every inch a man in
appearance. He was, moreover, a man highly respected in the community, a
successful farmer and also a preacher in the Church of the Brethren. The
latter honor had been conferred upon him a year before Phoebe's
graduation and had seemed to increase his gravity and endow him with
true bishopric dignity. He dressed after the manner of the majority of
men who are affiliated with the Church of the Brethren in that district.
His chin was covered with a thick, black beard, his dark hair was parted
in the middle and combed behind his ears. He looked ten years older than
he was and gave an impression of reserved strength, indomitable will and
rigidity of purpose in furthering what he deemed a good cause.

Phoebe felt a slight intimidation in his presence as she noted how
serious he had grown, how mature he seemed. He appeared to desire the
same friendship with her and tried to be comradely as of old, but there
remained a feeling of restraint between them.

"Hello, Phares," she greeted him as cordially as possible on her
Commencement night.

"Good-evening," he returned. "Are you ready for the great event?"

"Yes, if I don't have heart failure before I get in to town. If only I
had been fourth or fifth in the class marks instead of second, then I
might have escaped to-night with just a solo. As it is, I must deliver
the Salutatory oration."

"Phoebe, you want to get off too easily! But I cannot stay more than a
minute, for I know you'll want to get ready. I just stopped to give you
a little gift for your graduation, a copy of Longfellow's poems."

"Oh, thanks, Phares. I like his poems."

"I thought you did. But I must go now," he said stiffly. "I'll see you
to-night at Commencement. I hope you'll get through the oration all
right."

"Thanks. I hope so."

When he was gone she made a wry face. "Whew," she whistled. "I'm sure
Phares is a fine young man but he's too solemncoly. He gives me the
woolies! If he's like that all the time I'm glad I don't have to live in
the same house. Wonder if he really knows how to be jolly. But, shame on
you, Phoebe Metz, talking so about your old friend! Perhaps for that
I'll forget my oration to-night." With a gay laugh she ran away to dress
for the most important occasion of her life.

The white dress was vastly becoming. Its soft folds fell gracefully
about her slender young figure. Her hair was brushed back, gathered into
a bow at the top of her head, and braided into one thick braid which
ended in a curl. There were no loving fingers of mother or sister to
arrange the folds of her gown, no fond eyes to appraise her with looks
of approval, but if she felt the omission she gave no evidence of it.
She seemed especially gay as she dressed alone in her room. When she had
finished she surveyed herself in the glass.

"Um, Phoebe Metz, you don't look half bad! Now go and do as well as you
look. If Aunt Maria heard me she'd be shocked, but what's the use
pretending to be so stupid or innocent as not to appreciate your own
good points. Any person with good sight and ordinary sense can tell
whether their appearance is pleasing or otherwise. I like this
dress----"

"Phoebe," Aunt Maria's voice came up the stairs.

"Yes?"

"Why, David's down. Are you done dressing?"

"I'll be down in a minute."

David Eby, too, was a man grown, but a man so different! Like his
cousin, Phares, he was tall. He had the same dark hair and eyes but his
eyes were glowing, and his hair was cut close and his chin kept
smooth-shaven.

Between him and Phoebe there existed the old comradeship, free of
restraint or embarrassment. He ran to meet her as her steps sounded on
the stairs.

But she came down sedately, her hand sliding along the colonial
hand-rail, a calm dignity about her, her lovely head erect.

"Good-evening," she said in quiet tones.

"Whew!" he whistled. "Sweet girl graduate is too mild a phrase! Come,
unbend, Phoebe. You don't expect me to call you Miss Metz or to kiss
your hand--ah, shall I?"

"Davie"--in a twinkling the assumed dignity deserted her, she was all
girl again, animated and adorable--"Davie, you're hopeless! Here I pose
before the mirror to find the most impressive way to hold my head and be
sufficiently dignified for the occasion, and you come bursting into the
hall like a tomboy, whistling and saying funny things."

"I'm awfully sorry. But you took my breath away. I haven't gotten it
back yet"--he breathed deeply.

"David, will you ever grow up?"

"I'll have to now. I see you've gone and done it."

"Ach no," she lapsed into the childhood expression. "I'm not grown up.
But how do I look? You won't tell me so I have to ask you."

"You look like a Madonna," he said seriously.

"Oh," she said impatiently, "that sounded like Phares."

"Gracious, then I'll change it! You look like an angel and good enough
to eat. But honestly, Phoebe, that dress is dandy! You look mighty
nice."

"Glad you think so. Shall I tell you a secret, David? I'm scared pink
about to-night."

"You scared?" He whistled again.

"Don't be so smart," she said with a frown. "Were you scared on your
Commencement night?"

"Um-uh. At first I was. But you'll get over it in a few minutes. The
lights and the glory of the occasion dim the scary feeling when you sit
up there in the seats of honor. You should be glad your oration is
first."

"I am. Mary Warner is welcome to her Valedictory and the long wait to
deliver it."

Phoebe stiffened a bit at the thought of the other girl. Since the days
when the two girls attended the rural school on the hill and Mary Warner
was the possessor of curls while Phoebe wore the despised braids the
other girl seemed to have everything for which Phoebe longed.

"Ah, don't you care about the honor," said David. "Honors don't always
tell who knows the most. Why, look at me; I was fifth in my class and I
know as much any day as the little runt who was first."

"Conceit!" laughed Phoebe. "But I guess you do know more than he does.
Bet he never saw an orioles' nest or found a wild pink moccasin. You're
a wonder at such things, David."

"Um," came the sober answer, but there was a merry twinkle in his eyes,
"I'm a wonder all right! Too bad only you and Mother Bab know it. But if
I don't soon go you won't get to town in time to get the pink roses
arranged just so for the grand march. The girls in our class primped
about twenty minutes, patting their hair and fixing their ribbons and
fussing with their flowers."

"David, you're horrid!"

"I know. But I brought you something more to primp with." He handed her
a small flat box.

"For me?"

"From Mother Bab," he said.

"Oh, David, that's a beauty!" she cried as she held up a scarf of pale
blue crepe de chine. "I'll wear it to-night. Tell Mother Bab I thank her
over and over. But I'll see her to-night and tell her myself; she'll be
in at Commencement."

"She can't come, Phoebe. She's sorry, but she has one of her dreadful
headaches and you know what that means, how sick she really is."

"Oh, Davie, Mother Bab not coming to my Commencement--why, I'm so
disappointed, I want her there"--the tears were near the surface.

"She's sorry, too, Phoebe, but she's too sick when those headaches get
her. Her eyes are the cause of them, we think now."

"And I'm horribly selfish to think of myself and my disappointment when
she is suffering. You tell her I'll be up to see her in the morning and
tell her all about to-night. You are coming?"

"Sure thing! Aunt Mary is coming over to stay with mother, but there is
really nothing to do for her; the pain seems to have to run its course.
She'll go to bed early and be perfectly all right when she wakes in the
morning. Come on, now, cheer up, and get ready for that 'Over the Alps
lies Italy.'"

"It's 'Beyond the Alps lies Italy,'" she corrected him. Her
disappointment was softened by his cheerfulness.

"Ach, it's all the same," he insisted, and went off smiling.

To Phoebe that night seemed like a dream--the slow march down the aisle
of the crowded auditorium to the elevated platform where the nine
graduates sat in a semicircle; the sea of faces swathed in the bright
glow of many lights; the perfume of the pink roses in her arm; the music
of the High School chorus, and then the time when she rose and stood
before the people to deliver her oration, "Beyond the Alps lies Italy."

She began rather shakily; the sea of faces seemed so very formidable, so
many eyes looked at her--how could she ever finish! She spoke
mechanically at first, but gradually the magic of the Italy of her
dreams stole upon her, a singular softness crept into her voice, a
mellowness like music, as she depicted the blue skies of the sunny
land-of-dreams-come-true.

When she returned to her place in the semicircle a glow of satisfaction
possessed her. She felt she had not failed, that she had, in truth, done
very well. But later, when Mary Warner rose to deliver the Valedictory,
Phoebe felt her own efforts shrink into littleness. The dark-eyed
beautiful Mary was a sad thorn in the flesh for the fair girl who knew
she was always overshadowed by the brilliant, queenly brunette.
Involuntarily the country girl looked at David Eby--he was listening
intently to Mary; his eyes never seemed to leave her face. Little, sharp
pangs of jealousy thrust themselves into the depths of Phoebe's heart.
Was it true, then, that David cared for Mary Warner? Town gossips said
he frequented her house. Phoebe had met them together on the Square
recently--not that she cared, of course! She sat erect and held her pink
roses more tightly against her heart. It mattered little to her if David
liked other girls; it was only that she felt a sense of proprietorship
over the boy whose mother was her Mother Bab--thus she tried to console
herself and quiet the demons of jealousy until the program was
completed, congratulations received, and she stood with her aunt and
father, ready for the trip back to the gray farmhouse.

Teachers and friends had congratulated her, but it was David Eby's
hearty, "You did all right, Phoebe," that gave her the keenest joy.

"Did you walk in?" she asked him as she gathered her roses, diploma and
scarf, preparatory to departure.

"Yes."

"Then you can drive out with us," her father offered.

"Yes, of course," she seconded the suggestion. "We have room in the
carriage."

So it happened that Phoebe, the blue scarf about her shoulders, sat
beside David as they drove over the country road, home from her
graduation. The vehicle rattled somewhat, but the young folks on the
rear seat could speak and hear above the clatter.

"I'm glad it's over," Phoebe sighed in relief. "But what next?"

"Mary Warner is going to enter some prep school this fall and prepare
for Vassar," David informed the girl beside him.

"Lucky Mary"--Mary Warner--she was sick of the name! "I wish I knew what
I want to do."

"Want to go away to school?"

"I don't know. Aunt Maria wants me to stay at home on the farm and just
help her. Daddy doesn't say much, but he did ask me if I would like to
go to Millersville. That's a fine Normal School and if I wanted to be a
teacher I'd go to that school, but I don't want to be a teacher. What I
really want to do is go away and study music."

"Well, can't you do it? That is not really impossible."

"No, but----"

"No, but," he mimicked. "_But_ won't take you anywhere."

"You set me thinking, David. Perhaps it isn't so improbable, after all.
I'm coming over to see Mother Bab to-morrow; she'll be full of
suggestions. She'll see a way for me to get what I want; she always
does."

"I bet she will," agreed David. "You'll be that primer donner yet," he
mimicked, "I know you will."

"Oh, Davie, wouldn't it be great! But I wouldn't beautify my face with
cream and beet juice and flour!"

They laughed so heartily that Aunt Maria turned and asked the cause of
the merriment.

"We were just speaking of the time when I dressed in the garret and
fixed my face--the time you had the quilting party."

"Ach," Aunt Maria said, smiling in the darkness. "You looked dreadful
that day. I was good and mad at you! But I'm glad you're big enough now
not to do such dumb things. My, now that you're done with school and
will stay home with me we can have some nice times sewin' and quiltin'
and makin' rugs, ain't, Phoebe?"

In the semi-darkness of the carriage Phoebe looked at David. The
appealing wistfulness of her face touched him. He patted her arm
reassuringly and whispered to her, "Don't you worry. It'll come out all
right. Mother Bab will help you."




CHAPTER IX

A VISIT TO MOTHER BAB


THE next day as Phoebe walked up the hill to visit Mother Bab she went
eagerly and with an unusual light in her eyes--she had transformed her
schoolgirl braid into the coiffure of a woman! The golden hair was
parted in the middle, twisted into a shapely knot in the nape of her
neck, and the effect was highly satisfactory, she thought.

"Mother Bab will be surprised," she said gladly as she swung up the hill
in rapid, easy strides. "And David--I wonder what David will say if he's
home."

At the summit of the hill she paused and turned, looked back at the gray
farmhouse and beyond it to the little town of Greenwald.

"I just must stand here a minute and look! I love this view from the
hill."

She breathed deeply and continued to revel in the beauty of the scene.
At the foot of the hill was the Metz farm nestling in its green
surroundings. Like a tan ribbon the dusty road went winding past green
fields, then hid itself as it dipped into a valley and made a sharp
curve, though Phoebe knew that it went on past more fields and meadows
to the town. Where she stood she had a view of the tall spires of
Greenwald churches straggling through the trees, and the red and slate
roofs of comfortable houses gleaming in the sunlight. Beyond and about
the town lay fields resplendent in the pristine freshness of May
greenery.

"Oh," she said aloud after a long gaze, "this is glorious! But I must
hurry to Mother Bab. I'm wild to have her see me. Aunt Maria just said
when I showed her my hair, 'Yes well, Phoebe, I guess you're old enough
to wear your hair up.' Mother Bab is different. Sometimes I pity Aunt
Maria and wonder what kind of childhood she had to make her so grim
about some things."

The little house in which David and his mother lived stood near the
country road leading to the schoolhouse on the hill. Like many other
farmhouses of that county it was square, substantial and unadorned, its
attractiveness being derived solely from its fine proportions, its
colonial doorways, and the harmonious surroundings of trees and flowers.
The garden was eloquent of the lavish love bestowed upon it. Mother Bab
delighted in flowers and planted all the old favorites. The walks
between the garden beds were trim and weedless, the yard and buildings
well kept, and the entire little farm gave evidence that the reputed
Pennsylvania Dutch thrift and neatness were present there.

Adjoining the farm of Mother Bab was the farm of her brother-in-law, the
father of Phares Eby. This was one of the best known in the community.
Its great barns and vast acres quite eclipsed the modest little dwelling
beside it. David Eby sometimes sighed as he compared the two farms and
wondered why Fate had bestowed upon his uncle's efforts an almost
unparalleled success while his own father had had a continual struggle
to hold on to the few acres of the little farm. Since the death of his
father David had often felt the straining of the yoke. It was toil,
toil, on acres which were rich but apparently unwilling to yield their
fullness. One year the crops were damaged by hail, another year
prolonged drought prevented full development of the fruit, again
continued rainy weather ruined the hay, and so on, year in and year out,
there was seldom a season when the farm measured up to the expectations
of the hard-working David.

But Mother Bab never complained about the ill-luck, neither did she envy
the woman in the great house next to her. Mother Bab's philosophy of
life was mainly cheerful:

        "I find earth not gray, but rosy,
           Heaven not grim, but fair of hue.
         Do I stoop? I pluck a posy.
           Do I stand and stare? All's blue."

A little house to shelter her, a big garden in which to work, to dream,
to live; enough worldly goods to supply daily sustenance; the love of
her David--truly her BELOVED, as the old Hebrew name signifies--the love
of the dear Phoebe who had adopted her--given these blessings and no
envy or discontent ever ventured near the white-capped woman. Life had
brought her many hours of perplexity and several great sorrows, but it
had also bestowed upon her compensating joys. She felt that the years
would bring her new joys, now that her boy was grown into a man and was
able to manage the farm. Some day he would bring home a wife--how she
would love David's wife! But meanwhile, she was not lonely. Her friends
and she were much together, quilting, rugging, comparing notes on the
garden.

"Guess Mother Bab'll be in the garden," thought Phoebe, "for it's such a
fine day."

But as she neared the whitewashed fence of the garden she saw that the
place was deserted. She ran lightly up the walk, rapped at the kitchen
door, and entered without waiting for an answer to her knock.

"Mother Bab," she called.

"I'm here, Phoebe," came a voice from the sitting-room.

"How are you? Is your headache all gone?" Phoebe asked as she ran to the
beloved person who came to meet her.

"All gone. I was so disappointed last night--but what have you done to
your hair?"

"Oh, I forgot!" Phoebe lifted her head proudly. "I meant to knock at the
front door and be company to-day. I've got my hair up!"

"Phoebe, Phoebe," the woman drew her nearer. "Let me look at you." Her
eyes scanned the face of the girl, her voice quivered as she spoke.
"You've grown up! Of course it didn't come in a night but it seems that
way."

"The May fairies did it, Mother Bab. Yesterday I wore a braid. This
morning when I woke I heard the robin who sings every morning in the
apple tree outside my window and he was caroling, 'Put it up! Put it
up!' I knew he meant my hair, so here I am, waiting for your blessing."

"You have it, you always have it! But"--she changed her mood--"are you
sure the robin wasn't saying, 'Get up, get up!' Phoebe?"

"Positive; it was only five o'clock."

"Now I must hear all about last night," said Mother Bab as they sat
together on the broad wooden settee in the sitting-room. "David told me
how nice you looked and how well you did."

"Did he tell you how pleased I am with the scarf? It's just lovely! And
the color is beautiful. I wonder why--I wonder why I love pretty things
so much, really pretty things, like crepe de chine and taffeta and panne
velvet and satin. Oh, sometimes I think I must have them. When I go to
Lancaster I want lots of lovely clothes and I hate ginghams and percales
and serviceable things."

"I know, Phoebe, I know how you feel about it."

"Do you really? Then it can't be so awfully wicked. You are so
understanding, Mother Bab. I can't tell Aunt Maria how I feel about such
things for she'd be dreadfully hurt or worried or provoked, but you seem
always to know what I mean and how I feel."

"I was eighteen myself once, a good many years ago, but I still remember
it."

"You have a good memory."

"Yes. Why, I can remember some of the dresses I wore when I was
eighteen. But then, I have a dress bundle to help me remember them."

"What's a dress bundle?"

"Didn't Aunt Maria keep one for you?"

"I never heard of one."

"It's a long string of samples of dresses you wore when you were little.
Wait, I'll get mine and show you."

She left the room and went up-stairs. After a short time she returned
and held out a stout thread upon which were strung small, irregular
scraps of dress material. "This is my dress bundle. My mother started it
for me when I was a baby and kept it up till I was big enough to do it
myself. Every time I got a new dress a little patch of the goods was
threaded on my dress bundle."

"Oh, may I see? Why, that's just like a part of your babyhood and
childhood come back!"

The two heads bent over the bundle--the girl's with its light hair in
its first putting up, the woman's with its graying hair folded under the
white cap.

"Here"--Mother Bab turned the bundle upside down and fingered the scraps
with that loving way of those who are dreaming of long departed days and
touching a relic of those cherished hours--"this white calico with the
little pink dots was the first dress any one gave me. Grandmother
Hoerner made it for me, all by hand. Funny, wasn't it, the way they used
to put colored dresses on wee babies! See, here are pink calico ones and
white with red figures and a few blue ones. I wore all these when I was
a baby. Then when I grew older these; they are much prettier. This red
delaine I wore to a spelling bee when I was about sixteen and I got a
book for a prize for standing up next to last. This red and black
checked debaige I can see yet. It had an overskirt on it trimmed with
little ruffles. This purple cashmere with the yellow sprigs in it I had
all trimmed with narrow black velvet ribbon. I'll never forget that
dress--I wore it the day I met David's father."

"Oh, you must have looked lovely!"

"He said so." She smiled; her eyes looked beyond Phoebe, back to the
golden days of her youth when Love had come to her to bless and to abide
with her long beyond the tarrying of the spirit in the flesh. "He said I
looked nice. I met him the first time I wore the purple dress. It was at
a corn-husking party at Jerry Grumb's barn. Some man played the fiddle
and we danced."

"Danced!" echoed Phoebe.

"Yes, danced. But just the old-fashioned Virginia reel. We had cider and
apples and cake and pie for our treat and we went home at ten o'clock!
David walked home with me in the moonlight and I guess we liked each
other from the first. We were married the next year, then we both turned
plain."

"Were you ever sorry, Mother Bab?"

"That I married him, or that I turned plain?"

"Yes. Both, I mean."

"No, never sorry once, Phoebe, about either. We were happy together. And
about turning plain, why, I wasn't sorry either."

"But you had to give up Virginia reels and pretty dresses."

"Yes, but I learned there are deeper, more important things than dancing
and wearing pretty dresses."

She looked at Phoebe, but the girl had bowed her head over the dress
bundle and appeared to be thinking.

"And so," continued Mother Bab softly, "my bundle ended with that dress.
Since I dress plain I don't wear colors, just gray and black. But I
always thought if I had a girl I'd start a dress bundle for her, for
it's so much satisfaction to get it out sometimes and look over the
pieces and remember the dresses and some of the happy times you had when
you wore them. But the girl never came."

"But you have David!"

"Yes, to be sure, he's been so much to me, but I couldn't make him a
dress bundle. He wouldn't have liked it when he grew older--boys are
different. And I wouldn't want him to be a sissy, either."

"He isn't, Mother Bab. He's fine!"

"I think so, Phoebe. He has worked so hard since he's through school and
he's so good to me and takes such care of the farm, though the crops
don't always turn out as we want. But you haven't told me what you are
going to do, now that you're through school."

"I don't know. I want to do something."

"Teach?"

"No. What I would like best of all is study music."

"In Greenwald? You mean to learn to play?"

"No, to learn to sing. I have often dreamed of studying music in a great
city, like Philadelphia."

"What would you do then?"

"Sing, sing! I feel that my voice is my one talent and I don't want to
bury it."

"Well, don't Miss Lee live in Philadelphia? Perhaps she could help you
to get a good teacher and find a place to board."

"Mother Bab!" Phoebe sprang to her feet and wrapped her arms about the
slender little woman. "That's just it!" she cried. "I never thought of
that! David said you'd help me. I'll write to Miss Lee to-day!"

"Phoebe," the woman said, smiling at the girl's wild enthusiasm.

"I'm not crazy, just inspired," said Phoebe. "You helped me, I knew you
would! I want to go to Philadelphia to study music but I know daddy and
Aunt Maria would never listen to any proposals about going to a big city
and living among strangers. But if I write to Miss Lee and she says
she'll help me the folks at home may consider the plan. I'll have a hard
time, though"--a reactionary doubt touched her--"I'll have a dreadful
time persuading Aunt Maria that I'm safe and sane if I mention music and
Philadelphia and Phoebe in the same breath." Then she smiled
determinedly. "At least I'm going to make a brave effort to get what I
want. I'm not going to settle down on the farm and get brown and fat and
wear gingham dresses all my life, and sunbonnets in the bargain! I never
could see why I had to wear sunbonnets, I always hated them. Aunt Maria
always tried to make me wear them, but as soon as I was out of her sight
I sneaked them off. I remember one time I threw my bonnet in the
Chicques and I had the loveliest time watching it disappear down the
stream. But Aunt Maria made me make another one that was uglier still,
so I gained nothing but the temporary pleasure of seeing it float away.
And how I hated to do patchwork! It seemed to me I was always doing it,
and I never could see the sense of cutting up pieces and then sewing
them together again."

"But the sewing was good practice for you, Phoebe. Patchwork--seems to
me all our life is patchwork: a little here and a little there; one
color now, then another; one shape first, then another shape fitted in;
and when it is all joined it will be beautiful if we keep the parts
straight and the colors and shapes right. It can be a very beautiful
rising sun or an equally pretty flower basket, or it can be just a crazy
quilt with little of the beautiful about it."

"Mother Bab, if I had known that while I was patching I would have loved
to patch! I had nothing to make it interesting; it was just stitching,
stitching, stitching on seams! But those vivid quilts are all finished
and I guess Aunt Maria is as glad about it as I am, for I gave her some
worried hours before the end was sighted. Poor Aunt Maria, she should be
glad to have me go to the city. I've led her some merry chases, but I
must admit she was always equal to them, forged ahead of me many times."

"Phoebe, you're a wilful child and I'm afraid I spoil you more."

"No you don't! You're my safety valve. If I couldn't come up here and
say the things I really feel I'd have to tell it to the Jenny
Wrens--Aunt Maria hates to have me talk to myself."

"But she's good to you, Phoebe?"

"Yes, oh, yes! I appreciate all she has done for me. She has taken care
of me since I was a tiny baby. I'll never forget that. It's just that we
are so different. I can't make Phoebe Metz be just like Maria Metz, can
I?"

"No, you must be yourself, even if you are different."

"That's it, Mother Bab. I feel I have the right to live my life as I
choose, that no person shall say to me I must live it so or so. If I
want to study music why shouldn't I do so? My mother left a few hundred
dollars for me; it's been on interest and amounts to more than a few
hundred, about a thousand dollars, I think. So the money end of my
studying music need not worry Aunt Maria. I am determined to do it,
wouldn't you?"

"I suppose I'd feel the same way."

"How did you learn to understand so well, Mother Bab? You have lived all
your life on a farm, yet you are not narrow."

"I hope I have not grown narrow," the woman said softly. "I have read a
great deal. I have read--don't you breathe it to a soul--I have often
read when I should have been baking pies or washing windows!"

"No wonder David worships you so."

"I still enjoy reading," said Mother Bab. "David subscribes for three
good magazines and when they come I'm so anxious to look into them that
sometimes my cooking burns."

"That must be one of the reasons your English is correct. I am ashamed
of myself when I mix my v's and w's and use a _t_ for a _d_. I have
often wished the Pennsylvania Dutch dialect would have been put aside
long ago."

"Yes," the woman agreed, "I can't see the need of it. It has been
ridiculed so long that it should have died a natural death. It's a
mystery to me how it has survived. But cheer up, Phoebe, the gibberish
is dying out. The older people will continue to speak it but the younger
generations are becoming more and more English speaking. Why, do you
know, Phoebe, since this war started in Europe and I read the dreadful
crimes the Germans are committing I feel that I never want to hear or
say, 'Yah.'"

"Bully!" Phoebe clapped her hands. "I said to old Aaron Hogendobler
yesterday that I'm ashamed I have a German name and some German
ancestors, even if they did come to this country before the Revolution,
and he said no one need feel shame at that, but every American who is
not one hundred per cent American should die from shame. I know we
Pennsylvania Dutch can carry our end of the burdens of the world and be
real Americans, but I want to sound like one too."

Mother Bab laughed. "Just yesterday I said to David that the butter was
_all_."

"I say that very often. I must read more."

"And I less. I haven't told you, Phoebe, nor David, but my eyes are
going back on me. I went to Lancaster a few weeks ago and the doctor
there said I must be very careful not to strain them at all. I think I'd
rather lose any other sense than sight. I always thought it was the
greatest affliction in the world to be blind."

"It is! It mustn't come to you, Mother Bab!"

The woman looked worried, but in a moment her face brightened.

"Anyhow," she said, "what's the use of worrying or thinking about it? If
it ever comes I'll have to bear it just as many other people are bearing
it. I'm glad I have sight to-day to see you."

Phoebe gave her an ecstatic hug. "I believe you're Irish instead of
Pennsylvania Dutch! You do know how to blarney and you have that
coaxing, lovely way about you that the Irish are supposed to have."

"Why, Phoebe, I am part Irish! My mother's maiden name was McKnight.
David and I still have a few drops of the Irish blood in us, I suppose."

"I just knew it! I'm glad. I adore the whimsical way the Irish have, and
I like their sense of humor. I guess that's one of the reasons I like
you better than other people I know and perhaps that's why David is
jolly and different from Phares. Ah," she added roguishly, "I think it's
a pity Phares hasn't some Irish blood in him. He's so solemn he seldom
sees a joke."

"But he's a good boy and he thinks a lot of you. He's just a little too
quiet. But he's a good preacher and very bright."

"Yes, he's so good that I'm ashamed of myself when I say mean things
about him. I like him, but people with more life are more interesting."

"Hello, who's this you like?" David's hearty voice burst upon them.

Phoebe turned and saw him standing in the sunlight of the open door. The
thought flashed upon her, "How big and strong he is!"

He wore brown corduroys, a blue chambray shirt slightly open at the
throat, heavy shoes. His face was already tanned by the wind and sun,
his hands rough from contact with soil and farming implements, his dark
hair rumpled where he had pulled the big straw hat from his head, but
there was an odor of fresh spring earth about him, a boyish
wholesomeness in his face, that attracted the girl as she looked at his
frame in the doorway.

There was a flash of white teeth, a twinkle in his dark eyes, as he
asked, "What did I hear you say, Phoebe--that you like _me_?"

"Indeed not! I wouldn't think of liking anybody who deceived me as you
have done. All these years you have left me under the impression that
you are Pennsylvania Dutch and now Mother Bab says you are part Irish."

"Little saucebox! What about yourself? You can't make me believe that
you are pure, unadulterated Pennsylvania Dutch. There's some alien blood
in you, by the ways of you. Have you seen Phares this afternoon?" he
asked irrelevantly.

"Phares? No. Why?"

"He went down past the field some time ago. Said he's going to
Greenwald and means to stop and ask you to go to a sale with him next
week. He said you mentioned some time ago that you'd like to go to a
real old-fashioned one and he heard of one coming off next week and
thought you might like to go."

"I surely want to go. Don't you want to come, too, David? And Mother
Bab?"

But David shook his head. "And spoil Phares's party," he said. "Phares
wouldn't thank us."

Phoebe shrugged her shoulders. "Ach, David Eby, you're silly! Just as
though I want to go to a sale all alone with Phares! He can take the big
carriage and take us all."

"He can but he won't want to." David showed an irritating wisdom. "When
I invite you to come on a party with me I won't want Phares tagging
after, either. Two's company."

"Two's boredom sometimes," she said so ambiguously that the man laughed
heartily and Mother Bab smiled in amusement.

"Come now, Phoebe," David said, "just because you put your hair up you
mustn't think you can rule us all and don grown-up airs."

"Then you do notice things! I thought you were blind. You are downright
mean, David Eby! When you wore your first pair of long pants I noticed
it right away and made a fuss about them and it takes you ten minutes to
see that my hair is up instead of hanging in a silly braid down my
back."

"I saw it first thing, Phoebe. That was mean--I'm sorry----"

"You look it," she said sceptically.

"I'm sorry," he repeated, "to see the braid go, though you look fine
this way. I liked that long braid ever since the day I braided it, the
day you played prima donna. Remember?"

The girl flushed, then was vexed at her embarrassment and changed
suddenly to the old, appealing Phoebe.

"I remember, Davie. You were my salvation that day, you and Mother Bab."

Before they could answer she added with seeming innocency, yet with a
swift glance into the face of the farmer boy, "I must go now so I'll be
home when Phares comes to invite me to that sale. I'm going with him;
I'm wild to go."

"Yes?" David said slowly.

"Yes," she repeated, a teasing look in her eyes.

"Mommie, isn't she fine?" David said after Phoebe was gone and he
lingered in the house.

"Mighty fine. But she is so different from the general run of girls;
she's so lively and bright and sweet, so sensitive to all impressions.
She's anxious to get to the city to study music. It would be a wonderful
experience for her--and yet----"

"And yet----" echoed David, then fell into silence.

Mother Bab was thinking of her boy and Phoebe, of their gay comradeship.
How friendly they were, how well-mated they appeared to be, how
appreciative of each other. Could they ever care for each other in a
deeper way? Did the preacher care for the playmate of his childhood as
she thought David was beginning to care?

"Well, I must go again, mommie. I came in for a drink at the pump and
heard you and Phoebe. Now I must hustle for I have a lot to do before
sundown--ach, why aren't we rich!"

"Do you wish for that?"

"Certainly I do. Not wealthy; just to have enough so we needn't lie
awake wondering if the dry spell or the wet spell or the hail will ruin
the crops. I wish I could find an Aladdin's lamp."

"Davie"--the smile faded from her face--"don't get the money craze.
Money isn't everything. This farm is paid for and we can always make a
comfortable living. Money isn't all."

"No, but--but it means everything sometimes to a young, single fellow.
But don't you worry; the crops are fine this year, so far."

The mother did not forget his words at once. "It must be," she thought,
"that David wants Phoebe and feels he must have more money before he can
ask her to marry him. Will men never learn that girls who are worth
getting are not looking so much for money but the man. The young can't
see the depth and fullness of love. I've tried to teach David, but I
suppose there's some things he must learn for himself."




CHAPTER X

AN OLD-FASHIONED COUNTRY SALE


A WEEK later Phares and Phoebe drove into the barnyard of a farm six
miles from Greenwald, where the old-fashioned sale was scheduled to be
held.

"We are not the first, after all," said the preacher as he saw the
number of conveyances in and about the barnyard. He smiled
good-humoredly as he led the way--he could afford to smile when he was
with Phoebe.

All about the big yard of the farm were placed articles to be sold at
public auction. It was a miscellaneous collection. A cradle with
miniature puffy feather pillows, straw tick and an old patchwork quilt
of pink and white calico stood near an old wood-stove which bore the
inscription, CONOWINGO FURNACE. Corn-husk shoe-mats, a quilting frame,
rocking-chairs, two spinning-wheels, copper kettles, rolls of hand-woven
rag carpet, old oval hat-boxes and an old chest stood about a huge table
which was laden with jars of jellies. Chests, filled with linens and
antique woolen coverlets, afforded a resting place for the fortunate
ones who had arrived earliest. A few antique chairs and tables, a
mahogany highboy in excellent condition and an antique corner-cupboard
of wild-cherry wood occupied prominent places among the collection.
Truly, the sale warranted the attention it was receiving.

"I'd like to bid on something--I'm going to do it!" Phoebe said as they
looked about. "When I was a little girl and went to sales with Aunt
Maria I coaxed to bid, just for the excitement of bidding. But she
always made me tell what I wanted and then she bid on it."

"What do you want to buy?" asked the preacher.

"Oh, I don't know. I don't want any apple-butter in crocks, or any
chairs. Oh, I'll have some fun, Phares! I'll bid on the third article
they put up for sale! I heard a man say the dishes are going to be sold
first, so I'll probably get a cracked plate or a saucer without a cup,
but whatever it is, the third article is going to be mine."

"That is rather rash," warned Phares. "It may be a bed or a chest."

"You can't scare me. I'm going to have some real thrills at this sale."

The preacher entered into the spirit of the girl and smiled at her
promise to bid on the third thing put up for sale.

"Oh, look at the highboy," she exclaimed to him.

"Do you like it?" he asked.

"Yes. See how it's inlaid with hollywood and cherry and how fine the
lines of it are! I wonder how much it will bring. But Aunt Maria'd scold
if I brought any furniture home, so I can't buy it."

"The price will depend upon the number of bidders and the size of their
pocketbooks. If any dealers in antiques are here it may run way up. We
used to buy homespun linen and fine old furniture very cheap at sales,
but the antique dealers changed that."

By that time the number of people was steadily increasing. They came
singly and in groups, in carriages, farm wagons, automobiles and afoot.
Some of the curious went about examining each article in the motley
collection in the yard.

Phoebe watched it all with an amused smile; finally she broke into merry
laughter.

Phares looked up inquiringly: "What is it?"

"This is great sport! I haven't been to a good sale for several years.
That old man has knocked his fist upon every chair and table, has tested
every piece of furniture, has opened all the bureau drawers, even the
case of the old clock, and just a moment ago he rocked the cradle
furiously to convince himself that it is in good working condition. Here
he comes with a pewter plate in his hand--let's hear what he has to say
about it."

The old man's cracked harsh voice rose above the confusion of other
sounds as he leaned against a table near Phoebe and Phares and spoke to
another man:

"Here now, Eph, is one of them pewter plates that folks fuss so about
just now, and I hear they put them in their dinin'-rooms along the wall!
Why, when I was a boy my granny had a lot of 'em and we'd knock 'em
around any way. Ha, ha," he laughed loudly, "I can tell you a good one,
Eph, about one of them pewter dishes."

He slapped the plate against his knee, but the thud was instantly
drowned by his quick, "Ach, Jimminy, I hit myself pretty hard that time!
But I'll tell you about it, Eph. You heard of the fellows from the city
who go around the country hunting up old relics, all old truck, and sell
it again in the city? Well, one of them fellows come to my house the
other week and asked if I had anything old-fashioned I would sell. Now
if Lizzie'd been home we might got rid of some of the old things we have
on the garret, but I was alone and I didn't know what I dared sell--you
know how the women is. So I said, 'What kind of old things do you want?'

"'Oh,' he said, 'I buy old furniture, dishes, linen, pewter----'

"'Pewter?' I said. 'Who wants that?'

"'There is a great demand for it,' he said, 'and I will give you a good
price for any you have.'

"'Well,' I laughed, 'I have just one piece of pewter.'

"'Where is it?'

"'Why, the cats have been eating out of it for a few years.'

"'May I see it?' he asks.

"So I took him out to the barn and showed him the big pewter bowl the
cats eat out of and he said, 'I'll give you fifty cents for that dish.'

"Gosh, I said to him, 'Mister, I was just fooling with you. I know you
don't want a cat-dish.'

"But he said again, 'I'll give you fifty cents for that dish.'

"So when I saw that he really meant it and wanted the dish I wrapped
the old pewter dish in a paper and he gave me half a dollar for it. When
I told Lizzie about it she laughed good and said the city folks must be
dumb if they want pewter dishes when you can buy such nice ones for ten
cents. Yes, Eph, that's the fellow's going to auctioneer. He's a good
one, you bet; he keeps things lively all the time. All his folks is good
talkers. Lizzie says his mom can talk the legs off an iron pot. But then
he needs a good tongue in this business; it takes a lot of wind to be an
auctioneer, specially at a big sale like this. He says it's going to be
a wonderful sale, that he ain't had one like it for years. There's
things here belonged to the family for three generations, been handed
down and handed down and now to-day it'll get scattered all over
Lancaster County, mebbe further. This saving up things and not using 'em
is all nonsense. I tell Lizzie we'll use what we got and get new when
it's worn out and not let a lot back for the young ones to fight over or
other people to buy."

Here the auctioneer climbed upon a big box, clapped his hands and called
loudly, "Attention, attention! This sale is about to begin. We have here
a collection of fine things, all in good condition. The terms of the
sale are cash. Now, folks, bid up fast and talk loud when you bid so I
can hear you. We have here some of the finest antique dishes in the
country, also some furniture that can't be duplicated in any store
to-day. We'll begin on this cherry table."

He lifted a spindle-legged table in the air and went on talking.

"Now that's a fine table to begin with! All solid cherry, no screws
loose--and that's more than you can say about some people--now what's
bid for this table? Fine and good as the day it came out of a good
workman's shop; no scratches on it--the Brubaker people knew how to take
care of furniture. Who bids? How much for it do you bid? Fifty
cents--fifty, all right--make it sixty--sixty cents I'm bid. Sixty,
sixty, sixty--seventy--go ahead, eighty--go on--ninety, one dollar, one
dollar ten, twenty, thirty--keep on--one dollar thirty, make it forty,
forty, forty, forty, I have a dollar forty for this table--all done?
Going--all done--all done?"

All was said in one breathless succession of words. He paused an instant
to gather fresh impetus, then resumed, "All done--any more? Gone at a
dollar forty to----"

"Lizzie Brubaker."

"Sold to Lizzie Brubaker."

"There," whispered the preacher to Phoebe, "that's one."

She smiled and nodded her head.

"Here now," called the auctioneer, "here's a fine set of chairs. Bid on
them; wink to me if you don't want to call out. My wife said she don't
care how many ladies wink to me this afternoon at this sale, but after
that she won't have it--now then; go ahead! Give me one of the chairs,
Sam, so the people can see it--ah, ain't that a beauty! Six in all, all
solid wood, too, none of your cane seats that you have to be afraid to
sit in. All solid wood, and every one alike, all painted green and
every one with fine hand-painted flowers on the back. Where can you beat
such chairs? Don't make them any more these days, real antiques they
are! Bid up now, friends; how much a piece? The six go together, it
would be a shame to part them. Fifteen cents did I hear?--Say, I'm
ashamed to take a bid like that! Twenty, that's a little better--thirty,
thirty, forty over here? Forty cents I have, fifty, sixty, seventy,
seventy-five, eighty, eighty, eighty cents I'm bid; I'm bid eighty
cents--make it ninety--ninety I'm bid, make it a dollar--ninety,
ninety--all done at ninety? Guess we'll let Jonas Erb have them at
ninety cents a piece, and real bargains they are!"

"Here's where I bid," said Phoebe, her cheeks rosy from excitement.

"Shall I release you from your promise?" offered the preacher.

"No, I'll bid."

"Attention," called the auctioneer. "Attention, everybody! Here we have
a real antique, something worth bidding on!"

Phoebe held her breath.

"Here now, Sam, give it a lift so everybody can see--ah, there you are!"

He shouted the last words as two men held above the crowd--the old
wooden cradle!

Phoebe groaned and looked at Phares--he was smiling. The old aversion to
ridicule swelled in her; he should not have reason to laugh at her; she
would show him that she was equal to the occasion--she would bid on the
cradle!

"Start it, hurry up, somebody. How much is bid for the cradle? Sam here
says it's been in the Brubaker family for years and years. Think of all
the babies that were rocked to sleep in it--it's a real relic."

Phoebe, unacquainted with the value of cradles, was silently endeavoring
to determine the proper amount for a first bid. She was relieved to hear
a woman's voice call, "Twenty-five cents."

"Twenty-five I have, twenty-five," called the auctioneer. "Make it
thirty."

"Thirty," said Phoebe.

"Forty," came from the other woman.

"Make it fifty, Miss." He pointed a fat finger at Phoebe.

"Fifty," she responded.

"Fifty, fifty, anybody make it sixty? Fifty cents--all done at fifty?
Then it goes at fifty cents to"--Phoebe repeated her name--"to Phoebe
Metz."

He proceeded with the sale. Phoebe turned triumphantly to the
preacher--"I kept my promise."

"You did," he said. "The cradle is yours--what are you going to do with
it?"

"Gracious! Why, I never thought of that! I don't want it. I just wanted
the fun of bidding. Can't I pay it and leave it and they can sell it
over again?"

"You bid rashly," the preacher said, though his eyes were smiling and
his usual tone of admonition was absent from his voice. "I think you may
be able to sell it to the woman who was bidding against you."

"I'll find her and give it to her."

She elbowed her way through the crowd until she reached the place from
which the opposing voice had come. She looked about a moment, then
addressed a woman near her. "Do you know who was bidding on the cradle?"

"Yes, it was Hetty here, the one with the white waist. Here, Hetty, this
lady wants to talk to you."

"To me?" echoed the rival bidder for the cradle.

"Did you bid on the cradle?" asked Phoebe.

"Yes, but I didn't get it. I only wanted it because it was in the family
so long. I'm a Brubaker. I said I wouldn't give more than fifty cents
for it, for it would just stand up in the garret anyway, and be one more
thing to move around at housecleaning time. Yet I'd liked to have it. I
don't know who got it."

"I did, but I don't want it. I'd like to give it to you."

"Why"--the woman was amazed--"what did you bid on it for?"

"Just for the fun of bidding," said Phoebe, laughing. "Will you let me
give it to you?"

"I'll give you half a dollar for it," offered the woman.

"No, I mean it. I want to give it to you. I'll consider it a favor if
you'll take it from me."

"Well, if you want it that way. But don't you want the quilt and the
feather pillows?"

"No, take it just as it is."

"Why, thanks," said the woman as she went to the spot where the cradle
stood. She soon walked away with the clumsy gift in her arm. "Now don't
it beat all," she said as she set it down near her friends. "I just knew
that I'd get a present to-day. This morning I put my stocking on wrong
side out and I just left it for they say still that it means you'll get
a present before the day is over, and here I get this cradle!"

With a bright smile illumining her face, Phoebe rejoined the preacher.

"I see you disposed of the cradle," he greeted her.

"Yes. But I felt like a hypocrite when she thanked me, for I was giving
her what I didn't want."

Here the busy auctioneer called again, "Attention, everybody! This piece
of furniture we are going to sell now dates back to ante-bellum days."

"Ach, it don't," Phoebe heard a voice exclaim. "That never belonged to
any person called Bellem; that was old Amanda Brubaker's for years and
she used to tell me that it belonged to her grandmother once. That man
don't know what he's saying, but that's the way these auctioneers do;
you can't believe half they say at a sale half the time."

Phoebe looked up at Phares; both smiled, but the loquacious auctioneer,
not knowing the comments he was causing, went on serenely:

"Yes, sir, this is a real old piece of furniture, a real antique. Look
at this, everybody--a chest of drawers, a highboy, some people call it,
but it's pretty by any name. All of it is genuine mahogany trimmed with
inlaid pieces of white wood. Start it up, somebody. What will you give
for the finest thing we have here at this sale to-day? What's bid? Good!
I'm bid five dollars to begin; shows you know a good thing when you see
it. Five dollars--make it ten?"

"Ten," answered Phares Eby.

Phoebe gave a start of surprise as the preacher's voice came in answer
to the entreaty of the auctioneer.

"Phares," she whispered, "I didn't mean that I want to buy it."

"I am buying it," he said calmly, an inscrutable smile in his eyes. "You
like it, don't you?"

She felt a vague uneasiness at his words, at the new sound of tenderness
in his voice.

"Yes, I like it, but----"

"Then we'll talk about that some other day soon," he returned, and
looked again at the busy auctioneer.

"Ten dollars, ten, ten," came the eager call of the man on the
box. "Who makes it fifteen? That's it--fifteen I have--sixteen,
eighteen--twenty--twenty-five, thirty--thirty, thirty, come on, who
makes it more? Not done yet? Not going for that little bit? Who makes
it thirty-five?"

"Thirty-five," said Phares.

"Thirty-five," the auctioneer caught at the words. "That's the way to
bid."

"Thirty-eight," came a voice from the crowd.

"Thirty-eight," the auctioneer smiled broadly at the bid. "Some person
is going to get a fine antique--keep it up, the highest bidder gets
it--thirty-eight----"

"Forty," offered Phares.

"Forty, forty dollars--I have forty dollars offered for the highboy--all
done at forty----"

There was a tense silence.

"Forty dollars--all done at forty--last call--going--going--gone. Gone
at forty dollars to Phares Eby."

Phoebe turned to the preacher. "Did you bid just for the fun of
bidding?" she asked.

"Well," he replied slowly, "the cases are not exactly alike. You like
the highboy, don't you?"

"Yes--but what has that to do with it?" She looked up, but turned her
head away quickly. What did he mean? Surely Phares was not given to
foolishness or love-making to her!

She was glad that he suggested moving to the edge of the crowd after his
successful bidding was completed. There a welcome diversion came in the
form of the old man who had previously amused them by his talk about the
pewter plate.

"There now, Eph," he was saying, "what do you think of paying forty
dollars for that old chest of drawers? To be sure it's good and all the
drawers work yet--I tried 'em before the sale commenced. But forty
dollars--whew!"

The stupidity and extravagance of some people silenced him for a moment,
then he continued: "My Lizzie, now, she knows better how to spend money.
She bought ten dollars' worth of flavors and soap and things like that
and she got in the bargain a big chest of drawers bigger than this old
one, and it was polished up finer and had a looking-glass on the top
yet. That man must have a lot of money to give forty dollars for one
piece of furniture! Ach"--in answer to a remonstrance from his
companion--"they can't hear me. I don't talk loud, and anyhow, they're
listening to the auctioneer. That girl with him has a funny streak too.
She bought the old cradle and then I heard her tell Hetty that she just
bought it for fun and she gave it to Hetty. So, is that man Phares Eby
from near Greenwald? Well, I thought he'd have too much sense to buy
such a thing for forty dollars, but some people gets crazy when they get
to a sale. Who ever heard of a person buying a cradle for fun and giving
it away? But I guess that cradles went out of style some time ago. My
girl Lizzie wasn't raised with funny notions like some girls have
nowadays, but when she was married and had her first baby and we told
her she could borrow the old cradle she was rocked in to put her baby
in, she said she didn't want it, for cradles ain't healthy for babies,
it is bad to rock babies! I guess that was her man's dumb notion, for
he's a professor in the High School where they live, but he's just Jake
Forney's John. They get along fine, but they do some dumb things. They
let that baby yell till he found out that he wouldn't get rocked. It
made her mom quite sick when we were up to visit them, and sometimes
we'd sneak rocking it a little, just so the little fellow'd know there
is such a thing as getting rocked. They don't want any person to kiss
that baby, neither. Course I ain't in favor of everybody kissing a baby,
but I can't see the hurt of its own people kissing it. We used to take
it behind the door and kiss it good, and it's living yet. Ain't, Eph,
it's a wonder we ever growed up, the way we were bounced and rocked and
joggled and kissed! I say it ain't right to go back on cradles; they
belong to babies. But look, Eph, there she's buying them old copper
sheep bells! Wonder if she keeps sheep."

Phoebe, triumphant bidder for a pair of hand-beaten copper sheep bells,
turned and looked at the farmer. The tenderness of a bright smile still
played about her lips and the old man, interpreting the smile as a
personal greeting to him, drew near and spoke to her.

"I can tell you what to take to clean them bells."

"Thank you," she answered cordially, "but I do not want to clean them."

"But you can make them shiny if you take----"

"You are very kind, but I really want to keep them just as they are."

The old man looked at her for a moment, then shook his head as though in
perplexity and turned away.

Several more hours of vigorous work on the part of the noisy auctioneer
resulted in the sale of the miscellaneous collection of articles.

The loquacious old farmer was often moved to whistle or to emit a low
"Gosh" as the sale progressed and seemingly valueless articles were sold
for high prices. A linen homespun table-cloth, woven in geometrical
design, occasioned spirited bidding, but the man on the box was equal to
the task and closed the bids at twenty dollars. Homespun linen towels
were bought eagerly for seven, eight, nine dollars. A genuine buffalo
robe was knocked down to a bidder at the price of eighty dollars. Cups
and saucers and plates sold for from two to four dollars each. But it
was an old blue glass bottle that provoked the greatest sensation.
"Gosh, who wants that?" said the old man as the bottle was brought
forth. "If he throws a cup or plate in with it mebbe somebody will give
a penny for it."

But a moment later, as an antique dealer started the bid at a dollar the
old man spluttered, "Jimminy pats! Why, it's just an old glass bottle!"

Some person enlightened him--it was Stiegel glass! After the first bid
on the bottle every one became attentive. The two rival bidders were
alert to every move of the auctioneer, the bids leapt up and up--ten
dollars--eleven dollars--twelve dollars--thirteen dollars--gone at
thirteen dollars!

It was late afternoon when Phoebe and the preacher turned homeward. The
preacher's purchase had to be left at the farm until he could return for
it in the big farm wagon, but Phoebe thought of the highboy as they rode
along the pleasant country roads. She remembered the expression she had
caught on the face of Phares and the remembrance troubled her. She
sought desperately for some topic of conversation that would lead the
man's thoughts from the highboy and prevent the return of the mood she
had discovered at the sale.

"You--Phares," she began confusedly, "you are going to baptize this next
time, Aunt Maria thought."

"Yes."

The preacher looked at the girl. The exhilarating influence of the early
June outdoors was visible in her countenance. Her eyes sparkled, her
cheeks glowed--she seemed the epitome of innocent, happy girlhood. The
vision charmed the preacher and caused the blood to course more swiftly
through his veins, but he bit his lip and steadied his voice to speak
naturally. "Yes, Phoebe, I want to speak to you about that."

"Oh, dear," she thought, "now I _have_ done it! Why did I start him on
that subject!" Some of the excessive color faded from her face and she
looked ahead as he spoke.

"Phoebe, the second Sunday in June I am going to baptize a number of
converts in the Chicques near your home. Are you ready to come with the
rest, and give up the vanities of the world?"

"Oh, Phares, why do you ask me? I can't wear plain clothes while I love
pretty ones. I can't be a hypocrite."

"But surely, Phoebe, you see that a simple life is more conducive to
happiness than a complex, artificial life can possibly be. It is my duty
to strive for the saving of souls and we have been friends so long that
I take a special interest in you and desire to see you safe in the
shelter of the Church."

"Phares, I'll tell you frankly, if I ever wear plain garb it will be
because I _feel_ that it is the right thing for me to do, not because
some person persuades me to."

"Of course, that is the only way to come. But can't you come now?"

"I can't. I hurt you when I say that, but I want you to be my good
friend, as always, in spite of my worldliness. Will you, Phares?"

He opened his lips to speak, but she went on quickly: "Because I am
learning every day how much I need the help and friendship of all my
friends."

He longed to throw down the reins he was holding and tell her what was
in his heart, but something in her manner, her peculiar stress on the
word "friendship" restrained him. She was, after all, only a child. Only
eighteen--too young to think of marriage. He could wait a while longer
before he told her of his love and his desire to marry her.

"I will, Phoebe," he promised. "I'll be your friend, always."

"I thought so," she breathed deeply in relief. "I knew you wouldn't fail
me. Look at that field, Phares--oh, this is a perfect day! There should
be a superlative form of perfect for a day like this! Those fields have
as many colors as the shades reflected on a copper plate: lilac, tan,
purple, rose, green and brown."

The preacher answered a mere "Yes." She turned again and looked at the
fields they were passing. "Perhaps," she thought, "before that corn is
ripe I'll be in Philadelphia!" But she did not utter the thought, for
she knew the preacher would not approve of her going to the city. He
should know nothing about it until it was definitely settled.

The thought of studying music in Philadelphia left her restless. If only
the preacher would be more talkative!

"It's just perfect to-day, isn't it, Phares?" she asked radiantly,
resolved to make him talk. But his answers were so perfunctory that she
turned her head, made a little grimace through the open side of the
carriage and mentally dubbed him "Bump-on-log." Very well, if he felt
indisposed to talk to her, she could enjoy the drive without his voice!

Suddenly she laughed outright.

"What----" he looked at her, puzzled.

"What's funny?" she finished. "You."

"I?"

"Yes, you. If sales affect you like this you must be careful to avoid
them. You've been half asleep for the last half hour. I think the horse
knows the way home; you haven't been driving at all."

"I have not been asleep," he contradicted gravely, "just thinking."

"Must be deep thoughts."

"They were--shall I tell them to you?"

"Oh, no, not to-day!" she cried. "I've had enough excitement for one
day. Some other time. Besides, we are almost home."

After that he threw off his lethargic manner and entered the girl's mood
of appreciation of the lavish loveliness of the June. Yet, as Phoebe
alighted from the carriage at the little gate of the Metz farm, and
after she had thanked him and started through the yard to the house, she
said softly to herself, "If Phares Eby isn't the queerest person I know!
Just like a clam one minute and just lovely the next!"

Maria Metz was dishing a panful of fried potatoes as Phoebe entered the
kitchen.

"Hello, daddy, Aunt Maria," exclaimed the girl.

"So you come once?" said her aunt.

"Have a good time?" asked her father.

"Yes, it was a fine sale, a real old-fashioned one."

But Aunt Maria was impatient for her supper. "Hurry," she said, "and get
washed to eat. I have everything out and it'll get cold, then it ain't
good. Did Phares like the sale? What did he have to say?"

"Um, guess he liked it," said the girl with a shrug of her shoulders.
"It's hard to tell what he likes--he's such a queer person. He said he's
going to baptize the second Sunday of June and asked me if I want to
come with the others."

"He did!" Aunt Maria could not keep the eagerness out of her voice.
"Well, let's sit down and eat."

After a short grace she turned to the girl. "Now then," she said as she
helped herself generously to sausage and potatoes and handed the dishes
across the table to Phoebe, "tell us about it."

"There isn't much to tell. I just told him that I can't renounce the
pleasures of the world before I had a chance to take hold of them. I'm
not ready yet to dress plain."

"Why aren't you ready?" asked the woman.

"Ach, don't ask me," Phoebe replied, speaking lightly in an effort to
conceal her real feeling. "I just didn't come to that state yet. I want
some more fun and pleasure before I think only of serious things."

"You're just like a big baby," her aunt said impatiently. "You can hurt
a good man like Phares Eby and come home and laugh about it."

"Now, Maria," interposed the father, "let her laugh; she'll meet with
crying soon enough, I guess."

But the woman could not be easily silenced. "Some day, Phoebe, you'll
wish you'd been nicer to Phares."

"Why, I am nice to him."

"Well, anyhow, I think it's soon time you give up the world and its
vanities," said Aunt Maria.

The girl's teasing mood fled. "I think," she said slowly, "that the
plain dress should not be worn by any one who does not realize all that
the dress stands for. If I ever turn plain I'll do so because I feel it
is the right thing to do, but just now vanity and the love of pretty
clothes are still in my heart."

After the meal was over the women washed the dishes while Jacob went out
to attend to the evening milking. Later, when the poultry houses and
stables were locked he returned to the kitchen and read the weekly
paper. After a while he turned to Phoebe.

"Will you sing for me this evening?" he asked.

"Yes," came the ready response.

"Then make the door shut," Aunt Maria directed as they went to the
sitting-room. "I want to mark my rug yet this evening and your noise
bothers me."




CHAPTER XI

"THE BRIGHT LEXICON OF YOUTH"


"WHAT shall I sing?" Phoebe asked as her father sank into the big rocker
and she took her place at the low organ.

"Ach, anything," he replied.

She smiled, turned the pages of an old music book, and began to sing,
"Annie Laurie." Her father nodded approval and smiled when she followed
that with several other old-time favorites. Then she hesitated a moment,
a low melody came from the organ, and the words of the beautiful lullaby
fell from her lips:

        "Sweet and low, sweet and low,
           Wind of the western sea;
         Low, low,--breathe and blow,
           Wind of the western sea;
         Over the rolling waters go,
           Come from the dying moon and blow,
         Blow him again to me,
           While my little one, while my pretty one sleeps."

Phoebe sang the lullaby as gently as if a tiny head were nestled against
her bosom. She had within her, as has every normal, unspoiled woman, the
loving impulses and yearning tenderness of motherhood. Her womanhood's
star of hope shone brightly, though from a great distance; she devoutly
hoped for the fulfillment of her destiny, but always dreamed of it
coming in some time far removed from the present. Wifehood and
motherhood--that was her goal, but long years of other joys and other
achievements stretched between. Yet she felt an incomparable joy as she
sang the lullaby. She sang it easily and sweetly and uttered each word
with the freedom of one to whom music is second nature.

To the man who listened memory drew aside the curtains of twenty years.
He beheld again the sweet-faced wife glorified with the blessed halo of
motherhood. He thrilled at the remembrance of her intense rapture as she
clasped her babe in moments of vivid ecstasy, or held it tenderly in her
arms as she sang the slumber song. The man was lost in revery--the sweet
voice of the mother had suddenly grown weak and drifted into silence--a
silence which would have been intolerable save for the lisping of a
child voice that was filled with the same indefinable sweetness the
treasured, silenced voice had possessed. In those first days of
bereavement Jacob Metz had clung to his motherless babe for comfort; her
love and caresses had renewed his strength and touched him with a divine
sense of his responsibility. His toil-hardened hands could not do the
mother's tasks for her but his heart could love sufficiently to
recompense, so far as that be possible, for the loss of the mother's
presence. His own childhood had been stripped of all romance, hence he
could not measure the value of the innocent pleasures of which Aunt
Maria, in her stern and narrow discipline, deprived the little girl; but
so far as he saw the light and so far as he was able, he quietly soothed
where Aunt Maria irritated, and mitigated by his interest and sympathy
the sternness of the woman's rule.

A fleeting retrospect of the past years crowded upon him as he heard
Phoebe sing the mother's song. The two voices seemed strangely merged
and blended; when she ended and turned her face to him she seemed the
vivid reincarnation of that other Phoebe.

"That's a pretty song, isn't it, daddy? You like it?"

"Yes. Your mom used to sing you to sleep with it."

"I wish I could remember. I can't remember her at all," the girl said
wistfully.

"I wish you could, too. You look just like her. I'm glad you do. We Metz
people all have the black hair and dark eyes but you have your mom's
light hair and blue eyes. I see her every time I look at you."

She seated herself near him. In a moment he spoke again, very
deliberately, with his characteristic expressiveness:

"Phoebe, I want you to know more about your mom. You know she was plain,
a member of our Church. I would like you to dress like she did but I
don't want you to dress that way and then be dissatisfied and go back to
the dress of the world. Not many people do that, but those that do are
the laughing-stock of the world. I don't want you coaxed to be plain and
then not stay plain. I tell you this because I can see that you are
just like your mom was, you like pretty things so much. She came in the
Church with some girls she knew; none of her people were plain. I knew
her right after she joined, and I took her to Love Feasts and to
Meetings and we were soon promised to marry each other. I saw that
something was troubling her and she told me that she wanted pretty
clothes again and wanted to go to parties and picnics like some of the
other girls she knew. But because she cared for me and was promised to
me she kept on dressing plain. So we were married. The second year you
came and then she was satisfied without pretty dresses. She said to me
once, 'Jacob, I was foolish to fret about pretty clothes and jewelry,
they could not bring happiness, but this'--she looked down at you--'this
is the most precious, most beautiful jewel any woman could have.' I knew
then that the love of vanity was gone from her, that she would never be
tempted to go back to the dress and ways of the world."

For a moment there was silence in the big room. The memory of the days
when the home circle was unbroken left the father quiet and thoughtful
and strangely touched Phoebe.

"I am glad you told me, daddy," she said presently. "To-day when Phares
talked about the baptizing he seemed so confident and at peace in his
religion, yet I could not promise to come into the Church and wear the
plain dress. I am going to think about it----"

Here Aunt Maria called loudly, "Phoebe, come out here once."

Phoebe sighed, then turned from her father and entered the kitchen. The
older woman was bending over an oblong frame and by the aid of a small
steel hook was pulling tufts of cloth through the mesh of a piece of
burlap, the foundation of a hooked rug.

"See once, Phoebe, won't this be pretty till it's done?"

"Yes, very pretty. I like the Wall of Troy design you are using, and the
blues and gray will be a good combination. What are you going to do with
it?"

"It's for your chest."

The girl laughed. "Aunt Maria, you'll have to enlarge that chest or buy
a second one. This spring when we cleaned house and had all the things
of that chest hung out to air, I counted eleven quilts, six rugs, five
table-cloths, ten gingham aprons, ever so many towels, besides all the
old homespun linen I have in that other chest on the garret. I'll never
need all that."

"Why, you don't know. If you marry----"

"But if I don't marry?"

"Ach, I guess old maids need covers and aprons and things as well as
them that marry. But now I guess I'll stop for to-night. I want to sew
the hooks 'n' eyes on my every-day dress yet before I go to bed."

"But before you go I want to ask you, to talk with you and daddy," said
Phoebe, determined to decide the matter of studying music in
Philadelphia. The uncertainty of it was growing to be a strain upon her.
If there was no possibility of her dreams becoming realities she would
put the thoughts away from her, but she wanted the question settled.

"Now what----" Aunt Maria raised her spectacles to her forehead and
looked at the girl, at her flushed cheeks, her eyes darkened by
excitement.

"So," the woman chuckled, "Phares picked up spunk once and asked
you----"

"Phares has nothing to do with it," Phoebe said curtly, her cheeks
flushing deeper at the thought of the words she knew her aunt was ready
to say. "This is my affair, and, of course, yours and daddy's." She
turned to her father--"I want to study music."

"Music? How--you mean to learn to play the organ?" he asked.

"No. Oh, no! I mean to sing. Listen, please," she pleaded as she saw the
bewildered look on his face. "You know I have always liked to sing. I
have told you that many people have said my voice is good. So I'd like
to go to Philadelphia and take lessons from a good teacher. May I? I can
use the money I have in the bank, that my mother left me. I have about a
thousand dollars. It won't take all of that for a few years' lessons.
Daddy, if you'll only say I may go!" Her voice wavered suspiciously at
the end.

Jacob Metz looked at his daughter, then at the little low organ in the
other room. Another Phoebe had loved to sit at that instrument and
sing--perhaps he was too easy with the girl--but if she wanted to go
away and take lessons----

Before he could answer the plea Maria Metz found her voice and spoke
authoritatively:

"Jacob Metz, goodness knows you're sometimes dumb enough to do foolish
things, but you surely ain't goin' to leave Phoebe go off to learn
singing! Throwing away money like that! And what good is to come of it,
I'd like to know. Who put that dumb notion in her head, it just now
vonders me! If she must go away somewheres to school, like all the young
ones think they must nowadays, why not leave her go to Millersville or
to Elizabethtown or to Lancaster to learn dressmakin'? But to
Philadelphy--why, that's a big city! Anyhow, I can't see the use of all
this flyin' around to school. We didn't get it when we was young, and we
growed up, too. We was lucky if we got to the country school regular,
and we got through the world so far!"

"But Maria," her brother spoke gently, "you know things have changed
since we went to school. The world don't stay the same."

"But to learn music!" she placed a scornful accent on the last word.
"What good will that do? And can't any one in Greenwald or Lancaster,
even, learn her to sing? Anyhow, she don't need no lessons, she hollers
too loud already. If she takes lessons yet what'll she do?"

"Oh, Aunt Maria," Phoebe said impatiently, "you don't understand! If my
voice is worth training it is worth having a good teacher. A city like
Philadelphia is the place to go to."

"But where would you stay down there? Mebbe you couldn't get a place
with nice people. Abody don't know what kinda people live in a city."

"I've thought of that. I wrote to Miss Lee last week and asked her and
she wrote back and said it would be a splendid thing for me. She offered
to help me find a boarding place. I could see her often and would not be
alone among strangers. Best of all, Miss Lee has a cousin who plays the
violin and who lives with her and her mother and he will help me find a
good teacher. Isn't that lovely?"

"Omph," sniffed Aunt Maria. "It'll cost you a lot of money for board,
mebbe as much as four dollars a week! And your lessons will be a lot,
and your car fare back and forth. Then I guess you'd want a lot more
dresses and things--ach, you just put that dumb notion from your head."

"Maria," Phoebe's father spoke in significantly even tones, "you needn't
talk like that. Phoebe has the money her mom left her and I guess I
could send her to school if I wanted to. It won't hurt her to go study
music and see something of the world. It'll do her good to get away once
like other girls."

"Do her good," echoed Aunt Maria. "Jacob Metz! You know little of the
dangers of the big cities! But then, men ain't got no sense! I never met
one yet that had enough to fill a thimble!"

"Aunt Maria," the girl said gently, "I'm not a child. I'm eighteen and
I'll be near Miss Lee and her friends."

"And the fiddler," added the woman tartly.

"Ach," Phoebe laughed. "Miss Lee will take care of me."

"Mebbe so," grumbled Aunt Maria.

"Now look here, Maria," Jacob spoke up, "Phoebe can go this fall once
and try it and she can come home often and if she don't like it she can
come home right away. It takes only three hours to go to there. So,
Phoebe, you write to Miss Lee and tell her to expect you."

"Then I may go!" She threw her arms about her father's neck and kissed
his bearded face. Demonstrations of affection were rare in the Metz
household, but the father smiled as he stroked the girl's hair.

"You be a good girl, Phoebe, that's all I want," he said.

"I will, daddy, I will!"

"Then, Maria, you take Phoebe to Lancaster and get things ready so she
can go in September. I'll let her take that thousand she has in the
bank, but that must reach; it's enough for music lessons."

"I won't need all of it. What's left I'll save for next year."

"Next year! How many years must you go?" demanded Aunt Maria, still
unhappy and sore.

"I don't know. But when the thousand is gone I'll earn more if I want to
spend more."

"Ach, my," groaned the woman, "you talk like money grew on trees! What's
the world comin' to nowadays?" She rose and pushed her rugging frame
into a corner of the kitchen.

"Maria," her brother suggested, "we can get a hired girl if the work's
too much for you alone."

"Hired girl! I don't want no hired girl! Half of 'em don't do to suit,
anyhow! I don't just want Phoebe here to help to work. It'll be awful
lonesome with her gone."

Phoebe saw the glint of anguish in the dark eyes and felt that her
aunt's protestations were partly due to a disinclination to be parted
from the child she had reared.

"Aunt Maria," she said kindly, "I hate to do what you think I shouldn't
do, for you're good to me. You mustn't feel that I'm doing this just to
be contrary. You and I think differently, that's all. Perhaps I'm too
young to always think right, but I don't want you to be hurt. I'll come
home often."

"Ach, yes well," the woman was touched by the girl's tenderness, but was
still unconvinced. "Not much use my saying more, I guess. You and your
pop will do what you like. You're a Metz, too, and hard to change when
you make up your mind once."

That night when Phoebe went to bed in her old-fashioned walnut bed she
lay awake for hours, dreaming of the future. If Aunt Maria had known the
visions that flitted before the girl that night she would have quaked in
apprehension, for Phoebe finally drifted into slumber on clouds of
glory, forecasts of the wonderful time when, as a prima donna in
trailing, shimmering gown, she would have the world at her feet while
she sang, sang, sang!




CHAPTER XII

THE PREACHER'S WOOING


THERE belonged to the Metz farm an old stone quarry which Phoebe learned
to love in early childhood and which, as she grew older, she adopted as
her refuge and dreaming-place.

Almost directly opposite the green gate at the country road was a narrow
lane which led to the quarry. It was bordered on the right by a thickly
interlaced hedge of blackberry bushes and wild honeysuckle, beyond which
stood the orchard of the Metz farm. On the left of the lane a wide field
sloped up along the road leading to the summit of the hill where the
schoolhouse and the meeting-house stood. The lane was always inviting.
It was the fair road to a fairer spot, the old stone quarry.

The old stone quarry banked its rugged height against the side of a
great wooded hill. Some twenty feet below the level of the lane was a
huge semicircular base, and from this the jagged sides reared
perpendicularly to the summit of the hill. The top and slopes of this
hill were covered with a dense growth of underbrush and trees. Tall
sycamores bordered the road opposite the quarry, making the spot
sheltered and secluded.

To this place Phoebe hurried the morning after she had gained her
father's consent to go to Philadelphia.

"I just had to come here," she breathed rapturously; "the house is too
narrow, the garden too small, this June morning. They won't hold my
dreams."

She stood under the giant sycamore opposite the quarry and looked
appreciatively about her. Earth's warm, throbbing bosom thrilled with
the universal joy of parentage and fruition. Shafts of sunlight shot
through the green of the trees, odors of wild flowers mingled with the
fresh, woodsy fragrance of the fields and woods, song sparrows flitted
busily among the hedges and sang their delicious, "Maids, maids, maids,
hang on your tea kettle-ettle-ettle!" From the densest portions of the
woods above the quarry a thrush sang--all nature seemed atune with
Phoebe's mood, blithe, happy, joyous!

Phares Eby, going to town that morning, walked slowly as he neared the
Metz farm and looked for a glimpse of Phoebe. He saw, instead, the
portly figure of Aunt Maria as she walked about her garden to see the
progress of her early June peas.

"Why, Phares," she called, "you goin' to Greenwald?"

"Yes. Anything I can do for you?"

"Ach no. Phoebe was in the other day. But come in once, Phares, I'll
tell you something about her."

"Where is Phoebe?" he asked as he joined Aunt Maria in the garden.

"Over at the quarry again. But I must tell you, she's goin' to
Phildelphy to study singin'. She asked her pop and he said she dare."

"Philadelphia--singing!"

"Yes. I don't like it at all, but she's goin' just the same."

"It is a mistake to let her go," said the preacher. "It's a big mistake,
Aunt Maria. She should stay at home or go to some school and learn
something of value to her. In this quiet place she has never heard of
many temptations which, in the city, she must meet face to face. It is
the voice of the Tempter urging her to do this thing and we who are her
friends should persuade her to remain in her good home and near the
friends who care for her. Have you thought, Aunt Maria, that the people
to whom she will go may dance and play cards and do many worldly things?
Philadelphia is very different from Greenwald. Why, she may learn to
indulge in worldly amusements and to love the vanities of the world
which we have tried to teach her to avoid! She will be like a bird in a
strange nest."

"I know, Phares, but I can't make it different. When Jacob says a thing
once it's hard to change him, and she is like that too. They fixed it up
last night and I had no say at all. All I said against her going did as
much good as if I said it to the chairs in the kitchen. Phoebe is going
to get Miss Lee, the one that was teacher on the hill once, to help her.
And Miss Lee has a cousin that lives with her and he plays the fiddle
and he is goin' to get a teacher for her."

Phares Eby groaned and gritted his teeth.

"I guess I'll go talk with her a while," he decided.

"Mebbe she'll come in soon, if you want to wait. I told her to bring me
some pennyroyal along from the field next the quarry. You know that's so
good for them little red ants, and they got into my jelly cupboard. She
went a while ago and I guess she'll soon be back now."

"I think I'll walk over."

"All right, Phares. Tell her not to forget the pennyroyal."

With long strides the preacher crossed the road and started up the lane
to the quarry. There he slackened his pace--he thought of the previous
day when he had asked Phoebe about entering the Church. She had
disappointed him, it was true, but she had seemed so eager to do right,
so innocent and childlike, that the interview had not left him wholly
unhappy or greatly discouraged. He had hoped last night that she would
give the matter of her soul's salvation serious thought, that she would
soon stand in the stream and be baptized by him. Over sanguine he had
been--so soon she had forgotten serious things and planned a winter in
Philadelphia studying music.

"I must act," he thought. "I must tell her of my love. All these years I
have loved her and kept silent about it because I thought she was just a
child. But I must tell her now. If she loves me she shall marry me soon
and this great temptation will leave her; she will hearken to the voice
of her conscience, and we will begin our life of happiness together."

With this resolution strong within him he went up the lane to the quarry
and Phoebe.

She was seated on a rock under the giant sycamore and leaned confidingly
against the shaggy trunk. The glaring sunshine that fell upon the fields
and hills could not wholly penetrate the protecting canopy of
well-proportioned sycamore leaves; only a few quivering rays fell upon
the girl's upturned face.

As the preacher approached she looked around quickly but did not move
from her caressing attitude by the tree.

"Good-morning, Phares. I'm glad you came. I was wishing for some one to
share the old quarry with me this morning."

"Aunt Maria told me you were here--she is impatient for her pennyroyal."
Now, that the supreme moment had arrived, he hesitated and grasped at
the first straw for conversation.

"Oh, dear," she said childishly, "Aunt Maria expects me to remember ants
and pennyroyal when I come here. Phares, I can't explain it, but this
old quarry has a strange fascination for me. The beauty in its
variegated stone with the sunlight upon it attracts me. Sometimes I am
tempted to climb up the hill and hang over the quarry and look down into
the heart of it."

"Don't ever do that!" cried the preacher.

"I won't," laughed Phoebe. "I don't want to die just yet. But isn't it
the loveliest place! I come here often when the men are not blasting. It
seems almost a desecration to blast these rocks when we think how long
nature took in their making."

She paused . . . only the sounds of nature invaded the quiet of the
place: the drowsy hum of diligent bees, the cattle browsing in a field
near by, the ecstatic trill of a bird. The world of bustle and flurry
with its seething vats of evil and corruption, its sordid discontent and
petulance, its ways of pain and darkness, seemed far removed from that
place of peace and calm solitude. Phoebe could not bear to think that
across the seas men were lying in the filth of water-soaked trenches,
agonizing and bleeding on the battlefields and suffering nameless
tortures in hospitals that a peace like unto the peace of her quiet
haven might brood undisturbed over the world in future generations. She
dismissed the harrowing thought of war--she would enjoy the calm of her
quarry.

The preacher had listened silently to the girl's rhapsodies--she
suddenly awakened to the realization that he was paying scant attention
to her enthusiastic words. She looked at him, her heart-beats quickened,
some intuition warned her of the imminent declaration.

She rose quickly from the embrace of the sycamore tree, but the
compelling eyes of the preacher restrained her from flight. She stood
before him, within reach of his hands.

His first words reassured her somewhat: "Phoebe, your aunt has told me
that you are going to Philadelphia to study music."

"Yes. Isn't it fine! I'm so happy----" she stopped. Displeasure was
written plainly upon his countenance. "Don't you think it's all right,
Phares?"

"I think it is a great mistake," he said gravely. "Why not spend your
time on something of value to yourself and your friends and the world in
general?"

"But music is of great value. Why, the world needs it as it needs
sunshine!"

"But, Phoebe, you must remember you do not come of a people who stand
before the worldly and lift their voices for the joy of the multitude of
curious people. Your voice is right as it is and needs no training. It
is as God gave it to you and is made to be used in His service, in His
Church and your home."

"But I have always wanted to learn to sing well, really well. So I am
going to Philadelphia this winter and take lessons from a competent
teacher."

"Phoebe," exhorted the preacher, "put away the temptation before it
grips you so strongly that you cannot shake it off. You must not go!"

He spoke the last words in a tone of authority which the girl answered,
"Phares, let us speak of something else. You know I have some of the
Metz determination in my make-up and I can't be easily forced to give up
a cherished plan. At any rate, we must not quarrel about it."

The preacher forbore to try further argument or persuasion. He became
grave. His habitual serenity of mind was disturbed by shadowy
forebodings--when the pebbles of doubt drop into the placid pool of
content it invariably follows that the waters become agitated for a
time. Hitherto he had been hopeful of winning Phoebe. Had he not known
her and loved her all her life! What was more natural than that their
friendship should culminate in a deeper feeling!

He stretched out his hand in a sudden rush of feeling--"Phoebe, I love
you."

She stepped back a pace and his hand fell to his side.

"Don't, Phares," she began, but the next moment she realized that she
could not turn aside his love without listening to him.

"Phoebe, you must listen--I love you, I have loved you all my life.
Can't you say that you care for me?"

"Don't ask me that!" she pleaded. "I don't want to marry anybody now.
All my life I have dreamed of going to a city and studying music and I
can't let the opportunity slip away from me now when it is so near. To
work under the direction of a master teacher has long been one of my
dearest dreams."

"You mean that you do not love me, then. Or if you do, that you would
rather gratify your desire to study music than marry me--which is it?"

"Ach, Phares, don't make it hard for me! I said I don't want to get
married now. All my life I have lived on a farm and have thought that I
should be wonderfully happy if I could get away from it for a while and
know what it is to live in a big city. There I shall have a chance to
see life in its broader aspects. I shall not be harmed by gathering new
ideas and ideals, gaining new friends, and, above all, learning to sing
well."

The man groaned in spirit. It was evident that she was thoroughly
determined to go away from the farm.

"Phoebe," he pleaded again, not entirely for his own selfish desire, but
worried about her love of worldliness, "do you know that the things for
which you are going to the city are really not important, that all
outward acquisitions for which you long now are transient? The things
that count are goodness and purity and to be without them is to be
pauperized; the things that bring happiness are love and home ties and
to be without them is to be desolate. You want a larger, broader vision,
but the city cannot always give you that."

There was no bitterness in his voice, only an undertone of sadness as he
spoke. "Phoebe, tell me plainly, do you care for me?"

Her face was lamentably pathetic as she looked into his and read there
the desire for what she could not give. "Not as you wish," she said
softly. "But I don't really know what love is yet, I haven't thought
about it except as something that will come to me some day, a long time
from now. There are too many other things I must think about now. When I
am through studying music I'll think about being married."

The preacher shook his head; his heart was too heavy for more words,
more futile words.

"Let us go, Phares," she said, the silence becoming intolerable.

"Yes," he agreed. "And Phoebe," he added as they turned away from the
quarry, "I hope you'll learn your lesson quickly and come back to us."

They stepped from the sheltered path into the sunshine of the lane. Long
trails of green lay in their path as they went, but the eyes of both
were temporarily blinded to the loveliness of the June. When they
reached the dusty road the preacher said good-bye and went on his way to
the town.

She stood where he left her; the suppressed feelings of the past half
hour soon struggled to avenge themselves and she sped down the lane
again, back to the refuge of the kindly tree, and there, under her
sycamore, burst into passionate weeping.

Some time after Phares left the girl at the end of the lane David Eby
came swinging down the hill and entered the Metz kitchen.

"Hello, Aunt Maria. Where's Phoebe?"

"Why, I guess over at the quarry. She went for pennyroyal long ago and
then Phares came and he went over after her, but I saw him go on the way
to town a bit ago, so I guess she's still over there. Guess she's
stumbling around after a bird's nest or picking some weeds that ain't no
good. I don't see why she stays so long."

"I'll go see," volunteered David.

"Yes well. And tell her to hurry with that pennyroyal. I want it for red
ants, but they can carry away the whole jelly cupboard till she gets
here."

"I'll tell her," said David, and went off, whistling.

Phoebe's paroxysm of grief was short-lived. The soothing quiet of the
quarry calmed her, but her eyes showed telltale marks of tears as
David's steps sounded down the lane.

She rose hastily, then sank back to her seat under the tree as she saw
the identity of the intruder.

"Whew, Phoebe Metz," he said and whistled in his old, boyish way as he
sat beside her, "you're crying!"

"I am not," she declared.

"Then you just have been! I haven't seen you in tears for many years.
Phoebe"--he changed his tone--"what's gone wrong? Anything the matter?"

"Don't," she sniffed, "don't ask me or you'll have me at it again." She
steadied her voice and went on, "I came over here so gloriously happy I
could have shouted, because daddy said last night that I may go to
Philadelphia this fall----"

"Gee whiz!" David grabbed her hand. "Why, I'm tickled to death. But
what--why are you crying? Isn't that what you want?"

"Yes." She smiled, pleased by his interest and eagerness. "But just as I
was happiest along came Phares and told me it was wicked to go. It's all
a mistake to go, he said."

"Ach, the dickens with the old fossil!" David cried. "And I'm not going
to take that back or be sorry for saying it. Hadn't he better sense than
to throw a wet blanket on all your happiness!"

"Perhaps I needed it. I was just about burning up with gladness."

"Well, don't you care what he's thinking about it. You go learn music if
you want to and your father lets you go. Did he see you cry?"

"Certainly not! I wouldn't cry before him. He would say that was
foolish or wicked or something it shouldn't be. But you--you are so
sensible I don't mind if you do see me with my eyes red."

"Ha, ha, that's a compliment. I have been told that I am happy-go-lucky
and sort of a cheerful idiot, but no person ever told me that I'm
sensible. Well, don't you forget me when you get to be that prima
donna."

"I won't. You and Mother Bab rub me the right way."

"But won't she be glad when I tell her," said David. "I came down to see
if you had decided about it, and I find it all arranged."

"And me in tears," added Phoebe, her natural poise and good humor again
restored. "Tell Mother Bab I am coming up soon to tell her about it."

So, in happier mood, she walked beside David, down the green lane to the
road, across the road to her own gate.

"So you come once!" Aunt Maria greeted her.

"Oh, I forgot your pennyroyal! I'll go get it."

"Never mind. You stayed so long I went over to the field near the barn
and got some. But you look like you've been cryin', Phoebe. Did you and
Phares have a fall-out?"

"No."

"You and David, then?"

"No--please don't ask me--it's nothing."

"Well, there ain't no man in shoe leather worth cryin' about, I can tell
you that. They just laugh at your cryin'."

Phoebe smiled at her aunt's philosophy and resolved to forget the
discouraging words of the preacher. She would be happy in spite of
him--the future held bright hours for her!




CHAPTER XIII

THE SCARLET TANAGER


THE days that followed were busy days at the gray farmhouse. Phoebe was
soon deep in the preparations for her stay in the city. Her meagre
wardrobe required replenishment; she wanted to go to Philadelphia with
an outfit of which Miss Lee would not be ashamed. Much to her aunt's
surprise the girl selected one-piece dresses of blue serge with sheer
white collars for every-day wear in cold weather; a few white linens for
warm days; and these, with her blue serge suit, her simple white
graduation dress, and a plain dark silk dress, were the main articles of
her outfit. Aunt Maria expressed her relief and wonder at the girl's
choice--"Well, it wonders me that you don't want a lot of ugly fancy
things to go to Phildelphy. Those dresses all made in one are sensible
once. I guess the style makers tried all the outlandish styles they
could think of and had to make a nice style once."

But when Phoebe purchased a piece of long-cloth and began to make
undergarments, beautifying them by sprays of hand embroidery, Aunt Maria
scoffed, "Umph, I'd be ashamed to put snake-doctors on my petticoats."

The girl laughed. "They aren't snake-doctors, they are butterflies," she
said.

"Not much difference--both got wings. I don't see what for you want to
waste time like that."

"It makes them prettier, and I like pretty things."

"Ach, you have dumb notions sometimes. I guess we better make your other
dresses soon, then you won't have time for sewing snake-doctors or
butterflies. You better get your silk dress made in Greenwald, it's so
soft and slippery that I ain't going to bother my old fingers makin' it.
Granny Hogendobler wants to come out and help to sew, and David's mom
said she'll come down and help us cut and fit the serge dresses. She's
real handy like that. If those dresses look as nice on you as they do on
the pictures they will be all right. Granny and Barb dare just come and
both help with your things--they both think it's so fine for you to go
to the city! Granny Hogendobler spoiled her Nason by givin' him just
what he wanted, and now what has she got for it? And I guess Barb is
easy with that big boy of hers. Mebbe if she was a little stricter he'd
be in the Church like Phares is, though David is a nice boy and I guess
he don't give his mom any trouble."

"I just love Mother Bab; don't you say such things about her!" Phoebe
exclaimed, her eyes flashing.

"Why, I like her too," the woman said. She looked at Phoebe in surprise.
"You needn't be so touchy. For goodness' sake, don't take to gettin'
touchy like some people are! Handling them's like tryin' to plane over a
knot in wood; any way you push the plane is the wrong way. This here
going to Philadelphy upsets you, I guess. You're gettin' as touchy as
the little touch-me-nots we get on the hill; they all snap shut when
you touch 'em--only you snap open."

Phoebe laughed. "I guess I am excited," she admitted. "I'm sewing too
much for summer days and it makes me irritable. I think I'll let the
butterflies wait and I'll go outdoors. Shall I weed the garden?"

"Weed the garden? Now you're talkin' dumb! Don't you know yet that abody
don't weed a garden on Fridays? Ours always gets done on Monday. But if
you want to get out you dare take some of the sand-tarts I baked
yesterday up to David's mom, she likes them so much. And you ask her if
she can come down next week to help with the dresses. But don't stay too
long, for it's been so hot all day and I think it's goin' to storm yet."

"Don't worry about me if it rains. I won't start for home if it looks
threatening. I'll wait till the storm is over."

Aunt Maria filled a basket with her delectable cookies and the girl
started up the hill. It was, indeed, a hot day, even for August. Phoebe
paused several times in the shelter of overhanging trees as she plodded
up the steep road. On the summit she climbed the rail fence and perched
in the cool shade for a little while and looked out over the valley
where the town of Greenwald lay.

"It's lovely here, and I'm wondering how I can be happy when I know that
I am going to leave it soon and go to the city for a long winter away
from my home. But there's a voice calling to me from the great outside
world and I won't be satisfied until I go and mingle with the multitude
of a great city. It is life, life, that I want to see and know. And yet,
I'm glad I'll have this to come back to! It gives me a comfortable
feeling to know that this is waiting for me, no matter where I go--this
is still my home. Sometimes I wonder if Aunt Maria could possibly be
speaking wisely when she says it is all a waste of money to run off to
the city and study music. But what is there on the farm to attract me? I
don't want to marry yet"--the remembrance of Phares Eby's pleading came
to her--"and if I do marry some time, it won't be Phares. No, never
Phares! Ach, Phoebe Metz, you don't know what you want!" she said to
herself as she jumped from the fence and ran down the road to the Eby
farm.

At the gate she paused. Mother Bab stood among her flowers, her
white-capped head bare of any other covering, the hot sunshine streaming
upon her.

"Mother Bab," she cried, "you are simply baking in the sun!"

"No," the woman turned to Phoebe and smiled. "I'm forgetting it's hot
while I look at the flowers. You see, Phoebe, I was in the house sewing
and trying to keep cool and all of a sudden my eyes grew dim so I
couldn't sew. The fear came to me, the fear that my sight is going,
though I try not to strain them at all and never sew at night. Well, I
just ran out here and began to look and look at my flowers--if I ever do
go blind I'm going to have lots of memories of lovely things I've seen."

Phoebe drew Mother Bab's face to her and kissed it. "You just mustn't
get blind! It would be too dreadful. There are many clever specialists
in the city these days. Surely, there is some doctor who can help you."

"They all say there is little to be done in a case like mine. But, let's
forget it; I can see and we'll keep on hoping it will last. I went to a
doctor at Lancaster some time ago and I'm going to give him a fair
trial. I guess it'll come out right."

Phoebe brightened again at the woman's words of contagious cheer and
hope.

"Isn't the garden pretty?" asked Mother Bab as they looked about it.

"Perfect! Those zinnias are lovely."

"Yes, I like them. But I like their other name better--Youth and Old
Age, my mother used to call them. She used to say that they are not like
other flowers, more like people, for the buds open into tiny flowers and
those tiny flowers grow and develop until they are large and perfect. I
would think something fine were missing in my garden if I didn't have my
Youth and Old Age every year. But you will be too hot in this sun; shall
we go in?"

"No, please, not until I have seen the flowers. I need to gather
precious memories, too, to take with me to Philadelphia. Oh, I like
this"--she knelt in the narrow path and buried her face in fragrant
lemon verbena plants.

"I like that, too. Mother used to call it Joy Everlasting. We always put
it in our bureau drawers between the linens. David likes lavender
better, so I use that now."

"How you spoil him," said Phoebe.

"You think so?" asked the mother gently.

Phoebe smiled in retraction of her statement. "We'll both be parboiled
if we stay out here any longer," she said as she linked her arm into
Mother Bab's. "Aunt Maria sent you some sand-tarts."

"Isn't she good!"

"Yes, but"--the blue eyes twinkled mischievously--"they are just a
bribe. We want you to come down and help us with the dresses some day
next week. You are not to sew, but if you are there to tell about the
fit of them I'll feel better satisfied. Whew! If it's as hot as this
I'll have a lovely time fitting woolen dresses!"

"You won't mind."

"I don't believe I shall, so long as the dresses are to be worn in
Philadelphia. Granny Hogendobler is coming out, too. Will you come?"

"I'll be glad to. David can eat his dinner at his aunt's."

They entered the house and sat in the sitting-room, a room dear to both
because of its association with many happy hours.

"I love this room," Phoebe said. "This must be one of my pleasant
memories when I go."

"I like it better than any other room in the house," said Mother Bab. "I
suppose it's because the old clock and the haircloth sofa are in it.
Why, Davie used to slide down the ends of that sofa and call it his boat
when he was just a little fellow. And that old clock"--her voice sank to
the tenderness of musing retrospect--"why, Davie's father set it up the
day we were married and came here and set up housekeeping and it's been
ticking ever since. Davie used to say 'tick-tock' when he heard it, when
he first learned to talk. I like that old clock most as much as if it
were something alive. A man who comes around here to buy antique
furniture came in one day and offered to buy it. I'll never forget how
David told him it wasn't for sale. The very thought of selling the old
clock made Davie cross."

"Davie cross! How could he keep the twinkle out of his eyes long enough
to be cross?"

"Ach, it don't last long when he gets cross."

"Where is he now, Mother Bab?"

"Working in the tobacco field."

"In the hot sun!"

"He says he don't mind it. He's so pleased with the tobacco this summer.
It looks fine. If the hail don't get in it now it'll bring about four
hundred dollars, he thinks. That will be the most he has ever gotten out
of it. But tobacco is an awful risk. If the weather is just so it pays
about the best of anything around this part of the country, I guess, but
so often the poor farmers work hard in the tobacco fields and then the
hail comes along and all is spoiled. But ours is fine so far."

"I'm glad. David has been working hard all summer with it."

"Sometimes he gets discouraged; Phares's crops always seem to do better
than David's, yet David works just as hard. But Phares plants no
tobacco."

At that moment Phares Eby himself came into the room where the two sat.
He appeared a trifle embarrassed when he saw Phoebe. Since the June
meeting under the sycamore tree by the old stone quarry he had made no
special effort to see her, and the several times they had met in that
time he had greeted her with marked restraint.

"Good-afternoon," he murmured, looking from Phoebe to Mother Bab and
back again to Phoebe. "I didn't know you were here, Phoebe. I--Aunt
Barbara, I came in to tell you there's a bright red bird in the woods
down by the cornfield."

"There is!" cried Phoebe with much interest. "Is it all red, or has it
black wings and tail?"

"Why, I couldn't say. I know David and Aunt Barbara are always
interested in birds and I heard David say the other day that he hadn't
seen a red bird this summer, that they must be getting scarce around
this section. So I thought I'd come up and tell you about it. I know it
is bright red. Do you want to come out and try to find it again, Aunt
Barbara?"

"Not now, Phares. I have been in the sun so much to-day that my head
aches."

"Would you care to see it?" he asked Phoebe in visible hesitation.

She answered eagerly, her passionate love of birds mastering her
embarrassment. "I'd love to, Phares! I am anxious to see whether it's a
tanager or a cardinal. I have never seen a cardinal."

South of David Eby's cornfield stretched a strip of woodland. There
blackberry brambles tangled about the bases of great oaks and the
entire woods--trees and brambles--made an ideal nesting-place for birds.

"Perhaps it's gone," said the preacher as they went along to the woods.

"But it's worth trying for," she said.

They kept silent then; only the rustling of the corn was heard as the
two went through the green aisle. When they reached the woodland a
sudden burst of glorious melody came to them. Phoebe laid a hand
impulsively upon the arm of the preacher, but she removed it quite as
suddenly when he looked down at her and said, "Our bird!"

The bird, a scarlet tanager, aware of the presence of the intruders and
eager to attract attention to himself and safeguard his hidden mate,
flew to an exposed branch of an oak tree. There he displayed his
gorgeous, flaming scarlet body with its touch of black in wings and
tail.

"It's a tanager," said Phoebe. "Isn't he lovely!"

"Very fine," said the preacher. "What color is his mate? Is she red?"

"She's green, a lovely olive green. When she sits on the nest she's just
the color of her surroundings. If she were red like her mate she'd be
too easily destroyed."

"God's providence," said the preacher.

"It is wonderful--look, Phares, there he goes!"

The scarlet tanager made a streak of vivid color across the sky as he
flew off over the corn.

"I wonder if he trusts us or if his mate is not about," Phoebe said.
"He's a beauty, so is his mate in her green frock. A few minutes with
the birds can teach us a great deal, can't it?"

"Yes, Phoebe, here, right near your home, are countless lessons to be
learned and accomplishments to be acquired. Tell me, do you still wish
to go away to the city?"

"Certainly. I am going in September."

"You remember the verse in the Third Reader we used to have at school:

        "'Stay, stay at home, my heart and rest;
          Home-keeping hearts are happiest.
          For those who wander, they know not where,
          Are full of trouble and full of care;
          To stay at home is best.'"

"But I have ambitions, Phares. All my eighteen years of life have been
spent on a farm, in the narrow existence of those whose days are passed
within one little circle. I want to see things, I want to meet people, I
want to live, I want to learn to sing--I can't do any of these things
here. Oh, you can't understand my real sincerity in this desire to get
away. It is not that I love my home and my people less than you love
yours. I feel that I must get away!"

"But your voice, Phoebe, like the scarlet tanager's, is right as God
made it. Because we are such old friends it grieves me to see you go. I
was hoping you would change your mind--there is so much vanity and evil
in the city."

"I'll try to keep from it, Phares. I shall merely learn to sing better,
meet a few new people, and be wiser because of the experience."

"It is useless to try to persuade you, I suppose. I hoped you would
reconsider it, that you would learn to care for me as I care."

"Phares, don't. You make me unhappy."

"Misery loves company," he quoted, trying to smile.

"But can't you see that marriage is the thing I am thinking least about
these days? I am too young."

She looked, indeed, like a fair representation of Youth as she stood by
the crude rail fence at the edge of the woods, one arm flung along the
rough top rail, her hair tumbled from the walk through the cornfield,
her eyes still gleaming with the joy of seeing the tanager, yet shadowy
with the startled emotions occasioned by the preacher's wooing.

He looked at her--

"Oh, look! Our tanager is back!" she exclaimed.

"I guess she is too young," he thought as he saw how quickly she turned
from the question of marriage to watch the red bird.

Phoebe's lips parted in pleasure as she saw the tanager again take up
his place on the oak and burst into song. So absorbed were man and maid
that neither heard the rustle of parted corn nor were aware of the
presence of a third person until a voice exclaimed, "Oh, I beg your
pardon. I didn't know you were here."

As they turned David Eby stood before them, his expression a mingling of
surprise and wonder. The flush on Phoebe's face, the awakened look in
her eyes, troubled the man who had come through the corn and found the
girl he loved standing with the preacher. The self-conscious look on
the preacher's face assured David that he had stumbled through the field
in an awkward moment, that his presence was unwelcome. He turned to go
back, but Phoebe stepped quickly to him and took his hand.

"Ah," thought Phares with a twinge of jealousy, "she wouldn't do that to
me. How quickly she dropped her hand a while ago. They are such good
friends, she and David. It's wrong to be envious; I must fight against
it--and yet--I want her just as much as David does!"

"David," Phoebe begged, "come back! Why, I was just wishing you were
here! There's a scarlet tanager--see!" She pointed to the brilliant
songster.

"I thought he was coming to this woods so I came to hunt him," said
David, his irritation gone. "I saw that fellow over by the tobacco field
and followed him here. I bet they have their nest in this very woods.
We'll look better next spring and try to find it and see the little
ones. Tut, tut," he whistled to the bird, "don't sing your pretty head
off." His eyes turned to the sky and the smile left his face. "It looks
threatening," he said. "I thought I heard thunder as I came through the
corn."

"That so?" said Phares. "Then we better move in."

Even as they turned and started through the field the thunder came
again--distant--nearer, rolling in ominous rumbles.

"Look at the sky," said David. "Clear yellow--that means hail!"

"Oh, David"--Phoebe stood still and looked at him--"not hail on your
tobacco!"

He took her arm. "Come on, Phoebe, it's coming fast. We must get in.
Come to our house, Phares, that's the nearest."

Just as they reached the kitchen door, where Mother Bab was looking for
them, the hail came.

"It's hail, Mommie," David said. The three words held all the worry and
pain of his heart.

"Never mind"--the little mother patted his shoulder. "It's hail for more
people than we know, perhaps for some who are much poorer than we are."

"But the tobacco----" He stood by the window, impotent and weak, while
the devastating hail pounded and rattled and smote the broad leaves of
his tobacco and rendered it almost worthless.

"Won't new leaves grow again?" Phoebe tried to cheer him.

"Not this late in the summer. My tobacco was almost ready to be cut; it
was unusually early this year."

"Well," spoke up the preacher, "I can't see why you always plant
tobacco. Smoking and chewing tobacco are filthy habits. I can't see why
so many people of this section plant the weed when the soil could be
used to produce some useful grain or vegetable."

"Yes"--David turned and addressed his cousin fiercely--"it's easy enough
for you to talk! You with your big farm and orchards and every crop a
success! Your bank account is so fat that you don't need to care whether
your acres bring in a big return or a lean one. But when you have just a
few acres you plant the thing that will be likely to bring in the most
money. You know many poor people plant tobacco for that reason, and that
is why I plant it."

"Davie," the mother said, "Davie!"

"I know," he said bitterly. "I'm a beast when my temper gets beyond
control, but Phares can be so confounded irritating, he rubs salt in
your cuts every time."

"Just for healing," the mother said gently.

"David," said Phoebe, "I guess the temper is a little bit of that Irish
showing up."

At that David smiled, then laughed.

"Phoebe," he said, "you know how to rub people the right way. If ever I
have the blues you are just the right medicine."

"I don't want to be called medicine," she said with a shake of her head.

"Not even a sugar pill?" asked Mother Bab.

"No. I don't like the sound of _pill_."

David looked across at the preacher, who stood silent and helpless in
the swift tide of conversation. "You may be right, Phares. It may be the
wrath of Providence upon the tobacco. I'll try alfalfa in that field
next and then I'll rub Aladdin's lamp. I'll make some money then!"

"Where do you find Aladdin's lamp?" asked Phoebe.

"I can't tell you now. But I know I'm tired of slaving and having
nothing for my work, so I am going after the magic lamp."




CHAPTER XIV

ALADDIN'S LAMP


THE morning after the hail storm dawned fair and sunshiny. David went
out and stood at the edge of his tobacco field. All about him the hail
had wrought its destruction. Where yesterday broad, thick leaves of
green tobacco had stood out strong and vigorous there hung only limp
shreds, punctured and torn into worthlessness.

"All wasted, my summer's work. I'll rub that magic lamp now. Fool that I
was, not to do it sooner!"

A little later, as he walked down the road to town, his lips were closed
in a resolute line, his shoulders squared in soldierly fashion. "I hope
Caleb Warner is in his office," he thought.

Caleb Warner was in; he greeted David cordially.

"Good-morning, Dave. How are things out your way? Hail do much damage?"

"Some damage," echoed the farmer. "It hailed just about four hundred
dollars' worth too much for me."

"What, you don't say so! That's the trouble with your farming."

Caleb Warner was an affable little man with a frank, almost innocent,
look on his smooth-shaven face. Spontaneous interest in his friends'
affairs made him an agreeable companion and helped materially to
increase his clientele--Caleb Warner dealt in real estate and,
incidentally, in oil stocks and gold stocks.

"That's just the trouble with your farming," he repeated. "You slave and
break your back and crops are fine and you hope to have a good return
for your labor, when along comes a hail storm and ruins your fruit or
tobacco or corn, or along comes a dry spell or a wet spell with the same
result. It sounds mighty fine to say the farmer is the most independent
person on the face of the earth--it's a different proposition when you
try it out. Not so?"

"I'm about convinced you speak the truth about it," said the farmer.

"I know I do. I used to be a farmer, but I have grown wiser. I think
there are too many other ways to make money with less risk."

"That is why I came----" David hesitated, but the other man waited
silently for the explanation. "Have you any more of the gold-mine stock
you offered me some time ago?"

"That Nevada mine?"

"Yes."

"Just one thousand dollars' worth; the rest is all cleaned out. I sold a
thousand yesterday. Listen, Dave, there's the chance of your life. You
know how I worked on that farm of mine, how my wife had to slave, how
even Mary had to work hard. Then one day a friend of mine who had gone
west came to me and offered me some stock in a western gold mine. My
wife was afraid of it, said I'd lose every cent I put in it and we'd
have to go to the poorhouse--women don't generally understand about
investments. But I went ahead and got the stock, and in a few years I
sold out part of it for a neat sum and drew big dividends on what I
kept. Then we moved to town; my wife keeps a maid, Mary goes to college,
and we're living instead of slaving our lives away on a farm. And it's
honestly made money, for the gold was put into the earth for us to use.
It is just a case of running a little risk, but no person loses money
because of your risk. Of course, there's lots of stock sold that's not
worth the paper it's written on, but I don't sell that kind."

"People trust you here," said David.

If the man winced or had reason to do so, he betrayed no sign of it. "I
hope so," he said. "You have known me all my life. If I ever want to
work any skin game I'll go out of the place where all my friends are.
This mine of which I speak is near the mine at Goldfield and some of the
veins struck recently are richer than those of the renowned Goldfield.
They are still striking deeper veins. I have sold stock in that mine to
fifteen people in this town."

He mentioned some of the residents of Greenwald; people who, in David's
opinion, were too shrewd to be entangled in any nefarious investment.
The names impressed David--if those fifteen put their money into it he
might as well be the sixteenth.

In a little while David Eby walked home with a paper representing the
ownership of a number of shares of a certain gold mine in Nevada, while
Caleb Warner patted musingly a check for five hundred dollars.

Mother Bab wondered at her boy's philosophical acceptance of his crop
failure. "I'm glad you take it this way," she said as he came in,
whistling, from his trip to Greenwald.

"What's the use of crying?" he answered gaily, though he felt far from
gay. Had he been too hasty? Doubts began to assail him. It was going to
be hard to deceive his mother, she was always so eager for his
confidence. But, then, he was doing it for her sake as much as for his
own. The war clouds were drawing nearer and nearer to this country; if
the time came when America would enter the war he would have to answer
the call for help. If the stock turned out to be what the other wise men
of the town felt confident it would be then the added money would be a
boon to his mother while he was away in the service of his country--and
yet--it was a great risk he was running. Why had he done it? The old
lines of the poem came back to him and burned into his soul,

        "O what a tangled web we weave
         When first we practice to deceive."

Then, again, swift upon that thought came the old proverb, "Nothing
venture, nothing gain." Thus he was torn between doubt and satisfaction,
but it was too late to undo the deed. He was the owner of the stock and
Caleb Warner had the five hundred dollars!




CHAPTER XV

THE FLEDGLING'S FLIGHT


PHOEBE found the packing of her trunk a task not altogether without pain.
As she gathered her few treasures from her room a feeling of desolation
seemed to pervade the place. Going away from home for the first long
stay, however bright the new place of sojourn, brings to most hearts an
undercurrent of sadness.

She smiled a bit wistfully at her few treasures--her books, an old
picture of her mother, the little Testament Aunt Maria gave her to read,
the few trinkets her school friends had given her from time to time, a
little kodak picture of Mother Bab and David in the flower garden.

At last the dreary task was done, the trunk strapped, and she was ready
for the journey. It was a perfect September day when she left the gray
farmhouse, drove in the country road and stood with her father, Aunt
Maria, Mother Bab, David and Phares at the railroad station in Greenwald
and waited for the noon train to Philadelphia.

Jacob Metz and the preacher made brave, though visible, efforts to be
cheerful; Maria Metz made no effort to be anything except very greatly
worried and anxious; but Mother Bab and David were determined that the
girl's departure was to be nothing less than pleasant.

"Now be sure, Phoebe," said Aunt Maria for the tenth time, "to ask the
conductor at Reading if that train is for Phildelphy before you get on,
and at Phildelphy you wait till Miss Lee fetches you."

"Yes, Aunt Maria, I'll be careful."

"And don't lose your trunk check--David, did you give it to her for
sure?"

"Yes. She'll hold on to it, don't you worry."

"Phoebe will be all right," said Mother Bab.

"And," said David teasingly, "be sure to let me know when you need that
beet juice and cream and flour."

"Davie! Now for that I won't write to you!"

"Yes you will!" His eyes looked so long into hers that she said
confusedly, "Ach, I'll write. Mind that you take good care of Mother Bab
and stop in sometimes to see how Aunt Maria and daddy are getting on
without me."

"Ach, we'll be all right," said Aunt Maria. "Just you take care of
yourself so far away from home. And if you get homesick you come right
home. Anyway, you come home soon to see us; and be sure to write every
week still."

"Yes, yes!"

A shrill whistle announced the approach of the train. There were hurried
kisses and good-byes, a handshake for the preacher and, last of all, a
handshake for David. He held her hand so long that she cried out,
"David, you'll make me miss the train!"

"No--good-bye."

"Good-bye, David." Then she tugged at her hand and in a moment was
hurrying to the train.

There were few passengers that day, so the train made a short stop.
Phoebe smiled as the train started, leaned forward and waved till the
familiar group was lost to her view, then she settled herself with a
brave little smile and looked at the well-known fields and meadows she
was passing. The trees on Cemetery Hill were silhouetted against the
blue sky just as she had seen them many times in her walks about the
country.

But soon the old landmarks disappeared and unknown fields lay about her.
Crude rail fences divided acres of rustling corn from orchards whose
trees were laden with red apples or downy peaches. Occasionally flocks
of startled birds rose from fields freshly plowed for the fall sowing of
wheat. Huge red barns and spacious open tobacco sheds, hung with drying
tobacco, gave evidence of the prosperity of the farmers of that section.
Little schoolhouses were dotted here and there along the road. Flowers
bloomed by the wayside and in them Phoebe was especially interested.
Goldenrod in such great profusion that it seemed the very sunshine of
the skies was imprisoned in flower form, stag-horn sumac with its
grape-like clusters of red adding brilliancy to the landscape--everywhere
was manifest the dawn of autumnal glory, the splendor that foreruns decay,
the beauty that is but the first step in nature's transition from blossom
and harvest to mystery and sleep.

Every two or three miles the train stopped at little stations and then
Phoebe leaned from her window to see the beautiful stretches of country.

At one flag station the train was signalled and came to a stop. Just
outside Phoebe's window stood a tall farmer. He rubbed his fingers
through his hair and stared curiously at the train.

"Step lively," shouted the trainman.

But the farmer shook his head. "Ach, I don't want on your train! I
expected some folks from Lititz and thought they'd be on this here
train. Didn't none get on----"

But the angry trainman had heard enough. He pulled the cord and the
train started, leaving the old man alone, his eyes scanning the moving
cars.

Phoebe laughed. "We Pennsylvania Dutch do funny things! I wonder if I'll
seem strange and foolish to the people I shall meet in the great city."

At Reading she obeyed Aunt Maria's injunction and boarded the proper
train. The ride along the winding Schuylkill was thoroughly enjoyed by
the country girl, but the picture changed when the country was left
behind, suburban Philadelphia passed, and the train entered the crowded
heart of the city. They passed close to dark houses grimy with the
accumulated smoke of many passing locomotives. Great factories loomed
before the train, factories where girls looked up for a moment at the
whirring cars and turned again to the grinding life of loom or machine.
The sight disheartened Phoebe. Was life in the city like that for some
girls? How dreadful to be shut up in a factory while outdoors the whole
panorama of the seasons moved on! She would miss the fields and woods
but she would make the sacrifice gladly if she might only see life, meet
people and learn to sing. The thoughts awakened by the sight of the
shut-in girls were not happy ones. She welcomed the call, "Reading
Terminal, Philadelphia."

As she followed the stream of fellow passengers and walked through the
dim train shed to the exit her heart beat more quickly--she was really
in Philadelphia! But the noise, the stream of people rushing from trains
past other people rushing to trains, bewildered her. She saw the sea of
faces beyond the iron gates and experienced for the first time the
loneliness that comes to a traveler who enters a thronged depot and sees
a host of people but enters unwelcomed and ungreeted.

However, the loneliness was momentary. The next minute she caught sight
of Miss Lee. A wave of relief and happiness swept over her--she was in
Philadelphia, the land of her heart's desire!




CHAPTER XVI

PHOEBE'S DIARY


                                                      _September 15._

I'M in Philadelphia--really, truly! Phoebe Metz, late of a gray
farmhouse in Lancaster County, is sitting in a beautiful room of the Lee
residence, Philadelphia.

What a lot of things I have to write in you, diary! I can scarcely find
the beginning. Before I left home I thought about keeping a diary, how
entertaining it would be to sit down when I'm old and gray and read the
accounts of my first winter in the city. So I went to Greenwald and
bought the fattest note-book I could find and I'm going to write in you
all of my joys--let's hope there won't be any sorrows--and all of my
pleasures and all about my impressions of places and people in this
great, wonderful City of Brotherly Love. Of course, I'll write letters
home and to David and Mother Bab and some of the girls, but there are so
many things one can't tell others yet likes to remember. So you'll have
to be my safety valve, confidant and confessor.

When I left the train at Philadelphia I was bewildered and confused.
Such crowds I never saw, not even in Lancaster. Seemed like everybody in
the city was coming from a train or running to one. I was glad to see
Miss Lee. She's the dearest person! I love her as much as I did when I
went to her school on the hill. I'm as tall as she is now. She dresses
beautifully. I thought my blue serge suit was lovely but her clothes
are--well, I suppose you'd call them creations. I'm so glad I'm going to
be near her all winter and can copy from her.

As I came through the gates at the depot she caught me and kissed me. I
thought she was alone, but a moment later she turned to a tall man and
introduced him, her cousin, Royal Lee, the musician. If Aunt Maria could
see him she'd warn me again, as she did repeatedly, not to "leave that
fiddlin' man get too friendly." He's handsome. I never before met a man
like him. His magnetic smile, his low voice attracted me right away.

After he piloted us through the crowded depot and into a taxicab Miss
Lee began to ask me questions about Greenwald and the people she knows
there. I felt rather timid, for I was conscious of the appraising eyes
of her cousin. He didn't stare at me, yet every time I glanced at him
his eyes were searching my face. Does he think me very countrified, I
wonder? I do have the red cheeks country girls are always credited with,
but I'm glad I'm not "buxom." I'd hate to be fat!

I wish I could describe Royal Lee. He's just as I pictured him, only
more so. He has the lean, aesthetic face of the musician, the sensitive
nostrils and thin lips denoting acute temperament. His eyes are gray.

As we rode through the streets of the city Miss Lee told me her mother
would have me stay with them until we can find a suitable boarding
place. To-morrow we're going in search of one.

Taxicabs travel pretty fast. We skirted past curbs so that I almost held
my breath and shot past trucks and other cars till I thought we'd surely
land in the street. But we escaped safely and soon stopped at the Lee
residence, a big, imposing brownstone house. It looks bare outside, no
yard, no flowers. But inside it's a lovely place, so inviting and
attractive that I'd like to settle down for life in it.

Mrs. Lee is as charming as her daughter. She has been a semi-invalid for
years, but even in her wheelchair she has the poise and manner of one
well born. Her greeting was so cordial and gracious, but all I could
answer was an inane, "Thank you, you are very kind." Will I ever learn
to express my thoughts as charmingly as these people do, I wonder!

When Miss Lee took me up-stairs it was up a bare, polished stairway upon
which I was half afraid to tread. And the room she took me to! I've
heard about such rooms and read about them. Delft blue paper and rugs,
white woodwork and furniture, blue hangings, white curtains--it's a
magazine-room turned to real!

When I tried to express my gratitude for her goodness Miss Lee hushed me
with a kiss and said she anticipated as much joy from my presence in the
city as I did, that I was so genuine and refreshing that it would be a
pleasure to have me around. I don't know just what she means. I'm just
Phoebe Metz, nothing wonderful about me, unless it's my voice, and I
hope that is. She said, too, that I would make her very happy if I'd let
her be a real friend to me, and if I'd call her Virginia. Why, that's
just what I've been wishing for! I told her so. She is just twelve years
older than I am, so she's near the thirty mark yet, and I like a friend
who is older. She seems just the same Miss Lee, no older than she was
when I walked down the street of Greenwald in my gingham dress and
checked sunbonnet and buried my nose in the pink rose David gave me. How
lucky that little country girl is! I'm here in Philadelphia, in a
beautiful house, with Virginia Lee for my friend, and glorious visions
of music and good times flashing before my eyes. I put my hands to my
head to keep it from going dizzy!

There's a little speck of cloud in the blue of my joy right now, though.
I'm afraid I've blundered already. Miss Lee--Virginia, I mean--said as
she turned to leave my room that they have dinner at six and I'd have
plenty of time to get ready for it. I had to tell her that I couldn't
change my dress, that I hadn't thought to bring any light dress in my
bag but had packed them all in the trunk. She hurried to assure me that
my dark skirt and white blouse would do very well, that she would not
dress for dinner to-night. But I feel sure that she seldom appears at
the dinner table in a blouse and tailored skirt. Guess Aunt Maria'd say
I'm in a place too tony for me, but I know I can learn how to do here. I
might have remembered that some people make of their evening meal a
formal one. I've read about "dressing for dinner" and when my first
opportunity comes to do so it finds me with all my dress-up dresses
packed in a trunk in the express office! Perhaps it serves me right for
wanting to "put on style," but I remember an old saying about "doing as
the Romans do." At any rate, I'm going to make the best of it and quit
worrying about it, or I'll be so fussed I'll eat with my knife or pour
my coffee into my saucer!


                                              _Later in the evening._

What a whirl my brain is in! Things happen so fast that I scarcely know
where to begin again to write about them. But it began with the dinner.
That was the grandest dinner I ever tasted but I don't remember a single
thing I ate, though I do know there was no bread or jelly. What would
Aunt Maria think of that! The delicate china, fine linen and silver were
the loveliest I have ever seen. There were electric lights with
soft-colored shades and there was a colored waiter who seemed to move
without effort. The forks and spoons for the different courses bothered
me. I had to glance at Virginia to see which one to use. Once during the
dinner I thought of the time Mollie Brubaker told Aunt Maria about a
dinner she had in the home of a city relative. I remember how Aunt Maria
sniffed, "Humph, if abody's right hungry you can eat without such dumb
style put on. I say when you cook and carry things to the table for
people you don't need to feed them yet, they can help themselves. Just
so it's clean and cooked good and enough to go round, that's all I try
for when I get company to eat." I felt like a fish out of water at the
Lee dinner table, but Mrs. Lee and the others were so kind and tactful
that I could not be embarrassed, not enough to show it. However, I
thought to myself as we rose from the table, "Thank Heaven!"

Mrs. Lee asked me whether I like music. We were in the sitting-room and
Mr. Lee stood by the piano, his hand on his violin case.

"Yes, indeed!" I told her, for I was anxious to hear him play. I have
never heard any great violinist but the sound of a violin sets me
thrilling. I could listen to it for hours.

Mr. Lee smiled at my enthusiasm, lifted the instrument to his shoulder
and began to play. If I live to be a hundred I'll never forget that
music! Like the soothing winds of summer, the subtle fragrance of a wild
rose, the elusive phantoms of our dreams, it stirred my soul. I sat as
one dazed when he ended.

"You say nothing. Don't you like my music?" he asked me.

"Like your music? Like is too poor a word!" And I tried to tell him how
I loved it. He smiled again, that calling, hypnotizing smile, that made
me want to rush to him and ask him to be my friend. But I restrained
myself and turned to listen to Virginia. The music haunted me. It
sounded like the voice of a soul searching for something it could never
find. I was still dreaming about it when I heard Mr. Lee say, "Now,
Aunt, shall we have some cribbage?" I watched him uncomprehendingly as
he arranged a small table and brought out cards and boards for a game.
The full significance of his actions dawned upon me--they were going to
play cards! I had never seen a game of cards, but Aunt Maria taught me
long ago that cards are the instrument of the Evil One. My first impulse
was to run from the room, away from the cards, but I hated to be so
rude.

"Do you play cards?" Royal Lee asked me.

"No, oh, no!" I gasped.

"You should learn. I'm sure you would enjoy playing."

I know my face flushed. He did not notice my bewilderment and went on,
"We'll teach you to play, Miss Metz." Then he turned to the game.

Virginia came to my rescue and drew me to a seat near her. She asked me
questions about Greenwald. Goodness only knows what I answered her. My
attention was a variant. Troubled thoughts distressed me. In Aunt
Maria's category of sins dancing, card playing and theatre-going rank
side by side with lying, stealing and idolatry. As I sat there I tried
to reconcile my opinion of these worldly pleasures with the conduct of
my new friends. The tangle is too complicated to unravel at once. I
could feel blushes of shame staining my cheeks as the game progressed.
What would Aunt Maria say, what would daddy say, what would even
tolerant Mother Bab say, if they knew I sat passively by and watched a
game of cards? After a little while I asked Virginia whether I could
write a letter to Aunt Maria and tell her of my safe arrival. I just had
to get out of that room! I don't know if she saw through my ruse but
she smiled as she put her arm around me and led me to the stairs.
"There's a desk in your room, Phoebe. You can be undisturbed there. Tell
your aunt we are going to help you find a comfortable home and that we
are going to take care of you. I'll be up presently to visit with you."

When I got up-stairs I felt like crying. Those cards actually scared me.
I shrank from being so near the evil things. But after a while as I came
to think more calmly I decided that cards couldn't hurt me if I didn't
play them. I promised myself to keep from being contaminated with the
wickedness of the city the while I enjoyed its harmless pleasures. The
first horror of the cards soon passed but it left me sobered. I wrote a
long letter to Aunt Maria and then turned off the lights and looked down
into the city street. It seemed wonderful to me to see so many lights
stretched off until some of them were mere specks. There was a wedding
across the street. I saw the guests and caught a glimpse of the bride,
dressed all in white. But later, when Virginia came up to my room and I
asked her about it she didn't know a thing about the wedding. Why, at
home, if there's a big wedding and the neighbors don't know about it or
are not invited to it, they feel slighted. But Virginia says a city is
different, that you don't really have neighbors like in Greenwald.

Virginia told me, too, how she came to teach in our school on the hill.
When she finished college she wanted to earn money, just to prove that
she could. Her father wanted her to stay home and live the life of a
butterfly, she says. One day he said, more in jest than earnest, that if
she insisted upon earning money he'd give his consent to her being a
teacher in a rural school. She accepted the challenge and through her
cousin she secured the place on the hill and became my teacher. When her
father died and her mother became a semi-invalid she gave up her work
and took up the old life again. She said that as if it were not really a
desirable life, this going to teas, dances, plays, musicals, lectures,
and having no cares or worries. Of course I know many of her pleasures
are forbidden fruit for me, but if I ever can wear pretty clothes like
hers and go off to an evening musical or concert I know I'll be as
excited as a Jenny Wren.




CHAPTER XVII

DIARY--THE NEW HOME


                                                      _September 16._

I'VE dreamed my first dreams in Philadelphia. Such dreams as they were!
Whatever it was I ate for supper it must have been richer than our
Lancaster County sausage and fried mush, for I dreamed all night. My
old-fashioned walnut bed with its red and green calico quilt seemed to
swing before me while Mother Bab and Aunt Maria talked to me. A clanging
trolley car woke me and I remembered that I had been dreaming of Phares
and the tanager's nest. I slept again and heard the strains of Royal
Lee's violin till another car clanged past and woke me. I woke once to
find myself saying, "Braid it straight, Davie. Aunt Maria's awful mad."
When I slept again I thought I heard Royal Lee say, "We'll teach you to
play cards," and speared tails and horned heads seemed mixed
promiscuously with little pieces of cardboard bearing red and black
symbols and the words "I'll get you if you don't watch out" rang in my
ears. "Ugh, what awful dreams," I thought as I lay awake and listened
for sounds of activity in the house. I missed Aunt Maria's five o'clock
call. The luxury of an eight o'clock breakfast couldn't be appreciated
the first morning, as I was wide awake at five. I'll soon learn to
sleep later. There are many things I shall learn before I go back to the
farm.

This morning Virginia and I started out on a glorious adventure, looking
for a boarding place. She laughed when I called it that.

"I like the uncertainty of it," I told her. "The charm of the unknown
appeals to me. I do not know under whose roof I shall sleep to-night yet
I'm happy because I know I am going to meet new people and see new
things. Of course, if I did not have you to help me I would remember
Aunt Maria's dire tales of the evils and dangers of a big city and
should feel afraid. As it is, I feel only curious and gay. No matter
where I find a place to live it's bound to be quite different from the
farm, not better, necessarily, but different."

But my "high hopes of youth" received a jolt at the very first interview
with a boarding-house mistress. She wouldn't take young ladies who were
studying music, their practice would annoy the other boarders. I had
never thought of that!

The second quest was equally unsatisfactory. One room was vacant, a
pleasant room--at twelve dollars a week! The sum left me speechless.
Virginia had to explain that the amount was a _trifle_ more than I
expected to pay.

The third proved to be a smaller house on a narrower street. A charming
old lady led us into a sitting-room. All my life I've been accustomed to
the proverbial cleanliness of the Pennsylvania Dutch but I'm certain I
never saw a place as clean as that house. I said something like that to
its mistress and she informed me with a gentle firmness I never heard
before that she expected every guest in her house to help to keep it in
that condition. She had several rules she wanted all to obey, so that
the sunshine would not have a chance to fade the rugs and the dust from
the street could not ruin things. I knew I would not be happy there. I
like clean rooms, but if it's a matter of choosing between foul air
_without_ dust and fresh air _with_ dust I'll take the dust every time.
I'd feel like a funeral to live in a house where the curtains and shades
were down every day, summer and winter, to keep the sunshine out of the
rooms and prevent the jade-green and china-blue and old-rose of the rugs
from fading.

The fourth place was in suburban Philadelphia, fifty minutes' ride from
the heart of the city. It was a big colonial house set in a great yard,
a relic of the days when gardens still flourished in the city and the
breathing spaces allotted to householders were larger than at the
present time. As we went up the shrubbery-bordered walk to the pillared
porch I said, "I want to live here."

Mrs. McCrea, the boarding-house mistress, did not object to the music,
provided I took the large room on the third floor and did all my
practicing between the hours of eight and five, when the other boarders
were gone to business. The price of the room is seven dollars a week.

I took the room at once, before Mrs. McCrea had any chance of changing
her mind. I thought it was a very pleasant room, with its two windows
looking out on the green yard.

But later, after Virginia had gone and I was left alone in the room, the
queerest feeling came over me. I never knew what it meant to be
homesick, but I think I had a touch of it this afternoon in this room. I
hated this place for about half an hour. I saw that the paint is soiled,
the rug worn, the pictures cheap, the bed and bureau trimmed with
gingerbready scrolls and knobs. It's so different from the blue and
white room I slept in last night, so different from my plain,
old-fashioned room at home. "It's all right," I said to myself, half
crying, "but it's so different."

Fortunately the word _different_ struck a responsive chord in my memory.
I remembered that I wanted different things, and smiled again and dashed
the tears away. I arranged my own pictures and few belongings about the
room and felt more at home. After I had dressed and stood ready to go
down for my first dinner in my new home I felt happier. To be living, to
be young and enthusiastic, to possess the colossal courage of youth, was
enough to bring happiness into my heart again. I'm going to like this
place. I'm going to work and play and live in this wonderful city.

Mrs. McCrea introduced the "New boarder" and I took my assigned place at
a long table in the dining-room. I remembered that I once read that the
average boarding-house is a veritable school for students of human
nature. I wondered what I would learn from the people I met there. The
fat man across the table from me gave me no opportunity for any mental
ramblings. He launched me right into conversation by asking my opinion
of the war in Europe and whether or not we would be dragged into the
trouble.

"Really," I answered him, "I don't know much about it. I don't think of
it any more than I can help."

Of course that was the wrong thing to say. It started a deluge. A
studious-looking woman wearing heavy tortoise-shell rimmed spectacles
took my answer as a personal affront. "Why not, Miss Metz?" she
demanded. "Why should we not think about it? We women of America need to
wake up! In this country we are lolling in ease and safety while other
nations bleed and die that we might remain safe. We have no thoughts
higher than our hats or deeper than our boots if the catastrophe across
the sea does not waken in us an earnest desire to help the stricken
nations."

Others took up the argument and I sat quiet and helpless, for I know too
little about the cause and progress of the war to talk intelligently
about it. A sense of responsibility grazed my soul. I wished I were able
to help France and Belgium, but what can I do? The constant harping on
the subject of war irritated me. I felt relieved when a young girl near
me asked, "Miss Metz, do you like the movies? There's a place near here
where they show fine pictures, funny ones to make you forget the war for
several hours, at least."

On the whole, I think I'm going to like life at Mrs. McCrea's
boarding-house. I hear the views of so many different sorts of people.
And it certainly is different from my life on the farm.




CHAPTER XVIII

DIARY--THE MUSIC MASTER


                                                      _September 19._

MY four days in Philadelphia have just been one exclamation point after
another! The most wonderful thing happened to me last night! Mrs. Lee
invited me over for dinner. I glided through the courses a little more
gracefully--one can learn if the will is there. I always loved dainty
things. I suppose that is why I delight in the Lee home and am eager to
adopt the ways of my new friends.

After dinner Mr. Lee played again. Of course I enjoyed that. When I
praised his playing he said he heard I'm a real genius and asked me to
sing for them. Mr. Krause, one of the best teachers of music in the
city, is a friend of Royal and Virginia thinks he would be the very one
to teach me. Mr. Lee wrote to Mr. Krause this summer and the music
teacher promised to take me for a pupil if I have a voice worth the
trouble. Virginia had prepared me for my meeting with him. Seems he's
queer, odd, cranky and painfully frank. But he knows how to teach music
so well that many would-be singers pray to be taken into his studio. Mr.
Lee said yesterday that Mr. Krause was expected home from his vacation
in a few days and then he'd arrange an interview. I trembled when he
said that. What if the great teacher did not like my voice!

To-night when Mr. Lee asked me to sing I selected a simple song. As I
sat down before the baby grand piano the words of the old song "Sweet
and Low" came to me. I would sing that until I gained courage and
confidence to sing a harder selection. I played from memory. As I sang I
was back again at home, singing to my father at the close of the day.

As the last words died on my lips and I turned on the chair a man, a
stranger to me, appeared in the room. He hurried unceremoniously to the
piano and greeted me, "You can sing!"

I stared at him. He was an odd-looking, active little man of about fifty
with keen blue eyes that bored into one like a gimlet.

Mr. Lee came toward us. "Mr. Krause," he exclaimed, and presented to me
the music master, the teacher for whom I had dreaded so to sing! I was
filled with inarticulate gladness.

"Mr. Krause," I cried, grasping his outstretched hand in my old
impetuous way, "do you mean it? Can I learn to sing?"

"I said so--yes. You can sing. You need to learn how to use your voice
but the voice is there."

"I'm so glad. I'll work----" I couldn't say any more. My joy was too
great to be expressed in words. I looked mutely into the wrinkled face
of the man.

"Royal said he had found a songbird," he went on smiling, "but I was
afraid he didn't know the difference between that and an owl--I see he
did. I'll be glad to have you for a pupil. Royal can bring you to my
studio to-morrow at eleven."

Mr. Krause stayed a while longer and the sitting-room was gay with
laughter and bright conversation. I think I heard little of it, though,
for the words, "You can sing!" kept ringing in my ears and crowding out
all other sounds.

I can sing! Mr. Krause has told me I can sing! And I will sing! Some day
all the world may stop to hear!




CHAPTER XIX

DIARY--THE FIRST LESSON


                                                      _September 20._

I HAD my first music lesson to-day. Mr. Lee called for me at the
boarding-house and took me down-town to the studio. After he left I
expected Mr. Krause to begin at once on the do, ra, me, fa, sol, la, si,
do. But he thought differently!

He sat facing me, looking at me till I felt like running. "And so," he
said quietly, "you want to learn to sing."

"Yes," was all I could say.

"Well, you have a voice. If you want to work like all great singers have
had to work you can be a singer. You may not set the world afire with
your fame but you'll be worth hearing. You are Pennsylvania Dutch?"

I nodded. What under the sun did Pennsylvania Dutch have to do with my
becoming a singer? I was provoked. I didn't come to the city and pay a
music teacher to ask me foolish questions.

"That is good," he went on calmly. "The Pennsylvania Dutch are not
afraid of work and that is what you need. The road to success in music
is like the road to success in any other thing, long and hard and
up-hill most of the way. Now that Pennsylvania Dutch is a funny
language. It is neither Dutch nor English nor German but is like hash, a
little of this and a little of that. Do you speak it?"

I said I have spoken it all my life but wished I had never been taught
it.

"Why?" he asked.

"Oh"--I couldn't quite veil my irritation--"it perverts our English."

"Nothing uncommon," he answered, smiling. "Every part of this great
country has some peculiarities of speech common to that particular
section and laughed at in the other sections. Now we will go on with the
lesson."

When he really did begin to teach I found him a wonder. I'm going to
enjoy, thoroughly enjoy, my music lessons.

Mr. Lee called for me after the lesson. I told him I could find the way
back to the boarding-house alone, but he said he'd consider it a
pleasure and privilege to call for me. He has the nicest manners! He
never needs to flounder around for the right thing to say, it just slips
from his tongue like butter. Aunt Maria always says, "look out for them
smooth apple-sass talkers," but I'm sure Mr. Lee is a gentleman and just
the right kind for a country girl to know.

When he called at the studio this morning I felt proud to walk away with
him. He suggested riding home but I told him I'd rather walk, at least
part of the way. We started up Chestnut Street. What a wonderful place
that is! Such lovely stores I've never seen. I'm going to sneak away
some day and visit every one that has women's belongings for sale. And
the clothes I saw on Chestnut Street--on the women, I mean! My own
wardrobe certainly is plain and ordinary compared with the things I saw
women wear to-day. I couldn't help saying to Mr. Lee, "What lovely
clothes Philadelphia women wear!" He smiled that wonderful smile and
said, "Miss Metz, a diamond has no need of a glittering case, it has
sufficient brilliancy itself." I caught his meaning, I couldn't help
it--he meant me! Now I know I'm no beauty, but perhaps if I had clothes
like those I saw to-day I'd be more attractive. I wonder if I'll get
them; they must cost lots of money.

As we walked along Mr. Lee told me he knows I'll have a wonderful year
in the city, and that he is going to help it be the gladdest, merriest
one I've ever had.

"Oh, you're good," I said.

"It must be that goodness inspires goodness," he replied.

I didn't know what to answer. Men up home never say such things, at
least I never heard them. Phares couldn't think of such things to say
and David never made a "pretty speech" in his life. I know he thinks
nice things about me sometimes but he wouldn't word them like Royal Lee
does. I didn't want Mr. Lee to think I'm uncommonly good, I told him I'm
not.

"Not good?" He laughed at the idea. "Why, you are just a sweet, lovely
young thing knowing nothing of evil."

"Oh!" I said, feeling stupid before him, "you're too polite! I never
met any one like you. But I want to ask you about cards, playing cards.
I can't see that they are wrong but Aunt Maria and my father and all my
friends up home think they are wicked. Aunt Maria would rather part with
her right hand than play a game of cards."

Mr. Lee laughed and said he's surprised that I am willing to accept the
beliefs of others; can't I decide for myself what is wrong or right? Did
I want to be narrow and goody-goody?

Of course I don't want to be like that, and I told him so.

He laughed again, a low, soft laugh. I never heard a man laugh like that
before. When daddy laughs he laughs out loud, the kind of laugh you join
in when you hear it. And David laughs like that too, a merry laugh that
sounds, as he says, like it's coming clean from his boots. But Mr. Lee's
laugh is different. I don't like it as well as the other kind, though it
fascinates me. He said he knows I can't change my ideas in a night but
he depends upon my good sense to decide what is right for me to do. He
asked if I thought Virginia and her mother are wicked. They have played
cards, danced, gone to theatres, all their lives. If I hope to have a
really enjoyable time in the city I must do the same. He said, too, that
I'll soon see that many of the teachings of the country churches are
antiquated and entirely too narrow for this day.

Dancing--I shuddered at the word, but I didn't tell him how I feel about
it. Aunt Maria says dancing is even worse than playing cards. Why did
he tempt me? I don't want to do wicked things, but when he mentioned
forbidden pleasures I felt, somehow, that I wanted to do what Virginia
does and have a good time with her and her friends. That would be
dreadful! What am I thinking of! Is my head turned already? Can the evil
of the world have exerted its influence upon me so soon? Of course, if I
become a great singer I'll naturally have to live a life different from
the narrow, restricted life of the farm. I must live a broader, freer
life. But for a while, at least, I'll have to be the same old Phoebe
Metz. I tried to tell Mr. Lee something like that, and he quoted,

        "If you become a nun, dear,
            A friar I will be;
         In any cell you run, dear,
            Pray look behind for me."

Are city men always free like that? Is it the way of the new world I
have entered? Before I could think of a suitable answer he said lightly,
"But before you turn nun let me buy you some flowers."

We stopped at a floral shop. Such flowers! I've never seen their equal!
I exclaimed in many O's as I paused by the window, but I felt my cheeks
flush at the idea of having him buy any of the lovely flowers for me.

"Come inside," he said. "What do you like?"

"I love them all," I told him as we stood before the array of blossoms.
"I think I like the yellow rosebuds best, though. We have some at home
on the farm but they bloom only in June."

I detected an odd smile on his lips. What was wrong? Had I committed a
breach of etiquette? Was it wrong to mention farms in a city floral
shop? But his courteous, attentive manner returned in an instant. He
watched me pin the yellow roses on my coat, smiled, and led me outside
again. I felt proud as any queen, for those were the first flowers any
man ever bought for me.




CHAPTER XX

DIARY--SEEING THE CITY


                                                         _October 2._

I HAVE been seeing Philadelphia. Mr. Lee teasingly told me that most
newcomers want to "do" the city so he and Virginia would take me round.
They took me to see all the places I studied about in history class.
I've done the Betsy Ross House, Franklin's Grave, Old Christ Church and
Old Swede's Church. I like them all. Best of all I like Independence
Hall, with its wonderful stairways and wide window sills and, most
important, its grand old Liberty Bell and its history.

Yesterday Mr. Lee took me to Memorial Hall in Fairmount Park. I like the
pictures and oh, I looked long at a white marble statue of Isaac, his
hands bound for the sacrifice. The face is beautiful. Royal Lee was
amused at my interest in it and took me off to see the rare Chinese
vases. We wandered around among the cases of glassware and then I found
a case with valuable Stiegel glass, made in my own Lancaster County. I
was proud of that! We went through Horticultural Hall and stopped to see
the lovely sunken gardens, with their fall flowers.

I like to go about with Royal Lee. He is so efficient. Crowds seem to
fall back for him. He has the attractive, masterful personality that
everybody recognizes. I feel a reflected glory from his presence. We
have grown to be great friends in an amazingly short time. Our music,
our appreciation of each other's ability, has strengthened the bond
between us. Mrs. Lee sends me many invitations for dinner and week-ends
in her beautiful home, so that Mr. Lee and I are already well
acquainted. He has asked me to call him Royal and if he might call me
Phoebe. I've told him all about my life on the farm, my friends up
there, and the plans and dreams of my heart. He likes to tease me and
call me a little Quakeress, but I don't enjoy that for he does it in a
way I don't like. It sounds as if he's scoffing at the plain people.
When I told him about the meeting house and described the service he
laughed and said that a religion like that might do for a little country
place but it would never do in a city. I bridled at that and tried to
tell him about the wholesome, useful lives those people up home lead,
how much good a woman like Mother Bab can do in the world. But he could
not be easily convinced. He thinks they are crude and narrow. When I
told him they are lovely and fine he challenged me and asked if I am
willing to wear plain clothes and renounce all pleasures, jewelry and
becoming raiment. I had to tell him I'm not ready for that yet, and he
smiled triumphantly. He predicted I'll play cards and dance before the
winter ends. I don't like him when he's so flippant. I want to be loyal
to my home teaching but I see more clearly every day how great is the
difference between the pleasures sanctioned by my people and those
Virginia and her friends enjoy. There's a mystery somewhere I can't
solve. Like Omar, I "evermore come out at the same door where in I
went."


                                                        _October 29._

To-day we went for a long drive along the Wissahickon. The woods are
bronze and scarlet now. The wild asters made me homesick for Lancaster
County. I wanted to get out of the car and walk but Virginia and her
friends wouldn't join me. I wanted to bury my nose in the goldenrod and
asters--and get hay fever, one of the girls told me--and I just ached to
push my way through the tangled bushes along the road and let the golden
leaves of the hickory and beeches brush my face. It seems that most city
people I have met don't know how to enjoy nature. They have a
nodding-from-a-motor-acquaintance with it but I like a real
handshake-friendship with it. I just wished David were here to-day! He'd
have taken my hand and run me to the top of the hill and picked a branch
of scarlet maple to carry with my goldenrod and asters. Well, I can't
have the penny and the cake. I want to be in the city, of course that's
the thing I most desire at present--I really am having a good time.

In the evening we went to Holy Trinity Church. The organ recital gripped
my soul. I wanted it to last for hours. And yet when it was over and the
rector stood before us and preached one of his impressive sermons I was
just as much interested as I had been in the music. There's a feeling of
restful calm comes to me in a big dim church with stained glass
windows. We stopped in the Cathedral one day last week. That is a
wonderful place, too. I like the idea of having churches open all the
time for prayer and meditation. I'm learning so many new ideas these
days. If I ever do wear the plain dress I'm sure of one thing, I'll be
broad-minded enough to respect the beliefs of other persons.


                                                       _November 11._

I can put another red mark on my calendar. I heard the great Irish
Tenor! Glory, what a voice! It's the kind can echo in your ears to your
dying day and follow you with its sweetness everywhere you go! I have
been humming those lovely Irish songs all day.

But before the recital my heart was heavy. I have no evening gown, no
evening wrap, so I couldn't join the box party to which one of
Virginia's friends invited us. I meant to stay at home and not break up
the party, but Royal insisted upon buying two tickets in a section of
the opera house where a plainer dress would do. In the end I allowed
myself to be persuaded by him and we two went to the recital alone. When
that tenor voice sounded through the place I forgot all about my limited
wardrobe. I could hear him sing if I were dressed in calico and think of
nothing but his singing.


                                                       _November 12._

I wrote letters to-day. Mother Bab and David write such lovely ones to
me that I have to try hard to keep up my end of it. Sometimes David
tells me he is anxious to supply me with the beet juice, cream and flour
whenever I'm ready to begin the prima donna act. I can hear his laugh
when I read the letter. Sometimes he's serious and talks about the crops
of their farm and tells me the community news like an old grandmother.
Phares Eby writes me an occasional letter, a stilted little note that
sounds just like Phares. It always has some good advice in it. Aunt
Maria's letters and daddy's come every week. I'd feel lost without them.
I like to feel that everybody I care for at home is interested in and
cares for me even if I am in Philadelphia.




CHAPTER XXI

DIARY--CHRYSALIS


                                                        _December 3._

I'M as miserable as any mortal can be! Oh, I'm still having a good time
going around seeing the city, visiting the stores and museums,
practicing hard in music, pleasing my teacher. But just the same, I'm
not happy. The reason is this: I want pretty gowns like Virginia wears,
I want to dance and play cards and see real plays. I dare say I'm a
contemptible sinner to want all that after the way I've been brought up.
I ought to be satisfied with all the wonderful things I enjoy in this
big city but I'm not.

Last week Virginia entertained the Bridge Club and tried to persuade me
to learn to play and come to the party. Royal was provoked about it. He
thinks I should learn to play. I told him I should have no peace if I
learned to do such things.

"Peace," he scorned, "no one has peace these days. The whole world is in
a turmoil. Do you think your little Quaker-like girls of Lancaster
County have peace these days?"

"They have peace of mind and conscience."

"But that," he said, "is the peace that touches those who live in
selfish solitude. The virtue that dwells in the hearts of those who
retire into hermitages is a negative virtue."

"You speak like a seer, a philosopher," I told him.

"Like a rational human being, I hope," he said petulantly. "But the
thoughts are not original. I am merely echoing the opinion of sane
thinkers. I have no appreciation of the foolish and useless sacrifice
you are persistently making. We were not put on this planet to be dull
nuns and monks. We have red blood racing through our veins and were not
intended for sluggishness."

"Yes--but----"

He went off peeved at my refusal to do as he wished.

What can I do? Shall I capitulate? I have wrestled with my desire for
pleasure until I'm tired of the struggle. My old contentment has
deserted me. I'm restless and dissatisfied, scarcely knowing what is
right or wrong.


                                                          _Next day._

I'm happy again. Being on the fence grows mighty uncomfortable after a
while, so I jumped across. I have decided to become a butterfly!

I had luncheon to-day with Virginia. She had to run off to one of her
Bridge Clubs so I offered to mend the lace on one of her gowns while she
was gone. I was alone in the sitting-room that adjoins Virginia's
bedroom. I love that little sitting-room. Virginia and I spend many
happy hours in it when we want to get away from everybody and have a
long chat. I like its big comfortable winged chairs by the cheery open
fire.

I dreamed a while before the fire, the gown across my knees. It's a pink
gown, that scarcely defined pink of a sea shell. Virginia had often
tempted me to try it on and see how well I'd look in a dress of that
kind. The temptation came to do it. I jumped up in sudden determination.
I _would_ put it on! I'd see for once how I looked in a real gown. I ran
to Virginia's room to the low dressing table. My hands trembled as I
opened the tight coils of my hair and shook it until it seemed to nod
exultingly. I fluffed the curls loosely over my forehead and twisted the
hair into a fashionable knot. Then I took off my plain blue serge dress
and slipped the pink one over my head. The soft draperies clung to me,
the gossamer lace lay upon my breast like a silken mist. I was beautiful
in that gown and I knew it. It was my hour of appreciation of my own
charm.

Later I lifted the dress and saw my plain calfskin shoes. I smiled but
soon grew sober as I thought that the incongruity between gown and shoes
was no greater than that between the gown and the girl--the girl who was
reared to wear plain clothes and be honest and unpretentious. But
honesty--that is the rock to which I cling now. I am going to be honest
with myself and have my share of happiness while I'm young.

I went back again to the fire, still wearing the borrowed gown. Virginia
found me there several hours later. When she came in and saw me, a
gorgeous butterfly, she said, she was very happy. She would have me go
down to her mother and Royal. I shrank from it but she said I might as
well become accustomed to being stared at when I was so dazzling and
beautiful. I went down, feeling almost as much of a culprit as I did the
day Aunt Maria surprised me at playing prima donna and marched me in to
the quilting party.

Mrs. Lee was lovely. She is sure I deserve to be happy in my youth.
Royal went mad. "Ye Gods!" he cried as he ran to me and grasped my
hands. "You take my breath away! You are like this!" He seized his
violin and began to play the Spring Song. The quivering ecstasy of
spring, the mating calls of robins and orioles, the rushing joy of
bursting blossoms, the delicate perfume of violets and trailing arbutus,
the dazzling shafts of sunlight pierced by silver showers of capricious
April--all echoed in the melody of the violin.

"You are like that, that is you!" he said as he laid his instrument
aside. His words were very sweet to me. The future beckons into sunlit
paths of joy.

So I have departed from the teachings of my childhood and turned to the
so-called vanities of the world. I am going to grasp my share of
happiness while I can enjoy them.

When I went up-stairs again to take off the borrowed gown I was already
planning the new clothes I want to buy. I must have a pink crepe
georgette, a pale, pale blue--just as I'm writing this there flashes to
my mind one of those old Memory Gems I learned in school on the hill.

        "But pleasures are like poppies spread,--
         You seize the flower, its bloom is shed;
         Or like the snow fall on the river,
         A moment white, then melts forever."

I wonder, is there always a fly in the ointment!




CHAPTER XXII

DIARY--TRANSFORMATION


                                                       _December 15._

A FEW days can make a difference in one's life. I'm well on the way of
being a real butterfly. I have bought new dresses, a real evening gown
and a lovely silk dress to wear to the Bridge Club. It's lucky I saved
my money these three months and had a nice surplus to buy these new
things.

Royal is teaching me to play cards. He says I take to them like a duck
to water. Virginia and he are giving me dancing lessons. I love to
dance! The same spirit that prompted me to skip when I wore sunbonnets
is now urging me on to the dance. In a few weeks I'll be ready to join
in the pleasures of my new friends. After the Christmas holidays the
city will be gay until the Lenten season.


                                                         _January 5._

I went home for Christmas and I suppose I managed to make everybody
there unhappy and worried. I couldn't let them think I am the same quiet
girl and not tell them about the cards and dancing. Daddy was hurt, but
he didn't scold me. He said plainly that he does not approve of my
course, that he thinks cards and dancing wicked. He added that I had
been taught the difference between right and wrong and was old enough to
see it. Perhaps he thinks I'll "run my horns off quicker" if I'm let go,
as Aunt Maria often says about people. But she didn't say that about me.
She made up for what daddy didn't say. She begged him to make me stay at
home away from the wicked influences of the city. I had the hardest time
to keep calm and not say mean things to her. She's ashamed of me and
afraid people up there will find out how worldly I am. I had to tell
Mother Bab too. I know I hurt her. She was so gentle and lovely about it
that I felt half inclined to tell her I'd give up everything she didn't
approve of, just to please her. But I didn't. I couldn't do that when I
know I'm not doing anything wrong. She changed the subject and inquired
about my music. In that I was able to please her. She shared my joy when
I told her of my critical music master's approval of my progress. I sang
some of my new songs for her and she kissed me with the same love and
tenderness she has always had for me. I wonder sometimes whether I could
possibly have loved my own mother more. Somehow, as I sat with her in
her dear, cozy sitting-room I hated the cards and the dancing and half
wished I had never left the farm. But that's a narrow, provincial view
to take. Now that I'm back again I'm caught once more in the whirl.
Everybody is entertaining, as if in a frantic endeavor to be surfeited
before Lent and thus be able to endure the dullness of that period of
suspended social activities. The harrowing tales of suffering France
and Belgium have occasioned Benefit Teas and Benefit Bridges and
Benefit Dances, all for the aid of the war sufferers. Royal usually
takes me to the social affairs. I enjoy being with him. He's the most
entertaining man I ever met. He has traveled in Europe and all over our
own country and can tell what he has seen. He attracts attention,
whether he speaks or plays or is just silent. One day he said it would
be a pleasure to travel with me, I enjoy things so and can appreciate
their beauty. I could scarcely resist telling him how I'd enjoy
traveling with a man like him. Oh, I dream wild dreams sometimes, but I
really must stop doing that. The present is too wonderful to go
borrowing joy from the future.


                                                        _February 2._

I'm all in a fluster. I have to write here what happened to-day. If I
had a mother she could help and advise me but an adopted mother, even
one as dear and near as Mother Bab, won't do for such confidences.

Royal and I were sitting alone before the open fireplace. It's a
dangerous place to be! The glowing fire sends such weird shadows
flickering up and down. Its living fire is sometimes an entreating Circe
waking undesirable impulses, then again it's a spirit that heals and
inspires. I love an open fire but to-day I should have fled from it and
yet--I think I'm glad I didn't.

I looked up suddenly from the gleaming logs--right into the eyes of
Royal. His voice startled me as he said, with the strangest catch in his
voice, that my eyes are bluer than the skies. I tried to keep my voice
ordinary as I lightly told him that some other person once told me they
are the color of fringed gentians--could he improve on that?

"You little fairy!" he cried. "I can beat that! They are blue as
bluebirds!" Then he went on impetuously, telling me I was a real
bluebird of happiness, a bringer of joy; that the ancients called the
bluebird the emblem of happiness, but he knew the blue of my eyes was
the real joy sign--or something like that he said. It startled me. I
tried to tell him he must not talk like that but my words were useless.
He went on to say that the world was bleak and unlovely till I came to
Philadelphia and wouldn't I tell him I care for him.

Of course I value his friendship and told him so. But he laughed and
said I was a wise little girl but I couldn't evade his question like
that. He said frankly he doesn't want my friendship, he wants my love,
he must have it!

I felt like a helpless bird. I couldn't answer him. He looked at me, a
long, searching look. Then he pressed his thin lips together, and a
moment later, threw back his head and laughed his low laugh.

"Little bluebird," he said softly, "I have frightened you and I wouldn't
do that for worlds! We'll talk it over some other time, after you have
had time to think about it. Shall I play for you?"

I nodded and he began to play. But the music didn't soothe me as it
usually does. There were too many confused thoughts in my brain. Did
Royal really love me? I looked at his white hands with the long
tapering nails and the shapely fingers and couldn't help thinking of the
strong, tanned hands of David Eby. I glanced at the handsome face of the
musician with its magnetic charm--swiftly the countenance of my old
playmate rose before me and then slowly faded: David, boyish and
comradely; David, manly and strong, without ever a sneer or an unholy
light upon his face. Could I ever forget him? Could I ever look into the
face of any other man and call it the dearest in the whole world to me?
Ach--I shook my head and gathered my recreant wits together! I'd forget
what he said and attribute it to the weird influence of the firelight.

I was glad Virginia came before Royal finished playing. She looked at us
keenly. I suppose my face was flushed. But Royal seldom loses his
outward calm. He answered her remarks in his casual way and listened
with seeming interest to her plans for a pre-Lenten masquerade dance she
wants to give. She has asked me to go dressed in a plain dress and white
cap like Aunt Maria wears. I hesitated about it but she has done so much
for me that I hate to refuse. So I've promised to go to the dance
dressed in a plain dress and cap.

A little later when Royal left us alone Virginia began to speak about
him. She said she's so glad we have grown to be friends, in spite of the
fact that he is so much older than I am. He's thirty-seven, she told me.
I'm surprised at that. I never thought he's so much older. She mentioned
something, too, about his being rather a gay Don Juan. I don't know
just what she means. I'm sure he's a gentleman. Perhaps she expected me
to tell her what Royal said to me, but how could I do that when I think
it was just an impulsive burst that he's likely to forget by morning. If
he really meant it--but I must stop dreaming all sorts of improbable
dreams! I've had such a glorious time in Philadelphia just living and
singing and working and playing that I wish it hadn't happened. I'm
frightened when I think that any serious questions might confront me
here.


                                                       _February 10._

I guessed right when I thought that Royal would forget that foolish
outburst. He has been perfectly lovely to me, taking me out and buying
me flowers and telling me about his trips, but he hasn't said one word
more of sentimental nature. I'm surely getting my share of fun and
pleasure these days. There are so many things to enjoy, so much to learn
from my fellow-boarders and every one I meet, that the days are all too
short. Between times I'm making a dress and cap for the masquerade
dance. I hate sewing. I lost all love for it during my years of calico
patching. But I don't mind making the dress for I'm eager for the dance,
my first masquerade party. I'm hoping for a good time.




CHAPTER XXIII

DIARY--PLAIN FOR A NIGHT


                                                       _February 21._

LAST night was the masquerade. I wore the plain gray dress, apron and
cape and a white cap on my head. I felt rather like a hypocrite as I
looked at myself in the glass, but Virginia said it was just the thing
and certainly would not be duplicated by any other guest.

I was dressed early and started down the stairs, my black mask swinging
from my hand. As I rounded a curve in the stairway I glanced casually
down the wide hall. The colored servant had admitted visitors. I looked
in that direction--the mask fell from my hand and I ran down the steps
and into the arms of Mother Bab! I couldn't say more than "Oh, oh!" as I
kissed her over and over. When she got her breath she said happily,
"Phoebe, you're plain!"

Oh, how it hurt me! I took her and David to a little nook off the
library where we could be alone and then I had to tell her that I was
wearing the plain dress and white cap as a masquerade dress. Even when I
told her I learned to dance and do things she thinks are worldly there
was no look of pain on her face like the look I brought there as I stood
before her in a dress she reverenced and told her I wore it in a spirit
of fun. I'll never get over being sorry for hurting her like that. But
Mother Bab rallies quickly from every hurt. She soon smiled and said she
understood. David came to my aid. He assured his mother that they knew I
could take care of myself and would not do anything really wrong. I
couldn't thank him for his kindness. I felt suddenly all weepy and
tearful. But David began to talk on in his old friendly way and tell
about the home news and about the Big Doctor he had taken Mother Bab to
see in Philadelphia and how he hoped she would soon be able to see
perfectly again. While he talked Mother Bab and I had a chance to
recover a bit. I noted a quick shadow pass over her face as he spoke
about her eyes--was she less hopeful about them than he was? Had the Big
Doctor told her something David did not hear? But no! I dismissed the
thought--Mother Bab could not go blind! She would never be asked to
suffer that! I soon forgot my troublesome thoughts as she hastened to
say that perhaps her eyes would improve more quickly than the doctor
promised. Then she changed the subject--"Now, Phoebe, I hope I didn't
hurt you about the dress. I guess I looked at you as if I wanted to eat
you. I love you and wouldn't hurt you for anything."

"Mother Bab!" I gave her a real hug like I used to do when I ran
barefooted up the hill with some childish perplexity and she helped me.
"You're an angel! Mother Bab, David, having a good time won't hurt me.
Our views up home are too narrow. It's all right to expect older people
to do nothing more exciting than go to Greenwald to the store, to church
every Sunday, to an occasional quilting or carpet-rag party, and to
Lancaster to shop several times a year, but the younger generation needs
other things."

"I guess you mean it can't be Lent all the time for you," she suggested
with a smile.

"I just knew you'd understand."

Just then Royal began to play and the music floated in to us. It was
Traumerei. Mother Bab's tired face relaxed as she leaned back to listen
to the piercingly sweet melody. David looked at me--I knew he was asking
whether the player was Royal Lee.

"Oh, Davie," Mother Bab said innocently as the music ended, "if only you
could play like that!"

"If I could," he said half bitterly, "but all I can do is farm. Are you
coming home this spring?" he asked me, as if to forget the violin and
its player.

"I don't know. I'll probably stay here until early June. I may go away
with Virginia for part of the summer."

"Not be home for spring and summer!" he said dismally. "Why, it won't be
spring without you! We can't go for bird-foot violets or arbutus."

Arbutus--the name called up a host of memories to me. "How I'd like to
go for arbutus this spring," I told him.

"Then come home in April and I'll take you to Mt. Hope for some."

"Oh, David, will you?"

"I'd love to. We'll drive up."

"I'll come," I promised. "I'll come home for arbutus. Let me know when
they're out."

"All right. But I think we must go now or we'll miss the train."

"Go?" I echoed. "You're not going home to-night? Can't you stay? Mrs.
McCrea has vacant rooms. I've been so excited I forgot my manners. Let
me take you to the sitting-room and introduce you to Mrs. Lee and
Royal."

"Ach, no," Mother Bab protested. "We can't stay that long. We just
stopped in to see you."

David looked at his watch. "We must go now. There's a train at
eight-twenty-one gets to Lancaster at ten-forty-five and we'll get the
last car out to Greenwald and Phares will meet us and drive us home."

I asked about the home folks as I watched David adjust Mother Bab's
shawl. He looked older and worried. I suppose he was disappointed
because the Big Doctor didn't promise a quick cure for Mother Bab's
eyes.

As they said good-bye and left me I wanted to run after them and ask
them to take me home, back to the simple life of my people. But I stayed
where I was, the earthiest worldling in a dress of unworldliness.

"I--I believe I'll take it off," I thought as I stood in the doorway.

Just then Royal opened the door and saw me. "Ye Gods!" he exclaimed,
"you look like a saint, Phoebe."

"But I'm not! I'm far from being a saint!"

"Don't be one, please. If you turn saint I shall be disconsolate. I
don't like saints of women and I want to keep on liking you, little
Bluebird. Remember, you promised me the first dance."

"I don't know--I don't feel like dancing."

"Oh, but you must! You look like a Quakeress but no one expects you to
act like one to-night. I'm going up to dress--I'm going as a monk to
match you."

He ran off, laughing, and I went in search of Virginia. My heart was
heavy. The sudden appearance of Mother Bab and David brought me a vivid
impression of the contrast between their lives and mine and the thoughts
left me worried and restless. What was I doing? Was I shaping my life in
such a way that it would never again fit into the simple grooves of
country life? The dance lost its charm for me. I danced and made merry
and tried to enter into the gay spirit of the occasion but I longed all
the time to be with Mother Bab and David riding to Lancaster County.




CHAPTER XXIV

DIARY--DECLARATIONS


                                                          _March 22._

SPRING is here but I'd never know it if I didn't read the calendar. I
haven't seen a robin or heard a song-sparrow. Just the same, I've had a
wonderful time these past weeks. Of course my music gets first
attention. I'm getting on well, though I'm beginning to see what a long,
long time it will take before I become a great singer. Since I have
heard really great singers I wonder whether I was not too presumptuous
when I thought I might be one some day. I went to several big churches
lately and heard fine music.

I thought Lent would be a dull season but it's been gay enough for me.
There has been unusual activity, Virginia says, because of so many
charitable affairs held for the benefit of the war sufferers.

I bought a new spring hat, a dream. Hope Aunt Maria never asks me what I
paid for it. After wearing Greenwald hats all my life this one was
coming to me.

But my thoughts are not all of frivolous matters. I have taken advantage
of some of the opportunities Philadelphia offers to improve my mind and
broaden my vision. I've been to lectures and plays and enjoyed them all.

I asked Royal to-day why he never worked. He laughed and said I was an
inquisitive Bluebird. Then he told me his parents left him enough money
to live without working. He never did a solid hour's real work in his
whole life. With his talent and his personal attractions he might become
a famous musician if he had some odds to fight against or some person to
encourage him and make him do his best. He said he knows he never
developed his talent to the full extent but that since he knows me he is
playing better than he did before. I wonder if I really am an
inspiration to him. I suppose a genius does need a wife or sympathetic
friend to bring out the best in him. He has been so lovely, showing his
fondness for me in many ways, but he has never said anything sentimental
like he did the day we sat by the fire. Sometimes he does say ambiguous
things that I can't understand. He is surely giving me a long time to
think it over. I like him but I'm afraid he's cynical, and it worries
me.

There are other things, too, to dim the blue these days. War clouds are
threatening. U-boats of Germany are sinking our vessels. Where will it
all end?


                                                           _April 7._

War has been declared. America is in it at last. I came home to-day
feeling disheartened and sad. War was the topic everywhere I went.
Papers, bulletin-boards flaunted the words, "The world must be made safe
for democracy." People on the streets and in cars spoke about it,
newsboys yelled till they were hoarse.

I stopped to see Virginia but she was out. Royal said he'd entertain me
till she returned. He laughed at my tragic weariness about the war.

"I'll tell you, Bluebird," he whispered as he sat beside me, "we'll talk
of something better. I love you."

The fire in his eyes frightened me. I couldn't look at him. "Why do you
say such things?" I asked, and I couldn't keep my voice from trembling.

That didn't hush him--he said some more. He told me how he loves me, how
he waited for me all his life and wants me with him. He quoted the verse
I like so much, "Thou beside me singing in the wilderness--O wilderness
were Paradise enow!" Then he asked me frankly if I loved him.

I couldn't answer right away. Now that the thing I had dreamed of was
actually happening I was dazed and stupid and sat like a bump-on-a-log.

He asked me again and before I knew what he was doing he had taken me
into his arms and kissed me. "Say you love me," he pleaded.

I said what he wanted to hear and he kissed me again. We were both very
happy. It is almost too wonderful to believe!

A few minutes later we heard Virginia enter the hall and we came back to
earth. I know my cheeks still burned but Royal's ready poise served him
well. He told his cousin he had been trying to make me forget about the
war.

Virginia probably thought my excitement was due to the war. She began at
once to speak about it. "America is in it and we can't forget it. Every
true American must help."

"Do your bit, knit," chanted the musician.

She asked him if he is going to do his bit. He flushed and looked vexed,
then explained that he can neither knit nor fight, that he is a
musician.

Virginia argued that if he could play a violin he could learn to play a
bugle, that many of the men who will fight for the flag are men who have
never been taught to fight. She spoke as if she thought Royal should
enlist in some branch of government service at once.

I resented her words. "Do you want Royal to go to war and be killed?" I
asked her.

"My dear," she said solemnly, "have you ever heard that there is such a
thing as losing one's life by trying to save it?"

That startled me. I realized then that the war is going to be a very
serious matter, that there will be work for each one of us to do. But
Royal laughed and made me forget temporarily every solemn, sad thing. He
told Virginia that she was over-zealous, that she need not worry about
him. He'd be a true American and give his money to help protect the
flag. We began to play Bridge then and I thought no more about the war
for an hour or two.


                                                          _April 12._

I have learned to knit. Virginia has taught me and we are elbow-deep in
gray and khaki wool. I have wound it and purled it and worked on the
thing till I'm tasting fuzz. But I do want to do the little bit I can to
help my country. This war _is_ a serious matter. Already people are
talking about who is going to enlist--what if David would go! I hope he
won't--yet I don't want him to be a coward. Oh, it's all too confusing
and terrible to think long about. I try to forget it for a time by
remembering that Royal Lee cares for me. He has told me over and over
that he loves me. Love _must_ be blind, for he thinks I am beautiful and
perfect. I'm glad I look like that to him. We should be happy when we
are married, for we are so congenial, both loving music and things of
beauty. It's queer, though, I have thought of it several times--he has
never mentioned our marriage. I suppose he's too happy in the present to
make plans for the future. But I know he is a gentleman, therefore his
words of love are synonymous with an offer of marriage. All that will
come later. It's enough now just to know we care for each other.




CHAPTER XXV

DIARY--"THE LINK MUST BREAK AND THE LAMP MUST DIE"


                                                          _April 13._

I'M in sackcloth and ashes. My dream castles have tumbled down upon my
head and left me bruised and sorrowful. I'm awake at last! I'd like to
bury my face in my old red and green patchwork quilt and ask forgiveness
for being a fool. But I must compose myself and write this last chapter
of my romance.

Last night the "Singer with the Voice of Gold" gave a recital in the
Academy of Music. Royal and I helped to make up a merry box party. I
felt festive and gay in my lovely white crepe georgette gown. Royal said
I looked like a dream and that made me radiant, I know.

As we sat down I whispered to him that I was excited because hearing
that great singer has always been one of my dearest dreams and now the
dream was coming true. He whispered back that more of my dreams would
soon come true. I made him hush, for several people were looking at us.
But his words sent my heart thrilling.

The Academy became quiet as the singer appeared, then the audience gave
her a real Brotherly Love welcome and settled once more into silence as
her beautiful voice rose in the place. The operatic selections were
beautifully rendered. I thought her voice was most captivating in the
simple songs everybody knows. Annie Laurie had new charm as she sang it.
When she sang that Royal whispered, "That is what I feel for you." I
smiled into his eyes, then turned again to look at the singer. Could I
ever sing like that? Would the dreams of my childhood come true? It
seemed improbable and yet--I had traveled a long way from the little
girl of the tight braids and brown gingham dresses, I thought. Perhaps
the future would bring still more wonderful changes.

The hours in the Academy of Music passed like a beautiful dream. I
shrank from the last song, though. It was too much like some fatal, dire
prophecy:

        "The cord is frayed, the cruse is dry,
         The link must break, and the lamp must die--
         Good-bye to hope! Good-bye, good-bye!"

I told Royal I didn't like it, it was too much like Cassandra.

He laughed and said she generally sings it, but that it couldn't hurt
us--was I superstitious?

"No, oh, no," I declared. But I wished I could forget the words of that
song.

Some of the party decided that a proper ending to the delightful evening
would be a visit to a fashionable cafe. I didn't care to go. Royal urged
me till I consented and I soon found myself in a beautiful place where
merry groups of people were seated about small tables. Any desire for
food I might have had left me as I heard Royal and the other men order
wines and highballs.

"What will you have, Phoebe?" Royal asked me.

I gasped--"Why--nothing."

"Be a sport," he urged, "look around and do as the 'Romans do.'"

I looked around. Some of the women were smoking, others were drinking.

"Oh," I said, "this is dreadful. Let's go."

Royal laughed and the others teased me. One of the girls said I'd be
doing all those things before the year ended. When I declared I would
not Royal reminded me that I had said the same about cards and dancing.
His words silenced me. I felt engulfed in shame and deeply hurt. How
could Royal be amused at my discomfiture if he loved me! Did he love me?
Did I want him to? Could I promise to honor and love him all my life?
But perhaps he was teasing me--ah, that was it! I breathed more easily
again. Royal was teasing me, sure of my refusal to indulge in any
intoxicant. The others ate and made merry while I toyed idly with the
glass of ginger ale the waiter brought me against my wish. I mused and
dreamed--would Royal like my people? Somehow, he seemed an incongruity
among the dear ones at the gray farmhouse in Lancaster County. What
would he say when we ate in the kitchen and daddy came to the table in
his shirt sleeves? Love can bridge greater chasms than that, I thought.
When we are married----

"Royal Lee, are you ever going to marry?" The question broke into my
revery.

I looked at Royal. There was no rise of color in his handsome face. He
returned my look dispassionately then turned to his teasing, inquisitive
friend.

"I'm a bachelor forever," he declared. "But that does not keep me from
loving. Women I care for have too much good sense to think that marriage
always follows love. Ye Gods, I think love goes when marriage comes, so
you'll have no chance to see my love interred."

I clenched my hands under the table. I felt my lips go white. How could
he hurt me so? Of course our love was not a thing to be paraded in a
public place but if he really cared for me as I thought he did he could
have answered differently. An evasive answer would have served. An hour
ago he had whispered tender words to me and now he frankly informed all
present that he was a bachelor forever. I could not grasp the full
significance of his words at once. I was dazed by the shock of them. I
wanted to get away and be alone, to cry, to think, to determine what he
had meant by his demonstrations of love if he did not hope to win me for
his wife.

But later, when I went to bed in the pretty blue and white room next
Virginia's, I did not cry. I lay wide awake thinking over and over, "How
could he do it? Why is he heartless? Was he only playing?"

When morning came I had partially decided that I had been a ready, silly
fool; that Royal Lee had merely whiled the hours away more pleasantly
because of my love. I felt tempted to denounce him but I thought that
would afford him additional amusement and make me not a whit less
miserable. I was eager to get away from him. I desired but one little
moment alone with him to satisfy myself that I did not judge him
unjustly. Fortunately he came to the sitting-room as I sat there staring
at the page of a magazine.

"Alone?" he asked.

"Yes."

"Phoebe"--he drew nearer and I rose and stood away from him. "My
Bluebird! You look unhappy. Are you still shocked at the smoking and
drinking you saw last night? It's all in the game, you know. Why not be
happy along with the rest of us, why be a prude?"

I shivered. Couldn't he know why I was unhappy! How false and fickle he
was! I wouldn't wear my heart on my sleeve for him to read and laugh
about. All my Metz determination rose in me.

"Why," I lied, "I'm not unhappy. I'm just tired. Late hours don't agree
with me."

He stretched out his arm but I eluded him. "Don't," I said lightly;
"we've been foolish long enough."

"Why"--he looked at me keenly. But I was determined he should not read
my feelings. I smiled in spite of my contempt for him. "Why, Phoebe," he
said tenderly, "what has changed you? Why shouldn't I kiss you when I
love you? Love never hurt any one."

"No--but----"

"But what?" he asked.

"Oh, nothing," I said, stepping farther away from him. "I'm in a hurry
this morning. Good-bye." And for the first time I saw a look of chagrin
mar the handsome face of Royal Lee. Before he could recover his
customary equanimity I was gone from the house.

I walked, caring not where the way led. My brain was in a whirl. I felt
as though I were fleeing from a crumbling precipice. In a flash I
understood Virginia's tactful attempts at warning. She had tried to make
me understand but my head was too easily turned by the fine speeches and
flattering attentions of the musician. I have been vain and foolish but
I've had my lesson. It still hurts and yet I can see the value of it.
I'll be better qualified after this to discriminate between the false
and true.

I am going home to-day! It came to me suddenly as I went back to my
boarding-house after my long walk. I promised David I'd come home for
arbutus and the inspiration came to go home for the whole spring and
summer. I'll write a note to Mr. Krause and one to Virginia. Dear
Virginia, she has been so good to me and helped me in so many ways! I
can never thank her enough. These eight months in Philadelphia have been
a liberal education for me. I'll never regret them. I hope to come back
in the fall and go on with the music lessons. By that time Royal Lee
will have found another to make love to.

So I'm going home to-day, back to Lancaster County. The trees are green
and the flowers are out--oh, I'm wild to get back!




CHAPTER XXVI

"HAME'S BEST"


LANCASTER COUNTY never before looked so fertile, so lovely, as it did
that April day when Phoebe returned to it after a long winter in
Philadelphia.

As she came unexpectedly there was no one to meet her at Greenwald. She
started across the street and was soon on the dusty road leading to the
gray farmhouse.

"Let me see," she thought, "this is Friday afternoon and Aunt Maria will
be scrubbing the kitchen floor."

But when the girl reached the kitchen of the gray house and tiptoed
gently over the sill she found the big room in order and Aunt Maria
absent.

"Why," she thought, "is Aunt Maria sick?" She opened the door to the
sitting-room and there, seated by a window, was Aunt Maria with a ball
of gray wool in her lap and five steel knitting needles plying in her
hands.

"Aunt Maria!"

"Why, Phoebe!"

The exclamations came simultaneously.

"What in the world are you doing? I mean why aren't you cleaning the
kitchen? Oh, Aunt Maria, you know what I mean! I never saw you sitting
down early on a Friday afternoon."

Aunt Maria laughed. "I ain't sick! You can see what I'm doin'; I'm
knittin'. Ain't you learned to do it yet? I can learn you."

"Why, I know how. But what are you knitting? For the Red Cross?"

"Why not? You think the ladies in Phildelphy are the only ones do that?
There's a Red Cross in Greenwald and they are askin' all who can to
help. I used to knit all my own stockings still so I thought I'd pitch
right in. I let the cleanin' slide a little this week so I could get a
good start on this once."

The girl gasped and looked at her aunt in wonder. All the days of her
life she had never known her aunt to "let the cleanin' slide," if the
physical strength were there to do the work. Aunt Maria was working for
the Red Cross! While she, who had scorned the country folks and called
them narrow, had knitted half-heartedly and spent the major part of her
time in the pursuit of pleasure, the people of the little town and
surrounding country had been doing real work for humanity.

"I think you're splendid, Aunt Maria, to help the Red Cross," she said
with enthusiasm.

The woman looked up from her knitting. "Why, how dumb you talk! I guess
abody wants to help. Them soldiers are fightin' for us. Now you can get
yourself something to eat. It vonders me, anyhow, why you come home this
time of the year. You said you'd stay till June."

"I came because I want to be here."

"So. Then I guess you got enough once of the city."

"Yes," said Phoebe, laughing. "But how is everybody?"

"All pretty good. But a lot of boys from round here went a'ready to
enlist. I ain't for war, but I guess it has to come sometimes. But it's
hard for them that has boys."

"David?" Phoebe asked. "Has he gone?"

"Ach, no, not him. He's got his mom to take care of."

Phoebe remembered Virginia's words, "We can't get away from it, we're in
it." The thought of them made her feel depressed. "I'm going to forget
the war," she thought after a moment, "I'm going to forget it for
to-morrow and have one perfect day in the mountains hunting arbutus."




CHAPTER XXVII

TRAILING ARBUTUS


IT was a balmy day in April when Phoebe and David drove over the country
roads to the mountains where the trailing arbutus grow.

"Spring o' the year," called the meadow-larks in clear, piercing tones.

"It is spring o' the year," said Phoebe. "I know it now. But last week I
felt sure that the calendar was wrong and I wondered whether God made
only English sparrows this year; that was all I could see. Then I saw a
few birds early this week when we went along the Wissahickon for a long
walk. Oh, no," she said in answer to the unspoken question in his eyes,
"I did not go alone with a man. In Philadelphia one does not do that. I
went properly chaperoned by Mrs. Hale. Virginia and Royal and several
others were in the party. You should have been there; you would have
enjoyed it for you know so much about birds and flowers. Royal didn't
know a spring beauty from a bloodroot, and when we heard a song-sparrow
he said it was a thrush."

David threw back his head and laughed. "Some nature student he must be!
But it must be fine along the Wissahickon. I have read about it."

"It is fine, but this is finer."

"You better say so!"

"Oh, look, David, the soil is pink!" She pointed to a tilled field whose
soil was colored a soft old rose color. "I'm always glad to see the pink
soil."

"So am I. It means that we are getting near the mountains. We'll drive
over to Hull's tavern and leave the carriage there, then we can go to
the patch of woods near the tavern where we used to find the great
beauties, the fine big ones. There's the old tavern now." He pointed to
a building with a fine background of wooded hills.

Hull's tavern, a rambling structure erected in 1812, is still an
interesting stopping-place for summer excursionists and travelers
through that mountainous section of Pennsylvania. Situated on the south
side of the beautiful South Mountains and overlooking the richest of
hills, it has long been a popular roadhouse, accommodating many pleasure
parties and hikers.

Phoebe wandered about on the long porches while David took the horse to
the stable.

"Now then," he said as he joined her, "give me the lunch box and we'll
be off."

They walked a short distance in the loamy soil of the mountain road and
then turned aside and scrambled up a steep bank to a tract of woodland.
Phoebe sank on her knees in the dry, brown leaves and pushed aside the
leaves. "There," she cried in triumph a moment later, "I found the first
one!" She lifted a small cluster of trailing arbutus and gave it to
David.

"Um-ah," he said, in imitation of a little girl of long ago.

"Little Dutchie," she answered. "But you can't provoke me to-day. I'm
too happy to be peevish. Come, kneel down, you'll never find arbutus
when you stand up."

"I'm down," he said as he knelt beside her. "I'd go on my knees to find
arbutus any day."

"So would I---- Oh, look at this--and this! They are perfect." She
fairly trembled with joy as she uncovered the waxlike flowers of dainty
pink and white. "I could bury my nose in them forever."

"They are perfect," agreed the man. "Fancy living where you never saw
any arbutus or had the joy of picking them."

"I don't want to fancy that, it's too delicious being where they do
grow. Won't Mother Bab love them?"

"Yes. She'll keep them for days in water. That flower you gave her in
Philadelphia lasted four days."

"These are better," Phoebe said quickly, anxious to shut out all
thoughts of the city. Now that she was in the woods again she knew how
hungry she had been for them. "I am going to pick a bunch of big ones
for Mother Bab."

"She would like the small ones every whit as much," the man declared.

"Perhaps better," she mused. "She would say they are just as sweet and
pretty. David, I don't know what I should have done without Mother Bab!
My life was different, somehow, after she allowed me to adopt her."

"She's great, isn't she?"

"Wonderful! I have many friends, many new ones, many dear ones, but
there is only one Mother Bab."

The man's hands trembled among the arbutus--did the admiration touch
Mother Bab's son? Could the dreams of his heart ever come true?

"You know," Phoebe went on, "if I could always have her near me, in the
same house, I'd be less unworthy of calling her Mother Bab."

It was well that she bent over the dry leaves and blossoms and missed
the look that flooded the face of the man for a moment. She wanted to be
with Mother Bab--should he tell her of his love? But the very fact that
she spoke thus was evidence that she did not love him as he desired. And
the war must change his most cherished plans for the future, change them
greatly for a time. If he went and never returned it would be harder for
her if he went as her lover. As it was he was merely her old comrade and
friend; he could read from her manner that no deeper feeling had touched
her--not for him, but he wondered about the musician----

The spell was broken when Phoebe spoke again: "Do you know, Davie, I
read somewhere that arbutus can't be made to grow anywhere except in its
own woods, that the most skilful hand of man or woman can't transplant
it to a garden where the soil is different from its native soil."

"I never heard that before, but I remember that I tried several times
and failed. I dug up a big box of the soil to make it grow, but it
lasted several months and died. Let us go along this path and find a
new bed; we have almost cleaned this one."

"See"--she raised her bunch of flowers--"I didn't take a single root, so
next year when we come we shall find as many as this year. They are too
altogether lovely to be exterminated."

They moved about the woods, finding new patches of the fragrant flowers,
until they declared it would be robbery to take another one.

"Let's eat," she suggested; "I'm hungry as a bear."

"Race you to that big rock," cried David and began to run. Phoebe
followed through the brush and dry leaves, but the farmer covered the
distance too quickly for her.

"Now I'm hungry," she said, panting; "I'll eat more than my share of the
lunch."

She climbed to the top of the boulder and they sat side by side, the
lunch box resting on David's knees.

"Now anything you want ask for," said he.

"I will not!" She delved into the box and brought out a sandwich. "It's
mine as much as yours."

"Going in for Woman's Suffrage and Rights and the like?" he asked,
laughing.

"Ugh," she wrinkled her nose, "don't mention things like that to-day. I
don't want to hear about war or work or problems or anything but just
pure joy this day! I earned this perfect day this year. This is to be a
day of all-joy for us. Have another sandwich? I'm going to--this makes
only four more left for each. Aunt Maria knew what she was doing when
she made me take this big box of lunch for just us two. Now, aren't you
glad that I brought lunch in a box instead of eating our dinner at
Hull's as you suggested?" she said as she kicked her feet, little girl
fashion, against the side of the boulder.

"Of course I am glad. I was afraid you might like dinner at the tavern
better, that is why I suggested it."

"Don't you know me better than that? Why, we can eat in dining-rooms
three hundred and sixty-four days in every year. This is one day when we
eat in the birds' dining-room."

"I am enjoying it, Phoebe. It is the first picnic I have had for a long
time. I can't tell how I'm drinking in the joy of it."

"Now," said Phoebe later, when the last crumb had been taken out of the
lunch box, "we can pack the arbutus in this box. If you find some damp
moss I'll arrange them."

She laid the flowers on the cushion of moss, covered them with a few
damp leaves and closed the box. "That will keep them fresh," she said.
"Now for our drink of mountain water, then home again."

Farther in the woods they found the spring. In a little cove edged with
laurel bushes and overhung with chestnut trees and tall oaks it sent up
a bubbling fountain of cold water.

"I'm sorry the picnic is over," said Phoebe as she leaned over the clear
water and drank the cold draught.

"There is still the lovely drive home," he consoled her.

"Yes," she said as they turned and walked back through the woods to the
road again, "and I shall remember this day for a long time. In the
spring it's dreadful to be shut in the city."

"I believe you are growing tired of Philadelphia."

"Yes and no. I love the many things to do and see there, but on a day
like this I think the country is the place to really enjoy the spring. I
wish you could come down some time to the city; there are many places of
interest you would like to visit."

"Yes." He opened his lips to tell her that he was soon to be in the
service of his country, then he remembered that she had said she did not
want to hear the word war on that day, it must be a day of all joy, so
he closed his mouth resolutely and merely smiled in answer as she
entered the carriage for the ride home. They spoke of many things; she
was gay with the childish happiness she always felt in the woods or open
country roads. He answered her gaiety, but his heart ached. What did the
future hold for him? Would she, perchance, love another before he could
return--would he return?

"Look," Phoebe said after they had driven several miles, "it is going to
storm--see how dark! We are going to have an April storm."

Even as they looked up black clouds moved swiftly across the sky. They
turned and looked toward the mountains behind them--the summits were
shrouded in dense blackness; the whole countryside was being enveloped
in a gloom like the gloom of late twilight. There was an ominous silence
in the air, living things of the fields and woods scurried to shelter;
only a solitary red-headed woodpecker tapped noisily upon a dead tree
trunk.

Suddenly sharp flashes of lightning darted in zigzag rays through the
gloom.

Phoebe gripped the side of the carriage. "The storm is following us,"
she said. "Look at the hills--they are black as night. Can we get home
before the storm breaks over us?"

"Hardly. It travels faster than we can, and we still have four more
miles to go."

The horse sniffed the air through inflated nostrils and sped unbidden
over the country road. The lightning grew more vivid and blinding and
darted among the hills with greater frequency; loud peals of thunder
echoed and reechoed among the mountains. Then the rain came. In great
splashes, which increased rapidly, it poured its cool torrents upon the
earth.

Phoebe laughed but David shook his head. "We'll have to stop some place
till it's over. You're getting wet. I'll drive in this barnyard."

Amid the deafening crashes of thunder and the steady downpour of rain
they ran through the barnyard and up the path that led to the house. As
they stepped upon the porch a door was opened and a woman appeared.

"Why, come right in!" she greeted them. "This is a bad storm."

"If you don't mind," Phoebe began, but the woman was talkative and broke
in, "Now, I just knowed there'd be company come to-day yet! This after
when I dried the dishes I dropped a knife and fork and that's a sure
sign. Mebbe you don't believe in signs?"

"They come true sometimes," said Phoebe.

"Ach, yes, my granny used to plant her garden by the signs in the
almanac. Cabbage, now, must be planted in the up-sign. But mebbe you're
hungry after your drive? I'll get some cake."

"We had lunch----"

"Ach, if your man's like mine he can eat cake any time." She opened a
door that led to the cellar and soon returned with a plate piled high
with cake. "Now eat," she invited. "But, ach, I just thought of it--you
said you come from Greenwald--then I guess you know about Caleb Warner
dying, killing himself, or something."

"Caleb Warner dying!" David echoed. He half started from his chair, then
sank with a visible effort at self-control.

"Yes. I guess you know him. My mister was in to dinner a while ago and
he said it went over the 'phone at Risser's and Jacob Risser told him
that Caleb Warner of Greenwald was dead. It was from gas or something
funny like that. It's the Warner that sold that oil stock and gold
stock. You know him?"

David nodded, his lips dry.

"Well, I guess now a lot of people will lose money. There's a lady lives
near here that gave him almost all her money for some of his stock. For
a while she got big interest from it, but then it stopped and now she
ain't got hardly enough money to live. And I guess a lot will lose
money. My mister had no time for that stock. But if the man's dead now
we should let him rest, I guess."

"Yes----" David braced himself. "The rain is over. Phoebe, we must go."

He smiled to the little woman as he gripped her hand. "You have been
very kind to us and we appreciate it."

"Yes, indeed," echoed Phoebe. "I hope we have not kept you from your
work."

"Ach, I can work enough to-day yet. I like company and I don't have much
of it week-days. Um, ain't it good smelly after the rain?" She sniffed,
smiling, as she followed Phoebe and David down the path to the barnyard.

"Good-bye," she called as they drove off. "Safe home."

"Thank you. Good-bye," Phoebe called over the side of the carriage.
Then, as they entered again upon the country road, she turned to her
place beside David.

She looked up at him. All the light and joy had faded from his face; he
stared straight head, though he must have felt her eyes' intent gaze
upon him.

"David," she said softly, "what is wrong?"

"Nothing," he lied.

"Seems you look different," she persisted. "Is it anything about Caleb
Warner's death?"

"I'm not much of a stoic, Phoebe. I should have hidden my worry. But you
must forget it; we must not let it spoil our perfect day. It really is
no great matter. I am affected, in some way you can't know, by his
death, but I'll get over it," he tried to treat the matter lightly.

But Phoebe felt a sudden heaviness of heart. She was almost certain that
David had had no money to buy any stock from Caleb Warner, therefore,
she jumped to the conclusion, it must be that David cared for Mary
Warner, as town gossip said he did, and that the death of the girl's
father would affect him. She felt hurt and baffled and sorely rebuffed
at the withholding of David's confidence and was worried as she saw the
marks of worry in the face of the man. Womanlike, she felt certain that
the other girl was not good enough for David. Mary Warner, beautiful,
aristocratic in bearing and manner--what had she to do with a man like
David Eby! Was an incipient engagement with Mary Warner the Aladdin's
lamp David had mentioned several times as being on the verge of rubbing
and thus become rich? The thought left her trembling; she shivered in
the April sunshine. When David spoke it was with an abstracted manner,
and the girl beside him finally said, "Oh, don't let us talk. Let us
just sit and look at the fields and enjoy the scenery."

She said it calmly enough, but the man beside her could not know that it
required the last shreds of her courage to keep her voice from breaking.
She would not let David see that she cared if he did care for Mary
Warner! Of course, she didn't want to marry him, it was merely that she
knew Mary was too haughty for him. Mother Bab would also say that he was
too different from Mary, that he was too fine for her. Then she
remembered that Mother Bab had said on the previous evening that the
Warners had taken David to Hershey recently in their fine new car. She
shook herself in an effort at self-control. "Phoebe," she thought,
"you're selfish! You go to Philadelphia and you go out with Royal Lee
and dance with other young men, and yet, when David pays attention to
another girl you have a spasm!"

But the self-administered discipline failed to correct her attitude. She
knew their day of all-joy was changed for her as it had been changed for
David. The jealousy in her heart could not be quite overcome. She was
glad when they reached familiar fields and were on the road near
Greenwald.

"Will you come in?" she invited as she left the carriage.

"No. I better go right home."

"I'll divide the flowers, David."

"Oh, keep them all."

"No, indeed. Mother Bab would be disappointed if you brought her none."

She opened the box, separated half of the arbutus from their mates and
laid them in the uplifted corner of her coat. "There," she said, "the
rest are yours and Mother Bab's. It was perfect in the woods to-day.
Thank you----"

But he interrupted her. "It is I who must say that, Phoebe! This has
been a great day. I'll never forget the glorious hour when we were on
our knees and pushed away the leaves and found the arbutus. That is
something to take with one, to remember when the days are not perfect as
this one."

He laid his fingers a moment on her hand as she held the corner of her
coat to keep the flowers from falling, then he turned and jumped into
the carriage.

"Give my love to Mother Bab," she said.

He turned, smiled and nodded, then started off. Phoebe stood at the gate
and watched the carriage as it went slowly up the steep road by the
hill. Her thoughts were with the man who was going home to his mother,
going with trailing arbutus in his hands and some great unhappiness in
his heart.

"Is it always so?" she thought. "We carry fragrance in our hands, but
what in our hearts?" For the time she was once more the old sympathetic,
natural Phoebe, eager to help her friend in need, feeling the divine
longing to comfort one who was miserable. "Oh, Davie, Davie," she
thought as she went into the house, "I wish I could help you."




CHAPTER XXVIII

MOTHER BAB AND HER SON


WHEN David drove over the brow of the hill and down the green lane to
the little house he called home he caught sight of his mother in her
garden. He whistled. At the sound Mother Bab rose from the soft earth in
which she was working and straightened, smiling. She raised a hand to
shade her eyes and waited for the coming of her boy, dreaming of a
possible separation from him, dreaming long mother-dreams while he took
the horse and carriage to the barn.

When he returned he had mustered all his courage and was smiling--he
would be a stoic as long as he could, but he knew that his mother would
soon discover that all was not well with him.

"Here, mother." He gave her the box of arbutus.

"Then you got some, Davie!" She buried her face in the cool, sweet
blossoms. "Oh, how sweet they are! Did you and Phoebe have a good time?
Did she enjoy it as much as she always used to enjoy a day in the
woods?"

She looked up suddenly from the flowers and caught him unawares. "What
is wrong?" she asked with real concern. "Did you and Phoebe fall out?"

"No," he shook his head. He knew that attempts at subterfuge and evasion
would be vain. "No, mommie, no use trying to deceive you any longer--I
fell out with myself--I wish I could keep it from you," he added slowly;
"I know it's going to hurt you."

"You tell me, Davie. I've lived sixty years and never yet met a trouble
I couldn't live through. Tell me about it."

She placed the box of arbutus in the garden path and laid her hand on
his arm.

"Oh, mommie," he blurted out, almost sobbing, "I'm ashamed of myself!
You'll be ashamed of your boy."

"It's no girl----" the mother hesitated.

He answered with a vehement, "No!"

"Then tell me," she said softly. "I can look in your eyes and hear you
tell me most anything so long as you need not tell me that you have
broken the heart or spoiled the soul of a girl."

She spoke gently, but the man cried out, "Thank God, I have nothing like
that to confess! You know there is only one girl for me. I could never
look into her eyes if I had betrayed the trust of any girl. I have
dreamed of growing into a man she could love and marry, but I failed. I
wanted to offer her more than slavery on a farm, I wanted to have
something more than the few hundreds I scraped together. I took the five
hundred dollars we skimped for and bought stock of Caleb Warner--you
heard that he died?"

"Phares told me."

"I guess the five hundred dollars is gone with him! I heard of other
men getting rich by buying gold and oil stock so I took a chance and
staked all the spare money I had."

"It was your money, Davie."

"You called it mine, but you helped to earn and save it. Caleb promised
me he would sell half of the stock for me at a great profit in a week or
two, and I could keep the other half for the big dividends it would pay
me soon--now he's dead, and the stock is probably worthless."

He looked miserably at her troubled face. She flung her arm about him
and led him to a seat under the budded cherry tree. "We must sit down
and talk it over," she said. "Perhaps it isn't so bad as you think. Are
you sure the stock is worth nothing? Perhaps you can get something out
of it."

"Perhaps I can." He brightened at the suggestion.

"Well," she went on, "I can't say that I think you did right to buy the
stock and try to get rich quick. You know that money gotten that way is
tainted money, more or less. To earn what you have and have a little is
better and safer than to have much and get it in such a way. But it's
too late to preach about that now--I guess I didn't tell you that often
enough and hard enough before this, or else you wouldn't have wanted to
buy the stock. It is partly my fault, for I thought some time ago you
talked as though you were getting the money craze, but I thought it
would soon wear off. You did a foolish thing, but there's no use crying
about it. You see you did wrong and are sorry, so that is all there is
to it. I'm not sorry you lost on the stock, for if you made on it the
craze would go deeper. I can live without the few extra things that
money would buy."

"Don't be so forgiving, mother! Scold me! I'd feel less like a criminal.
But here comes Phares; he'll give me the scolding you're saving me."

The preacher crossed the lawn and advanced to the seat under the cherry
tree.

"Aunt Barbara," he began, then noted the troubled look on the face of
David and asked, "What is wrong?"

"Nothing," said David, "except that I have some of Caleb Warner's
stock."

"You do? Whatever made you buy that?"

David spoke as calmly as possible. "I wanted to be rich, that's all. But
I guess I was never intended to be that."

"I'm afraid you are going to be sorry," said the preacher very soberly.
"I just came from town and they say things look bad for the investors.
They said first that Warner was asphyxiated accidentally, but he was so
deep in a hole with investing and re-investing other people's money and
his own and he had lost so much that people think this was the easiest
way out of it all for him. I suppose it will be hushed up and no one
will ever know just how he died. There are at least twenty people in
town and farms near here who are worried about their money since he
died. Did you have much stock?"

"Five hundred dollars' worth."

"If people were as eager to lay up treasures in heaven----" the preacher
said thoughtfully.

"If they were," said David, struggling to keep the wrath from his words
and voice. "I know, Phares, you can't understand why everybody should
not be as good as you. I wish I were--mother should have had a son like
you. I'm the black sheep of the Eby family, I suppose."

"No, no!" cried Mother Bab. "We all make mistakes! You are good and
noble, David. I am proud of you, even if you do err sometimes."

"We must make the best of it," said the preacher. "Perhaps the stock is
not quite worthless. If I were you I'd go to the lawyer in Lancaster.
He'll see you at his house if you 'phone in."

"Mighty good to think of that for me," said David, gripping the hand of
his cousin. "I'll go in to-night."

Several hours later David Eby sat before a lawyer and waited for the
verdict. "I'm sorry," the lawyer shook his head. "The stock is
worthless. Six months ago you might have sold it; now it's dead as a
door-nail."

"Guess it was a wildcat scheme," said David.

A few minutes later he went out to the street. His Aladdin's lamp was
smashed! What a fool he had been!

When he reached home Mother Bab read the news in his face. "Never mind,"
she said bravely, "we'll get along without that money."

"Yes--but"--David spoke slowly, as if fearing to hurt her further--"I
hoped to have a nice bank account for you to draw on when--when I go."

"You mean----" Mother Bab stopped suddenly. Something choked her, but
she faced him squarely and looked up into his face.

"Yes, mother, I mean that I must go. You want me to go, don't you?"

"Yes." The word came slowly, but David knew how truly she felt it. "You
must go. I knew it right away when I saw that we were called of God to
help in the fight for world peace and righteousness. You must go; there
is nothing to keep you. Phares will look after the little farm. I spoke
to him about it last week----"

"Mother, you knew then!"

"I saw it in your face as soon as war was declared. Phares was lovely
about it and said he could just as well take your few acres in with his
and pay a percentage to me for the crops he'll get from them. Phares is
kind; he has a big heart, for all his queer ways and his strict views."

"Phares is too good to be related to me, mommie. I'm ashamed of myself."

"Ach, you two are just different, that's all. I can go over and stay at
their house. Did you tell Phoebe you are going?"

He shook his head. "I couldn't tell her yesterday. We had such a great
day in the woods finding the arbutus, eating our lunch on a rock and
acting just like we used to when we were ten years younger. She never
mentioned war and I could not seem to break into that day of gladness
to speak about the subject. I meant to tell her all about it when we got
home, but then that storm came up and we stopped at a farmhouse and I
heard about Caleb Warner. It struck me so hard I was just no good after
that. I'll be a dandy soldier, won't I?"

He laughed and took the little woman in his arms. When, some moments
later, he held the white-capped mother at arms' length and smiled into
her face neither knew if the wet lashes were caused by laughter or
tears.

"Some soldier you'll make," she said as she looked at him, tall, broad
of shoulder, straight of spine. "Some soldier or sailor you'll make!"




CHAPTER XXIX

PREPARATIONS


THE days following the death of Caleb Warner were days of anxiety to
other inhabitants of the little town who, like David, had purchased
stock with glorious visions of sudden gain. In a short time the list of
Warner's unfortunate investors was known and they were accorded various
degrees of sympathy, rebuke or ridicule. The thing that hurt David was
not so much the knowledge that some were speaking of him in condemnation
or pity as the fact that he merited the condemnation.

But he had neither time nor inclination for self-pity. His country was
calling for his services and he knew his duty was to offer himself. He
could not conscientiously say his mother had urgent need of him for he
knew that the little farm would supply enough for her maintenance.

Phares Eby, although a preacher among a sect who, as a sect, could not
sanction the bearing of arms, accepted the decision of his cousin with
no show of disapproval. "I don't believe in wars," he said gravely, "but
there seems to be no other way this time. One of the Eby family should
go. I'll be glad to keep up your farm and help look after your mother
while you are gone. The most I can do here will be less than you are
going to do, but I'll raise the best crops I can and help in the food
end of it."

"You'll do your part here, Phares, and it will count. You're a bona-fide
farmer. You'll have our little place a record farm when I get back.
You're a brick, Phares!" For the first time in months he felt a genuine
affection for his preacher cousin. Preaching, prosaic Phares, how kind
he was!

Lancaster County measured up to its fair standard in those first trying
days of recruit gathering. The sons of the nation answered when she
called. Pennsylvania Dutch, hundreds of them, rallied round the flag and
proved beyond a doubt that the real Pennsylvania Dutch are not
German-American, but loyal, four-square Americans who are keeping the
faith. Two hundred years ago the ancestors of the present Pennsylvania
Dutch came to this country to escape tyranny, and the love of freedom
has been transmitted from one generation to another. The plain sects, so
flourishing in some portions of the Keystone State, consider war an
evil, yet scores of men in navy blue and army khaki have come from homes
where the mother wears the white cap, and have gone forth to do their
part in the struggle for world freedom.

As David Eby measured the days before his departure he felt grateful to
Mother Bab for refraining from long homilies of advice. Her whole life
was a living epistle of truth and nobility and she was wise enough to
discern that what her son wanted most in their last days together was
her customary cheerfulness--although he knew that at times the
cheerfulness was a bit bluffed!

News travels fast, even in rural communities. The people on the Metz
farm soon learned of David's loss of money and of his desire to enter
the navy.

"Why didn't you tell me about the stock?" Phoebe chided him.

"I couldn't. It knocked me out--it changed some of my plans. I knew
you'd despise me and I couldn't stand that too that day."

"Despise you! How foolish to think that. Of course it's better to earn
your money, but I think you learned your lesson."

"I have. I'll never try to get rich quick."

"And you're going to war!" The words were almost a cry. "What does
Mother Bab say? How dreadful for her!"

"Dreadful?" he asked gently. "Phoebe, think a minute--would you rather
be the mother of a soldier or sailor than the mother of a slacker?"

"I would," she cried. "A thousand times rather!" She clutched his sleeve
in her old impetuous manner. "I see now what it means, what war must
mean to us! We must serve and be glad to do it. Your going is making it
real for me. I'm proud of you and I know Mother Bab must be just about
bursting with pride, for she always did think you are the grandest son
in the wide world."

"Phoebe, you always stroke me with the grain."

"That sounds as if you were a wooden pussy-cat," she said merrily. "But
you are just being funny to hide your deeper feelings. I know you,
David Eby! Bet your heart's like lead this minute!"

"'I have no heart,'" he quoted. "'The place where my heart was you could
roll a turnip in.'"

She laughed, then suddenly grew sober. "I've been horribly selfish," she
said. "Having fine clothes and a good time and dreaming of fame through
my voice have taken all my time during the past winter. I have taken
only the husks of life and discarded the kernels. I'm ashamed of
myself."

"You mustn't condemn yourself too much. It's natural to pass through a
period when those things seem the greatest things in the world, but if
we do not shake off their influence and see the need of having real
things to lay hold on we need to be jolted. I was money-mad, but I had
my jolt."

"Then we can both make a fresh beginning. And we'll try hard to be
worthy of Mother Bab, won't we, David?"

David was mute; he could merely nod his head in answer. Worthy of Mother
Bab--what a goal! How sweet the name sounded from Phoebe's lips! Should
he tell her of his love for her? He looked into her face. Her eyes were
like clear blue pools but they mirrored only sisterly affection, he
thought. Ah, well, he would be unselfish enough to go away without
telling of the hope of his heart. If he came back there would be ample
time to tell her; it was needless to bind her to a long-absent lover. If
he came back crippled--if he never came back at all---- Oh, why delve
into the future!




CHAPTER XXX

THE FEAST OF ROSES


IN the little town of Greenwald there is performed each year in June an
interesting ceremony, the Feast of Roses.

The origin of it dates back to the early colonial days when wigwam fires
blazed in many clearings of this great land and Indians, fashioned after
the similitude of bronze images, stole among the stalwart trees of the
primeval forests. In those days, about the year 1762, a tract of land
containing the present site of the little town of Greenwald fell into
the hands of a German, who was so charmed by the fertility and beauty of
the fields encircled by the winding Chicques Creek that he laid out a
town and proceeded to build. The erection of those early houses entailed
much labor. Bricks were imported from England and hauled from
Philadelphia to the new town, a distance of almost one hundred miles.

Some time later the founder built a glass factory in the new town,
reputed to have been the first of its kind in America. Skilled workmen
were imported to carry on the work, and marvelously skilful they must
have been, as is proven by the articles of that glass still extant. It
is delicately colored, daintily shaped, when touched with metal it
emits a bell-like ring, and altogether merits the praise accorded it by
every connoisseur of rare and beautiful glass.

Tradition claims that the founder of that town was of noble birth, but
his right to a title is not an indisputable fact. It is known, however,
that he lived in baronial style in his new town. His red brick mansion
was a treasure house of tapestries, tiles and other beautiful
furnishings.

However, whether he was a baron or an untitled man, he merits a share of
admiration. He was founder of a glass factory, builder of a town,
founder of iron works, religious and secular instructor of his employees
and citizens, and earnest philanthropist.

The last role resulted in his financial embarrassment. There is an
ominous silence in the story of his life, then comes the information
that the man who had done so much for others was left at last to
languish in a debtors' jail, die unbefriended and be buried in an
unknown grave.

In the days of his prosperity he gave to the congregation of the
Lutheran Church in his town a choice plot of ground, the consideration
being the sum of five shillings and an annual rental of one red rose in
June.

Years passed, the man died, and either through forgetfulness or
negligence the annual rental of one red rose was unpaid for many years.
Then, one day a layman of the church found the old deed and the people
prepared to pay the long-neglected debt once more. Since that renewal
there is set apart each June a Sabbath day upon which the rose is paid
to the nearest descendant of the founder of the town. They give but one
red rose, but all around are roses, roses, and it seems most fitting to
call the unique occurrence the Feast of Roses.

If ever the little town puts on royal garb it is on the Feast of Roses
Sabbath. For days before the ceremony the homes of Greenwald are
beehives of industry. That day each train and trolley, every country
road, is crowded with strangers or old acquaintances coming into the
town. A heterogeneous crowd swarms through the street. The curious
visitor who comes to see, the dreamer who is attracted by the romance of
the rose, the careless youth who rubs his sleeve against some portly
judge or senator; the tawdry, the refined, the rich, the poor--all meet
in the crowd that moves to the red brick church in which the Feast of
Roses is held.

The old church of that early day has been removed and in its place a
modern one has been erected, but by some happy inspiration of the
builders the new church is devoid of the garish ornamentation that is
too often found in churches. Harmonious coloring, artistic beauty, make
it a fitting place for a Feast of Roses.

When Phoebe Metz entered the church to keep her promise to sing at the
service she found an eager crowd waiting for the opening. Every
available space was occupied; people stood in the rear aisles, others
waited in the churchyard by the open windows and hoped to catch there
some stray parts of the service.

Phoebe pushed her way gently through the crowd at the door and stood in
the aisle until an usher saw her and directed her to a seat near the
organ. The pink in her cheeks grew deeper. "I'll sing my best for
Greenwald and the Feast of Roses," she thought. "And for David! He's in
the crowd. He said he's coming to hear me sing."

At the appointed hour the pipe-organ pealed out. The June sunlight
streamed through the open windows, fell upon the banks of roses, and
gleamed upon the fountain that played in the midst of the crimson
flowers. Peace brooded over the place as the last strains of music died.
There was silence for a moment, then a prayer, a hymn of adoration, and
then the chosen speaker stood before the crowd and delivered his
message.

Phoebe listened to him until he uttered the words, "True life must be
service, true love must be giving. No man has reached true greatness
save he serves, and he who serves most faithfully is greatest in the
kingdom."

After those words she fell to thinking. Many things that had been dark
to her suddenly became light. She seemed to see Royal Lee fiddling while
the world was in travail, but beside him rose a vision of David in
sailor's blue, ready to do his whole duty for his country.

"Oh," she thought, "I've been blind, but now I see! It's David I want.
He's a man!"

She heard as in a dream the words of the one who presented the red rose
to the heir. "Once more the time has come to pay our debt of one red
rose. It is with cheerfulness and reverence we pay our rental. Amid
these bright surroundings, in the presence of the many who have come to
witness this unique ceremony, do we give to you in partial payment of
the debt we owe--ONE RED ROSE."

The heir received the flower and expressed her appreciation. Then
silence settled upon the place and Phoebe rose to sing.

As the organ sent forth the opening strains of music the people in the
church looked at each other, surprised, disappointed. Why, that was the
old tune, "Jesus, Lover of my soul." The tune they had heard sung
hundreds of times--was Phoebe going to sing that? With so many
impressive selections to choose from no soloist need sing that old hymn!
Some of the town people thought disdainfully, "Was that all she could
sing after a whole winter's study in Philadelphia!"

But Phoebe sang the old words to the old tune. She sang them with a new
power and sweetness. It touched the listeners in that rose-scented
church and revealed to them the meaning of the old hymn. The dependence
upon a divine guide, the utter impotence of mortal strength, breathed so
persuasively in the second verse that many who heard Phoebe sing it
mentally repeated the words with her.

        "Other refuge have I none,
           Hangs my helpless soul on Thee:
         Leave, ah! leave me not alone,
           Still support and comfort me;
         All my trust on Thee is stayed;
           All my help from Thee I bring;
         Cover my defenceless head
           With the shadow of Thy wing."

Then the hymn changed--hope displaced hopelessness, faith surmounted
fear.

        "Plenteous grace with Thee is found,
           Grace to cleanse from every sin;
         Let the healing streams abound,
           Make and keep me pure within;
         Thou of life the fountain art,
           Freely let me take of Thee:
         Spring Thou up within my heart,
           Rise to all eternity."

The people in that rose-scented church heard the old hymn sung as they
had never heard it sung before. A subdued hum of approval swept over the
church as the girl sat down. She felt that she had sung well; her heart
was in a tumult of happiness. She was glad when one man rose and lifted
his hands in benediction.

Again the organ throbbed with glad melodies. The eager crowd fell into
line and walked slowly to the altar to lay their roses there. Children
with half withered blossoms, maidens with bunches of crimson flowers,
here and there a stranger with gorgeous hot-house roses, older men and
women with the products of the gardens of the little town--all moved to
the spot where lay a bank of fragrant roses and placed their tributes
there.

Phoebe added her roses to the others on the altar and left the church.
Friends and acquaintances stopped to tell her how well she sang. But the
words that one short year ago would have filled her with overwhelming
pride in her own talent were soon crowded from her thoughts and there
reigned there the words of the speaker, "No man has reached true
greatness save he serves." She had learned great things at that Feast of
Roses service. She had looked deep into her own heart and on its throne
she had found David.

He was waiting for her outside the church.

"You sang fine, Phoebe," he told her as they went down the street
together.

"Yes? I'm glad you liked it."

Then they spoke of other things, of many things, but not one word of the
thoughts lying deepest in the heart of each.

Aunt Maria and Jacob were eating supper in the big kitchen when Phoebe
reached home.

"Well," greeted the aunt, "did you come once! We thought that Feast of
Roses would been out long ago. But when you didn't come for so long and
supper was made we sat down a while. Did you sing?"

"Yes," the girl said as she removed her hat and gloves and drew a chair
to the table.

"Now," cautioned the aunt, "put your apron on! That light goods in your
dress is nothin' for wear; everything shows on it so. And if you spill
red-beet juice or something on it it'll be spoiled."

"I forgot." Phoebe took a blue gingham apron from a hook behind the
kitchen door. "There, if I spoil it now you may have it for a rug."

"Well, I guess that would be housekeepin'! And everything so high since
the war!"

"Tell me about the Feast of Roses," said the father. "Was the church
full?"

"Packed! It was a beautiful service."

"Well," spoke up Aunt Maria, "I'm glad it's over and so are many people.
Of course that Feast of Roses don't do no harm, but I think it's so dumb
to have all this fuss just to give somebody a rose. If that man wanted
to give the church some land why didn't he give it and done with it?
It's no use to have this pokin' around every year to find the best red
rose to give to some man or lady that's related to him. The rose withers
right away, anyhow. And this Feast of Roses makes some people a lot of
bother. I heard one woman say in the store that she has to get ready for
a lot of company still for every person she knows, most, comes to visit
her that Sunday and she's got to cook and wash dishes all day. I guess
she's glad it's over for another year."




CHAPTER XXXI

BLINDNESS


DAVID EBY had spent the day at Lancaster and returned to Greenwald at
seven-thirty. He started with springing step out the country road in the
soft June twilight. It was a twilight pervaded by blended perfumes and
the sleepy chirp of birds. David drew in deep breaths of the fresh
country air.

"Lancaster County," he said aloud to himself, "and it's good enough for
me!"

Scarcely slackening his pace he started up the long road by the hill. He
paused a moment on the summit and looked back at the town of Greenwald,
then almost ran down the road to his home.

He whistled his old greeting whistle.

"Here, David, I'm on the porch," came his mother's voice.

"Mommie," he cried gaily as he took her into his arms, "I knew you'd be
looking for me."

Then for the first time since his father's death he heard his mother
sob. "Oh, mother," he asked, "is my going away as hard as all that? Or
are you only glad to see me?"

"Glad," she replied, restraining her emotion. "Sit down on the bench,
Davie."

"Why--I didn't notice it first--you're wearing dark glasses again! Are
your eyes worse?"

"Sit down, Davie, sit down," she said nervously. "That's right," she
added as he sat beside her and put one arm about her.

"Now tell me," he said imperiously. "Are you sure you're all right?
You're not worrying about me?"

"No, I'm not worrying about you; I quit worrying long ago. But I must
tell you--I wish I didn't have to--don't be scared--it's just about my
eyes."

"Tell me! Are they worse?"

She laid her hand on his knees. "Don't get excited--but--I can't see."

"Can't see!" He repeated the words as though he could not understand
them. Then he put his hands on her cheeks and peered into her face in
the semi-darkness of the porch. "Not blind? Oh, mommie, not blind?"

She nodded, her lips trembling. "Yes, it's come. I'm blind."

The words, fraught with so much sorrow, sounded like claps of thunder in
his ears. "Mother," he cried again, "you can't be blind!"

"But I am. I knew it was coming. The light was getting dimmer every day.
I could hardly see your face this morning when you went."

"And I went away and you stayed here and went blind!" He broke into sobs
and she allowed him to cry it out as they sat together in the darkness.

"Come," she said at length, "now you mustn't take on so. It's not as
awful as you think. I said to Phares to-day that I'm almost glad it's
here, for it was awful to know it's coming."

"But it's awful," he shuddered. "Come in to the light and let me see
you--but oh, you can't see me!"

"Yes I can." She reached a hand to his face. "This is the way I see you
now. The same mouth and chin, the same mole on your left cheek--that's
good luck, Davie--the same nose with its little turn-up."

"Mommie"--he grabbed her hands and kissed them--"there's not another
like you in the whole world! If I were blind I'd be groaning and moaning
and making life miserable for everybody near me, and here you are your
same cheerful self. You're the bravest of 'em all!"

"But you mustn't think that I haven't rebelled against this, that I
haven't cried out against it! I've had my hours of weakness and tears
and rebellion."

"And I never knew it."

"No. Each one goes to Gethsemane alone."

"But isn't it almost more than you can bear--to be blind?"

"It's dreadful at first. I stumble so and every little sill and rug
seems a foot high. But I'll soon learn."

"Is there nothing to do? What did Dr. Munster say about your eyes when
we were down to see him?"

"He told me then I'd be blind soon. And he said the only thing might
save my sight or bring it back was a delicate operation that would be a
big risk, for it probably wouldn't help at any rate. So I'm not
thinking of ever trying that. Now I don't want you to think I'm brave
about it. I've cried all my tears a month ago, so don't put me on any
pedestal. It seems hard not to see the people I love and all the
beautiful things around me, but I'm glad I have the memory of them. I'm
glad I know what a rainbow is, and a sunset."

"Yes, but I think it's awful to know what they look like and never see
them again. I can't, just can't, realize that you're blind!"

"You will when you come back from war and have to fetch and carry for
me. Your Aunt Mary and Phares are just lovely about it and willing to
help in every way. I was going to live over with them at any rate."

"I wish I could stay with you, mommie. You need me, but I guess Uncle
Sam needs me too. I'm to go soon, you know."

"You go, even if I am blind. I'm not helpless. It will be awkward for a
while but there are many things I can do. I can knit without seeing."

"You're a wonder! But is there no hope?"

"Hope," she repeated softly. "No hope of the kind you mean, except that
very severe operation that would cost big money and then perhaps not
help. But this world isn't all. I've always liked that part of Isaiah,
'The eyes of the blind shall be opened, and the ears of the deaf shall
be unstopped. Then shall the lame man leap as an hart, and the tongue of
the dumb sing.' I know now what it'll mean to us. It seems like the
afflicted will have a special joy in that time."

David was silent for a moment; his mother's words stirred in him
emotions too great for ready words.

Presently she continued, "But, Davie, this isn't heaven yet! And I'm
concerned just now about helping myself to live the rest of this life
the best way I can. I can knit like a machine and I like to knit
socks----"

The remainder was left unsaid for the strong arms of her boy surrounded
her and held her close while his lips were pressed upon her forehead.

"Such a mother," he breathed, as if the touch of her forehead bestowed a
benediction upon him. "Such a mother!"

In the morning he brought the news to the Metz farmhouse.

"Blind?" Phoebe cried.

David nodded.

"Blind! Mother Bab blind? Oh, it's too awful!"

"My goodness," Aunt Maria said with genuine sorrow, "now that's too bad!
Her blind and you goin' off to war soon!"

"I'm going up to see her," said Phoebe, and went off with David.

Mother Bab heard the girl's step and called gaily, "Phoebe, is that you?
I declare, it sounds like you!"

Phoebe ran to the room where Mother Bab sat alone. The girl could not
speak at first; she twined her arms about the woman while her heart
ached with its poignant grief. Again it was the afflicted one who
turned comforter. "Come, Phoebe, you mustn't cry for me. Laugh like you
always did when you came to see me."

"Laugh! Oh, Mother Bab, I can't laugh!"

"But, Phoebe, I'll want you to come up to see me every day when you can
and you surely can't cry every time and be sad, so you might as well
begin now to be cheerful."

"But, Mother Bab, can't something be done?"

"Dr. Munster, the big doctor I saw in Philadelphia, said that only a big
operation might help me, but he's not sure that even it would do any
good. And, of course, we have no money for it and at my age it doesn't
matter so much."

Later, as Phoebe walked down the hill again, she kept revolving in her
mind what Mother Bab had said about the operation. An inspiration
suddenly flashed to her. The wonder of it made her stand still in the
road.

"I know! I'll buy sight for Mother Bab! I will! I must! If it's only
money that's necessary, if there's any wonderful doctor can operate on
her eyes and make her see again she's going to see! Oh, glory! What a
happy thought! I'm the happiest girl since that idea came to me! The
money I meant to spend on more music lessons next winter will be put to
better use; it will give Mother Bab a chance to see again! Why, I'd
rather have her _see_ than be able to call myself the greatest singer in
the world! But she'll never let me spend so much money for her. I know
that. I'll have to make her believe the operation will be free. I can
fool her in that, dear, innocent, trusting Mother Bab! She'd believe me
against half the world. But I'm afraid I can't fool David so easily. I
must wait till he goes, then I'll write to Dr. Munster and start things
going!"




CHAPTER XXXII

OFF TO THE NAVY


PHOEBE was glad when David came to her with the news that he had been
accepted for the navy and was going to Norfolk.

"That's so far away he won't come home soon," she thought. "It'll give
me a chance to arrange for the operation. I hope he goes soon. That's a
dreadful thing to say! The days are all too short for Mother Bab, I
know."

If the days seemed Mercury-shod to the blind mother she did not
complain.

"It's hard to let you go," she said to her boy, "but it would be harder
to see you a slacker. Phoebe is going to read to me now when you go.
She'll be up here often."

"Yes, that makes it easier for me to go, mommie."

"Don't you worry about me. Phoebe will be good company for me and she'll
write my letters for me. We'll send you so many you'll be busy reading
them."

"I'm going to make her promise that," he declared with a laugh.

He exacted the promise as Mother Bab and Phoebe stood with him and
waited for the train to carry him away. "Mother, you and Phoebe must
take me to the train," he had said. "I want you to be the last picture
I see as the train pulls out." Phoebe had assented, though she thought
ruefully of the deficiency of the English language, which has but one
form for singular _you_ and plural _you_. She wondered whether he
included her in the picture he wanted to cherish in his memory. Now,
when he was going away from her she knew that she loved her old
playmate, that he was the one man in the world for her. She loved David,
she would always love him! She wanted to run to him and tell him so, but
centuries of restriction had bequeathed to her the universal fear of
womanhood to reveal a love that has not been sought. She felt that in
all her life she had never wanted anything so keenly as she wanted to
hear David Eby tell her that he loved her, that her face would be with
him in whatever circumstances the future should place him. But David
could not read the heart of his old playmate, and while his own heart
cried out for its mate his words were commonplace.

"Mother has promised that I'm to have so many letters that I can't read
them all. As you're to be private secretary, you'll have to promise to
carry out her promise."

"David," she met him with equal jest, "you have as many promises in that
sentence as a candidate for political office."

"But I want them better kept than that," he said, laughing. "Will you
promise, Phoebe?"

"Promise what?" she asked, the levity fading suddenly.

"To write often for mother."

"Yes--I promise to write often for Mother Bab," she said, and the man
could not know the effort the simple words cost her. "Oh, Davie," she
thought, "it's not for Mother Bab alone I want to write to you! I want
to write you _my_ letters, letters of a girl to the man she loves. How
blind you are!"

The moment was becoming tense. It was Mother Bab who turned the tide
into a normal channel. "Now, don't you worry, Davie. I can make Phoebe
mind me."

The train whistled. Phoebe drew a long breath and prayed that the train
would make a short stop and speed along for she could not endure much
more. She looked at Mother Bab. The hysteria was turned from her. She
knew she would have to be brave for the sake of the dear mother.

"I'll take care of Mother Bab, David," she promised as the train drew
in, "and I'll write often."

"Phoebe, you're an angel!" He grasped both hands in his for a long
moment. Then he turned to his mother, folded her in his arms and kissed
her.

"There he is," Phoebe cried as the train moved. She was eyes for Mother
Bab. "Turn to the right a bit and wave; that's it! He's waving back----
Oh, Mother Bab, he's waving that box of sand-tarts Aunt Maria gave him!
They'll be in pieces!"

"Sand-tarts," said the other, still waving to the boy she could not see.
"Well, he'll eat them if they are broken. Davie is crazy for cookies."

"I'm going to need you more than ever now, Phoebe," Mother Bab said as
they started home. "Aunt Mary and Phares are so busy and I feel it's so
lovely of them to have me there when I can do so little to help, that I
don't want to make them more trouble than I must. So if you'll take care
of the writing to David for me I'll be glad." Ah, blind Mother Bab, you
had splendid vision just then!

"I'll write for you. I'll love to do it. Mother Bab----" She hesitated.
Should she broach the subject of the operation now? Perhaps it would be
kind to divert the thoughts of the mother from the recent parting.
"Mother Bab, I've thought about what you said, and I think you should
have that operation. The doctor said there was a chance."

"Ach, a very slim one. One chance in--I don't know how many!"

"But a chance!"

"Yes"--the woman thought a moment--"but it would cost lots of money, I
guess. I didn't ask the doctor, but I know operations are dear. I have
fifty dollars saved, but that wouldn't go far."

"But don't you know," the girl said guilelessly, "that all big hospitals
have free rooms and do lots of work for nothing? Many rich people endow
rooms in hospitals. If you could get into one like that and pay just a
little, would you go?"

A light seemed to settle upon the face of the blind woman. "Why," she
answered slowly, "why, Phoebe, I never thought of that! I didn't
remember--why, I guess I would--yes, of course! I'd go and make a fight
for that one chance!"

"I knew you'd be brave! You'll have that operation, Mother Bab! I'll
write to Dr. Munster right away. But don't you let Phares write and tell
David. We'll surprise him!"

"Ach, but won't he be glad if I can see when he comes home!"

"Won't he though! I'll make all the arrangements; don't you worry about
it at all."

"My, you're good to me, Phoebe!"

"Good--after all you've done for me!"

"_Good_," she thought after Mother Bab had been left at the home of
Phares and Phoebe turned homeward. "She calls me good the first time I
deceive her. I've begun that tangled web and I know I'll have to tell a
whole pack of lies before I'm through with it."




CHAPTER XXXIII

THE ONE CHANCE


PHOEBE lost no time in carrying out her plans. When she mentioned the
operation to Phares Eby he looked dubious.

"I'm afraid it's no use," he said gravely. "Those operations very often
fail."

"But there's a chance, Phares! If it were your eyes wouldn't you snatch
at any meagre chance?"

"Why, I guess I would," he admitted, wondering at her insight into human
nature and admiring her devotion to the blind woman.

Aunt Maria also was sceptical. "Ach, Phoebe, it vonders me now that
Barb'll spend all that money for carfare and to stay in the city and
then mebbe it's all for nothin'. There was old Bevy Way and a lot of old
people I knowed went blind and they died blind. When abody gets so old
once it seems the doctors can't do much. I guess it just is to be."

"Oh, Aunt Maria," Phoebe said hotly, "I don't believe in that is-to-be
business! Not until you've done all you can to make things better."

"Well, mebbe, for all, it's worth tryin'. I guess if it was my eyes I'd
do most anything to get 'em fixed again."

Mother Bab said little about the hopes Phoebe had raised, but the girl
knew how the woman built upon having sight for a glad surprise for
David.

"I'm afraid the fifty dollars won't reach," she said the day before they
were to take the trip to Philadelphia.

"Don't worry about that. Those big doctors usually have hearts to match.
I told you there are generous people who give lots of money to
hospitals."

"And I guess the hospitals pay the doctors then," offered the woman.

"I guess so," Phoebe agreed. Her conscience smote her for the deception
she was practicing on the dear white-capped woman. "But what's the use
of straining at every little gnat of a falsehood," she thought, "when
I'm swallowing camels wholesale?"

She managed to secure a short interview with Dr. Munster before the
examination of Mother Bab's eyes.

"I want to ask you what the operation is going to cost, hospital charges
and all," she said frankly.

"At least five hundred dollars."

Phoebe's year in the city had taught her many things. She showed no
surprise at the amount named. "That will be satisfactory, Dr. Munster.
But I want to ask you, please don't tell Moth--Mrs. Eby anything about
it. I--it's to be paid by a friend. I know Mrs. Eby would almost faint
if she knew so much money was going to be spent for her. She knows that
many hospitals have free rooms and thinks some operations are free. I
left her under that impression. You understand?"

The big doctor understood. "Yes, I see. Well, we'll run this one chance
to cover and make a fight. I wish I could promise more," he said.

"Thank you. I know you'll succeed. I'm sure she'll see again!"

True to his promise Dr. Munster answered Mother Bab so tactfully that
she came out of his office feeling that "the physician is the flower of
our civilization, that cheerfulness and generosity are a part of his
virtues."

The optimism in Phoebe's heart tinged the blind woman's with its cheery
faith. "I figure it this way," the girl said; "we'll do all we can and
then if we fail there's time enough to be resigned and say it's God's
will."

"Phoebe, you're a wonderful girl! Your name means _shining_, and that
just suits you. You're doing so much for me. Why, you didn't even want
to let me pay your carfare down here!"

The girl winced again. "I must learn to wince without showing it," she
thought, "for after she sees she'll keep saying such things and I can't
spoil it all by letting her know the truth."

Perhaps the optimistic words of Phoebe rang in the ears of the big
doctor as he bent over Mother Bab's sightless eyes and began the tedious
operation. His hands moved skilfully, with infinite precision, cutting
to the infinitesimal fraction of an inch.

Afterward, when Mother Bab had been taken away, he sought Phoebe. "I
hope," he said, "that your faith was not unwarranted, though I can't
promise anything yet."

"Oh, I'm surer now than ever!" the girl said happily.

But at times, in the days of waiting, her heart ached. What if the
operation had failed, what if Mother Bab would have to bear cruel
disappointment? All the natural buoyancy of the girl's nature was
required to bear her through the trying days of waiting. With the
dawning of the day upon which the bandage should be removed and the
truth known Phoebe's excitement could not be restrained.

"I can't wait!" she exclaimed. "I want to be right there when he takes
it off. I want you to see me first, since David isn't here."

Long after that day it seemed to her that she could hear Mother Bab's
glad, sweet voice saying, "I can see!"

"I can see!" The words were electric in their effect. Phoebe gave an
ecstatic "Oh!" then hushed as her lips trembled.

"You win," the big doctor said to her.

"Oh, no, not I! You! But I knew she'd see again!"

"She sees again, but," he cautioned, "Mrs. Eby, there must be no reading
or sewing or any close work to strain your eyes."

"Oh, doctor, it's enough just to see again! I can do without the reading
and writing, for Phoebe, here, does all that for me. And I'll not miss
the sewing. I'm glad I can potter around the garden again and plant
flowers and _see_ them and"--her voice broke--"I think it's wonderful
there are men like you in the world!"




CHAPTER XXXIV

BUSY DAYS


THE news of the operation spread quickly and with it spread the
interesting information that Mother Bab was keeping her sight as a
surprise for David. So it happened that no letters to him contained the
news, that even the town paper refrained from printing the item of heart
interest and David's surprise was unspoiled.

His letters to Mother Bab were long and interesting and always required
frequent re-reading for the mother.

"I wanted to read that letter awful bad," she confessed to Phoebe one
day, "but I didn't. I'm not taking any chances with my eyes. I'm too
glad to be able to see at all. The letter came this morning and Phares
read it for me, but I want to hear it again. Will you read it, Phoebe?
Did David write to you this week yet?"

"No." The girl felt the color surging to her cheeks. "He doesn't write
to me very often. He knows I read your letters."

"Ach, yes. I guess he's busy, too. It's a big change for him to be
learning to be a sailor when he always had his feet on dry land. But
read the letter; it's a nice big one."

Phoebe's clear laughter joined Mother Bab's at one paragraph: "Do you
remember the blue sailor suits you used to make for me when I was a tiny
chap? And once you made me a real tam and I was proud as a peacock in
it. Well, since I'm here and wearing a sailor suit I feel like a
masculine edition of Alice in Wonderland when she felt herself growing
bigger and bigger and I wonder sometimes if I'll shrink back again and
be just that little boy."

Another portion of the letter set Phoebe's voice trembling as she read,
"I must tell you again, mother, how thankful I am that you made it so
much easier for me to go than I dreamed it could be. You are so fine
about it. With a mother as plucky as you I can't very well be a
jelly-fish. It's great to have a mother one has to reach high to live up
to."

"Just like David," said Phoebe as she laid the letter aside. "Of course
I think war is dreadful, but the training is going to do wonders for
many of the men."

"Yes," said the white-capped woman. "Out of it some good will come.
Selfishness is going to be erased clean from the souls of many people by
the time war is over."

"But we must pay a big price for all we gain from it."

"Yes--I wonder--I guess Davie will be going over soon. He said, you
know, that if we don't hear from him for a while not to worry. I guess
that means he thinks he'll be going over."

When, at length, news came from the other side it was Phoebe who was the
bringer of the tidings.

"Oh, Mother Bab," she cried breathlessly one day in autumn as she ran
back from the gate after a visit from the postman, "it's a letter from
France!"

Phares Eby and his mother ran at the news and the four stood, an eager
group, as Phoebe opened the letter.

"Read it, Phoebe! He's over safely!" Mother Bab's voice was eager.

"I--I can't read it. I'm too excited. I can't get my breath. You read
it, Phares."

The preacher read in his slow, calm way.

                                "_Somewhere in France._

    "DEAR MOTHER:

    "You see by the heading I'm safe over here. I can't
    tell you much about the trip--no use wearing out
    the censor's pencils. The sea's wonderful, but I
    like dry land better. I'm on dry land now, in a
    quaint French village where the streets run up hill
    and the people wear strange costumes. The women
    wash their clothes by beating them on stones in the
    brook--how would the Lancaster County women like
    that?"

It was a long, chatty letter and it warmed the heart of the mother and
interested Phoebe and the others who heard it.

"He's a great David," the preacher said as he handed the letter to
Phoebe. "I suppose you'll have to read it over and over to Aunt
Barbara."

He looked at the girl as he spoke. Her high color and shining eyes spoke
eloquently of her interest in the letter. "Ah," he thought, "I believe
she still _likes Davie best_. I'm sure she does."

The preacher had been greatly changed by the events of the past year.
He would always be a bit too strict in his views of life, a bit narrow
in many things. Nevertheless, he was changed. He was less harsh in his
opinions of others since he had seen and heard how thousands who were
not of his religious faith had gone forth to lay down their lives that
the world might be made a decent place in which to live. He, Phares Eby,
preacher, had formerly denounced all that pertained to actors and the
theatre, yet tears had coursed down his cheeks as he had read the
account of a famous comedian who had given his only son for the cause of
freedom and who was going about in the camps and in the trenches
bringing cheer to the men. As the preacher read that he confessed to
himself that the comedian, familiar as he was with footlights, was doing
more good in the world than a dozen Phares Ebys. That one incident swept
away some of the prejudice of the preacher. He knew he could never
sanction the doings so many people indulge in but he felt at the same
time that those same pleasures need not have a damning influence upon
all people.

Phoebe noted the change in him. She felt like a discoverer of hidden
treasure when she heard of the influence he was exerting in behalf of
the Red Cross and Liberty Loans. But she was finding hidden treasures in
many places those days. Strenuous, busy days they were but they held
many revelations of soul beauty.

Every link with Phoebe's former life in Philadelphia was broken save the
one binding her to Virginia. That friendship was too precious to be
shattered. The country girl had written a long letter to the city girl,
telling of the decision to give up the music lessons. "My dear, dear
friend," she wrote frankly, "you tried to keep me from being hurt, but I
wouldn't see. How I must have worried you and how foolish I was! I know
better now. I do not regret my winter in the city and I do appreciate
all you did for me, but I am happy to be back on the farm again. I'm
afraid I tried to be an American Beauty rose when I was meant to be just
some ordinary wild flower like the daisy or even the common yarrow. I
owe so much to you. We must always be friends."

One day in late summer Phoebe fairly radiated joy as she hurried up the
hill and ran down the road to the garden where Mother Bab was gathering
larkspur seeds.

"Oh, Mother Bab, I've such good news about Granny Hogendobler and Old
Aaron!"

"Come in, tell me!"

"I've been to town and stopped to see Granny. You know Old Aaron and
their boy Nason fell out years ago about something the boy said about
the flag and was too stubborn to take back."

"Yes, I know."

"It was foolishness on the part of the father, of course, for he should
have known boys say things they don't mean. Well, the two kept on acting
all these years like strangers. The old man grew bitter. Last year when
the boys went to Mexico he said that if he had a son instead of a
blockhead he'd be sending a boy to do his share down there. It almost
killed him to think of his boy sitting back while others went and
defended the flag. Well, Granny said yesterday she was in the yard and
she heard the gate click. She didn't pay any attention for she knew Old
Aaron was in the front yard under the arbor. But then she heard a cry
and ran to see, and there was Old Aaron with his arms around a big
fellow dressed in a soldier uniform, and when the man turned his head it
was Nason! Granny said it was the greatest day in their lives and paid
up for all the unhappy days when Old Aaron was cross and said mean
things about Nason. Nason had just a day to stay, but they made a day of
it. Granny said, 'I-to-goodness, but we had a time! Aaron wanted to kill
a chicken, for Nason likes chicken so much, but I knew that Aaron was so
excited he'd like as not only cripple the poor thing, so I said I'd kill
it while they talked. I made stuffing with onions in, like Nason likes,
and I had just baked a snitz pie and I tell you we had a good dinner.
But I bet them two didn't know what they ate, for they were all the time
talking about the war and bombs and Gettysburg and France till I didn't
know what they meant.'"

"My, I'm glad for Granny and Old Aaron," Mother Bab said.

"And what do you think!" Phoebe went on. "They are changing the name of
Prussian Street, and some are talking of changing the name of the town,
but I hope they won't do that."

"No, it would be strange to have to call it something else after all
these years."

"I think it's a grand joke," said Phoebe, "that this little town was
founded by a German and yet the town is strong American and doing its
best to down the Potsdam gang. The people of Lancaster County are loyal
to Old Glory and I'm glad I belong here."

She appreciated her goodly heritage, not with any Pharisaical exultation
but with honest gratitude.

"I have learned many things, Mother Bab, and this is one of the big
things I've learned lately: to be everlastingly thankful to Providence
for setting me down on a farm where I could spend a childhood filled
with communications with nature. I never before realized what blessings
I've had all the years of my life. Why, I've had chickens to play with
and feed, cows and wobbly calves to pet, birds to love and learn about,
clear streams to wade in and float daisies on, meadows to play in, hills
to run down while the dust went 'spif' under my bare feet. And I've had
flowers, thousands of wild flowers, to find and carry home or, if too
frail to bear carrying home, like the delicate spring beauty and the
bluet, just to look at and admire and turn again to look at as I went
out of the woods. My whole childhood has been a wonderful one but I was
too blind to see the wonder of it. I see now! But, Mother Bab, I don't
see, even yet, that I should wear plain clothes. I've been thinking
about it lately. I do believe, though, that the plain way is a good way.
Many people enjoy the simple service of the meeting-house more than they
would enjoy a more complex form of worship. I feel so restful and
peaceful when I'm in a meeting-house, so near to the real things, the
things that count."

Mother Bab answered only a mild "Yes," but her heart sang as she
thought, "I believe she'll be plain some day, she and David. Perhaps
they'll come together. But I'll not worry about them; I know their
hearts are right."




CHAPTER XXXV

DAVID'S SHARE


ANOTHER June came with its roses and perfume, but there was no Feast of
Roses in Greenwald that June of 1918. Phoebe regretted the fact, for she
felt that even in a war-racked world, with the multiple duties and
anxiety and suffering of many of its people, there should still be time
for a service as beautiful and inspiring as the Feast of Roses.

But all thoughts of it or similar omissions were crowded into the
background one day when the news came to Mother Bab that David had been
wounded in France.

The official telegram flashed over the wire and in due time came a
letter with more satisfying details. The letter was characteristic of
David: "I suppose you heard that the Boche got me, but he didn't get all
of me, just one leg. What hurts me most is the fact that I didn't get a
few Huns first or do some real thing for the cause before I got knocked
out. I know you'll feel better satisfied if I tell you all about it.
Several of the other boys and I left the town where we were stationed
and went to Paris for a few days. It was our first pleasure trip since
we came to this side. We gazed upon the things we studied about in
school--Eiffel Tower, Notre Dame, and so forth. Later we went to a
railroad station where refugees were coming in, fleeing from the
invading Huns. I can't ever forget that sight! Women and children they
were, but such women and children! Women who had gone through hell and
children who had seen more horror in their few years that we can ever
dream possible. Terror and suffering have lodged shadows in their eyes
till one wonders if some of them will ever smile or laugh again. Many of
them were wounded and in need of medical care. They carried with them
their sole possessions, all of their belongings they could gather and
take with them as they rushed away from the hordes of the enemy
soldiers. We helped to place them into Red Cross vans to be taken to a
safe place in the southern part of the country. As we were putting them
into the vans the signal came that an air raid was on. The subways are
places for refuge during the raids, so we hurried them out of the vans
and into subways. They all got in safely but I was a bit too slow. I got
knocked out and my right leg was so badly splintered that I'm better off
without it. The thing worries me most is that I'll be sent home out of
the fight before I fairly got into it."

"Oh, Mother Bab," Phoebe said sobbingly, "his right leg's gone!"

"It might be worse. But--I wish I could be with him."

"But isn't it just like him," said Phoebe proudly, "to write as though
it was carelessness caused the accident, when we know he got others to
safety and never thought of himself. He was just as brave as the boys
who fight."

"Yes. There is still much to be thankful for. Many mothers will get
sadder news than mine. You must write him a long letter."

It was a long letter, indeed, that the mother dictated to her boy. When
it was written Phoebe added a little postscript, "David, I'm mighty
proud of you!" To this he responded, "Thank you for your pride in me,
but don't you go making a hero of me; I can't live up to that when I get
home. Guess I'll be sent back as soon as my leg is healed. Uncle Sam has
no need of me here since I bungled things and left a leg in Paris. I'll
have to do the rest of my bit on the farm. I wasn't a howling success as
a farmer when I had two legs, but perhaps my luck has turned. I'm going
to raise chickens and do my best to make the little farm a paying one."

"He's the same cheerful David," thought the girl, "and we'll have to
keep cheerful about it, too."

But it was no easy matter to continue steadfast in cheerfulness during
the long days of the summer. Phoebe and Mother Bab shared the anxiety of
many others as the news came that the armies of the enemy were pushing
nearer to Paris, nearer, and nearer, with the Americans and their allies
fighting like demons and contesting every inch of the ground. A fear
rose in Phoebe--what if the Germans should reach Paris, what if they
should win the war! "But it can't be!" she thought.

Her confidence was not unwarranted. Soon came the turn of the tide and
the German drive was checked. One July day shrieking whistles, frenzied
ringing of bells, impromptu parades and waving flags, spread the news
that "America's contemptible little army" was helping to push the
Germans back, back!

"It's the beginning of the end for the Germans," said Phoebe jubilantly
as she ran to Mother Bab with the news. "If they once start running
they'll sprint pretty lively. We'll have to tell David about the
excitement in town when the whistles blew--but, ach, I forgot! He won't
think that was much excitement after he's been in _real_ excitement."

Mother Bab laughed with the girl. "But we'll have lots to tell him when
he comes back," she said. "And won't he be glad I can see!"




CHAPTER XXXVI

DAVID'S RETURN


IT was October of 1918 when David Eby alighted from the train at
Greenwald and started out the country road to his home. He could not
resist the temptation to run into the yard of the gray farmhouse and
into the kitchen where Aunt Maria and Phoebe were working.

"David!"

"Why, David!"

The cries came gladly from the two women as he bounded over the sill and
extended his hand, first to the older woman, then to Phoebe.

"I just had to stop in here for a minute! Then I must run up the hill to
mother. This place looks too good to pass by. How are you? You're both
looking fine."

"Ach, we're well," Aunt Maria had to answer, Phoebe remaining
speechless. "But why, David! You got two legs and no crutches! I thought
you lost a leg."

"I did," he said, smiling, "but Uncle Sam gave me another one."

"Why, abody'd hardly know it. Ain't, Phoebe, he just limps a little?
Now I bet your mom'll be glad to see you--to have you back again, I
mean."

"Yes. I can't wait to get up the hill. I must go now. I'll be down
later, Phoebe," he added.

"All right," she said quietly.

"Ach, Phoebe," Aunt Maria exclaimed after he left, "did you hear me? I
almost give it away that his mom can see. Abody can be awful dumb still!
But won't he be glad when he knows that she ain't blind! She can see him
again. Ach, Phoebe, it's lots of nice people in the world, for all. It
makes abody feel good to know them two are havin' a happy time."

"I'm so glad for both I could sing."

"Go on," said the woman; "I'm glad too, and I believe I could help you
to holler."

As David climbed the hill by the woodland he thought musingly, "Strikes
me Phoebe didn't seem extra glad to see me. Perhaps she was just
surprised, perhaps my being crippled changed her. Oh, Phoebe, I want you
more than ever! I wonder--is it some nerve to ask you to marry a
cripple?"

However, all disquieting thoughts were forgotten as he reached the
summit of the hill and saw his boyhood home.

He whistled his old greeting whistle. At the sound of it Mother Bab ran
to the door.

"It's David come home!" she cried, her renewed eyes turned to the road,
her hands outstretched.

"I'm back, mommie!" he called before his running feet could take him to
her. But as he held her again to his heart there were no words adequate
for the greeting. Their joy was great enough to be inarticulate for a
while.

"But, Davie," the mother said after a long silence, "you come running!
You have no crutches!"

"Why, mommie!" There was questioning wonder in his voice. "How do you
know? You couldn't see! You are blind!"

"Oh, Davie, not any more! I can see!"

"You can see?" He put a hand at each side of the white-capped head and
looked into her eyes. They were not the dull, half-staring eyes of
blindness but eyes lighted by loving recognition.

Again words failed him as he swept her into his arms. But he could not
long be silent. "Tell me," he cried. "I must know! What
miracle--who--how--who did it? When?"

"Oh, Davie, you're not changed a bit! Same old question box! But I'll
tell you all about it."

Throughout the story Mother Bab told ran the name of Phoebe. "Phoebe
planned it all, Phoebe made the arrangements with the doctor, Phoebe
took me down to Philadelphia, Phoebe was there when I found I could
see"--it was Phoebe, Phoebe, till the man felt his heart singing the
name.

"Isn't she going on with her music lessons?" he asked. "I was afraid
she'd be in the city when I got back."

"She's given them up. It ain't like her to begin a thing and get tired
of it so soon. All at once after we came back from Philadelphia she said
she had enough of music, she was tired of it, and was going to stay at
home and be useful. I'm glad she's not going off again, for it gets
lonesome without her. You stopped to see her on the way up?"

"Yes, just a minute. I'm going down again later. She hardly said two
words to me."

"You took her by surprise, I guess. Give her a chance and she'll ask you
a hundred questions."

But when he paid the promised visit to Phoebe he was again disappointed
by her lack of the old comradely friendliness. She shared his joy at
Mother Bab's restored sight but when he began to thank her for her part
in it she disclaimed all credit and asked questions to lead him from the
subject of the operation. The girl seemed interested in all he said yet
there was a restraint in her manner. For the first time in his life
David was baffled by her attitude. As he climbed the hill again he
thought, "Now, what's the matter with Phoebe? Was she or wasn't she glad
to see me? I couldn't tell her I love her when she acts like that! And
I'm a cripple, and she's beautiful---- Oh, my mind's in a muddle! But
one thing's clear--I want Phoebe Metz for my wife."




CHAPTER XXXVII

"A LOVE THAT LIFE COULD NEVER TIRE"


THE next morning Phares Eby called David, "Wait, I want to see you.
I--David," the preacher began gravely, "perhaps I shouldn't tell you,
but I really think I ought. Do you know all Phoebe did for your mother
while you were gone?"

"Why, yes. Mother told me. Phoebe was lovely to her. She's been great!
Writing her letters and doing ever so many kind things for her."

"I know--but--I guess you don't know all she did. That story about a
great doctor operating for charity didn't quite please me. I thought as
long as it was in the family I'd pay him for what he did. So I wrote to
him and his secretary wrote back that the bill had been paid by a check
signed by Phoebe Metz--the bill had been five hundred dollars. I guess
that explains her giving up the music lessons. What a girl she is to
make such a sacrifice! She don't know that I know, but I felt I ought to
tell you."

"Five hundred dollars! Phoebe did that for us--she paid it? Oh, Phares,
I'm glad you told me! I'm going to find her right away and thank her!
You're a brick for telling me!"

The preacher smiled as David turned and ran down the hill, but preachers
are only human--he felt a pang of pain as he went back to his work in
the field while David went to find Phoebe.

David forgot for the time that he was crippled as he ran limping over
the road. Dressed in his working clothes, his head bare to the October
sunlight, he hurried to the gray farmhouse.

"Phoebe here?" he asked Aunt Maria.

"What's wrong? Anything the matter at your house?" she asked.

"No. Nothing's wrong. Where's Phoebe?"

"Ach, over at the quarry again for weeds or something like she brings
home all the time."

"All right." He turned to the gate. "I'll find her."

He half ran up the sheltered road to the old stone quarry.

"Phoebe," he cried when he caught sight of her as she stooped to gather
goldenrod that fringed the woods.

"Why, David, what's the matter?" she asked as she stood erect and faced
him.

"You angel!" he cried, taking her hands in his and spilling the
goldenrod over the ground. "You angel!" he said again, and the full
gratitude of his heart shone from his eyes. "You bought Mother Bab's
sight! You gave up the music lessons that she might see!"

"How d'you know?" she challenged.

"Oh, I know!" He told her briefly. "That's all true, isn't it?"

"Yes," she admitted. "I can't lie out of it now, I guess. Though I've
lied like a trooper about it already. But you needn't get excited about
it. Mother Bab's earned more than that from me!"

"Oh, Phoebe!" The man could hardly refrain from taking her in his arms.
"You're an angel! To sacrifice all that for us--it's the most unselfish
thing I've ever heard of! You gave her sight so she could see me. I came
right down to bless you and to thank you."

Other words sought utterance but he fought them back. Phoebe must have
read his heart, for she looked up suddenly and asked, "And you came all
the way down here just to say thank you! There's nothing else----"

Then, half-ashamed and startled at her forwardness, her gaze dropped.

But the words had worked their magic. "There _is_ something else!" David
cried, exulting. "I can't wait any longer to tell you! I love you!"

He held out his arms and as she smiled into his face his arms enfolded
her and he knew that she loved him. But he wanted to hear the sweet
words from her lips. "Is it so?" he asked. "You do care for me, you'll
marry me?"

"Oh, Davie, did you think I could live the rest of my life without you?
Did you think I could love you any less because you're crippled?"

He flushed. "It seemed like working on your sympathy to ask you."

"And if you hadn't asked me, Davie," she began.

"Yes, go on. If I hadn't asked you----"

"_I_ should have asked _you_!"

They both laughed at that, but a moment later were serious as he said,
"Just the same, Phoebe, it seems presumptuous for a maimed man to ask a
girl like you to marry him. You are beautiful and you have a wonderful
voice--and you've done such wonderful things for Mother Bab and me. You
have sacrificed so much----"

"Stop, David!" she cried, her voice ominously tearful. "David, don't
hurt me like that! Do you love me?"

"I do." His words had all the solemnity of a marriage vow.

"You know I love you?"

"I do."

"Then, David, can't you see that we love each other not only in
prosperity but in misfortunes as well?"

"What a big heart you have, dear, what a woman's heart! I have two
wonderful women in my life, Mother Bab and you."

Phoebe felt the delicacy and magnitude of the tribute. "I'm happy,
Davie," she said softly. "I feel so safe with you--no doubts, no fears."

"Just love," he added.

"Just love," she repeated.

"Then, Phoebe"--how she loved the name from his lips--"you'll marry me?"
He said it as though he could not quite believe his good fortune. "Then
you _will_ marry me?"

"Yes, if you want."

"If I want! Oh, Phoebe, Phoebe, I have always wanted it!"




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=Cap'n Jonah's Fortune.= By James A. Cooper.

=Cap'n Warren's Wards.= By Joseph C. Lincoln.

=Chain of Evidence, A.= By Carolyn Wells.

=Chief Legatee, The.= By Anna Katharine Green.

=Cinderella Jane.= By Marjorie B. Cooke.

=Cinema Murder, The.= By E. Phillips Oppenheim.

=City of Masks, The.= By George Barr McCutcheon.

=Cleek of Scotland Yard.= By T. W. Hanshew.

=Cleek, The Man of Forty Faces.= By Thomas W. Hanshew.

=Cleek's Government Cases.= By Thomas W. Hanshew.

=Clipped Wings.= By Rupert Hughes.

=Clue, The.= By Carolyn Wells.

=Clutch of Circumstance, The.= By Marjorie Benton Cooke.

=Coast of Adventure, The.= By Harold Bindloss.

=Coming of Cassidy, The.= By Clarence E. Mulford.

=Coming of the Law, The.= By Chas. A. Seltzer.

=Conquest of Canaan, The.= By Booth Tarkington.

=Conspirators, The.= By Robert W. Chambers.

=Court of Inquiry, A.= By Grace S. Richmond.

=Cow Puncher, The.= By Robert J. C. Stead.

=Crimson Gardenia, The, and Other Tales of Adventure.= By Rex Beach.

=Cross Currents.= By Author of "Pollyanna."

=Cry in the Wilderness, A.= By Mary E. Waller.


=Danger, And Other Stories.= By A. Conan Doyle.

=Dark Hollow, The.= By Anna Katharine Green.

=Dark Star, The.= By Robert W. Chambers.

=Daughter Pays, The.= By Mrs. Baillie Reynolds.

=Day of Days, The.= By Louis Joseph Vance.

=Depot Master, The.= By Joseph C. Lincoln.

=Desired Woman, The.= By Will N. Harben.

=Destroying Angel, The.= By Louis Jos. Vance.

=Devil's Own, The.= By Randall Parrish.

=Double Traitor, The.= By E. Phillips Oppenheim.


=Empty Pockets.= By Rupert Hughes.

=Eyes of the Blind, The.= By Arthur Somers Roche.

=Eye of Dread, The.= By Payne Erskine.

=Eyes of the World, The.= By Harold Bell Wright.

=Extricating Obadiah.= By Joseph C. Lincoln.


=Felix O'Day.= By F. Hopkinson Smith.

=54-40 or Fight.= By Emerson Hough.

=Fighting Chance, The.= By Robert W. Chambers.

=Fighting Shepherdess, The.= By Caroline Lockhart.

=Financier, The.= By Theodore Dreiser.

=Flame, The.= By Olive Wadsley.

=Flamsted Quarries.= By Mary E. Wallar.

=Forfeit, The.= By Ridgwell Cullum.

=Four Million, The.= By O. Henry.

=Fruitful Vine, The.= By Robert Hichens.

=Further Adventures of Jimmie Dale, The.= By Frank L. Packard.


=Girl of the Blue Ridge, A.= By Payne Erskine.

=Girl from Keller's, The.= By Harold Bindloss.

=Girl Philippa, The.= By Robert W. Chambers.

=Girls at His Billet, The.= By Berta Ruck.

=God's Country and the Woman.= By James Oliver Curwood.

=Going Some.= By Rex Beach.

=Golden Slipper, The.= By Anna Katharine Green.

=Golden Woman, The.= By Ridgwell Cullum.

=Greater Love Hath No Man.= By Frank L. Packard.

=Greyfriars Bobby.= By Eleanor Atkinson.

=Gun Brand, The.= By James B. Hendryx.


=Halcyone.= By Elinor Glyn.

=Hand of Fu-Manchu, The.= By Sax Rohmer.

=Havoc.= By E. Phillips Oppenheim.

=Heart of the Desert, The.= By Honore Willsie.

=Heart of the Hills, The.= By John Fox, Jr.

=Heart of the Sunset.= By Rex Beach.

=Heart of Thunder Mountain, The.= By Edfrid A. Bingham.

=Her Weight in Gold.= By Geo. B. McCutcheon.

=Hidden Children, The.= By Robert W. Chambers.

=Hidden Spring, The.= By Clarence B. Kelland.

=Hillman, The.= By E. Phillips Oppenheim.

=Hills of Refuge, The.= By Will N. Harben.

=His Official Fiancee.= By Berta Ruck.

=Honor of the Big Snows.= By James Oliver Curwood.

=Hopalong Cassidy.= By Clarence E. Mulford.

=Hound from the North, The.= By Ridgwell Cullum.

=House of the Whispering Pines, The.= By Anna Katharine Green.

=Hugh Wynne, Free Quaker.= By S. Weir Mitchell, M.D.


=I Conquered.= By Harold Titus.

=Illustrious Prince, The.= By E. Phillips Oppenheim.

=In Another Girl's Shoes.= By Berta Ruck.

=Indifference of Juliet, The.= By Grace S. Richmond.

=Infelice.= By Augusta Evans Wilson.

=Initials Only.= By Anna Katharine Green.

=Inner Law, The.= By Will N. Harben.

=Innocent.= By Marie Corelli.

=Insidious Dr. Fu-Manchu, The.= By Sax Rohmer.

=In the Brooding Wild.= By Ridgwell Cullum.

=Intriguers, The.= By Harold Bindloss.

=Iron Trail, The.= By Rex Beach.

=Iron Woman, The.= By Margaret Deland.

=I Spy.= By Natalie Sumner Lincoln.


=Japonette.= By Robert W. Chambers.

=Jean of the Lazy A.= By B. M. Bower.

=Jeanne of the Marshes.= By E. Phillips Oppenheim.

=Jennie Gerhardt.= By Theodore Dreiser.

=Judgment House, The.= By Gilbert Parker.


=Keeper of the Door, The.= By Ethel M. Dell.

=Keith of the Border.= By Randall Parrish.

=Kent Knowles: Quahaug.= By Joseph C. Lincoln.

=Kingdom of the Blind, The.= By E. Phillips Oppenheim.

       *       *       *       *       *

Transcriber's Notes

Page 17, word "have" added to the text (mom would have lived)

Page 171, word "the" added to the text (in the bank)

Page 181, "esctatic" changed to "ecstatic" (ecstatic trill of)

Page 315, word "the" added to the text (mentioned the operation)






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